{"title":"Carl Stone","description":"\u003cp\u003eBrowse our collection of Carl Stone vinyl records, CDs, box sets, and more at Darkside Records. Shop new and used releases with fresh inventory arriving daily.\u003c\/p\u003e","products":[{"product_id":"carl-stone-we-jazz-reworks-vol-2","title":"Carl Stone- We Jazz Reworks, Vol. 2 (Vinyl)","description":"\u003cp\u003eLimited blue colored vinyl LP pressing. We Jazz Reworks is an idea that repurposes some of the label's output 10 albums at a time. That is, we invite producers whose music we love on board, and one by one, they tackle 10 albums worth of source material, of which they are free to use as much or as little as they choose. The series evolves chronologically, so this volume being number two, the source material is pulled from We Jazz LPs numbers 11 through 20. The artist has complete freedom. Volume 2 in the series happens with Carl Stone, a legendary figure in creative music. His career spans decades of unlimited musical innovation. Stone's recent output on Unseen Worlds, the label who has also been instrumental in issuing some of his remarkable earlier work, ranks among the most original art of our time and renders notions such as \"genre\" virtually meaningless. Here, We Jazz originals by Terkel Nørgaard, OK: KO, Jonah Parzen-Johnson and more are met here with a fresh sense of discovery, spun around and delivered ready for the turntable once again.\u003c\/p\u003e\u003cp\u003eTrack List\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eA1. Umi (8:27)\u003c\/li\u003e\n\u003cli\u003e A2. Sasagin (4:08)\u003c\/li\u003e\n\u003cli\u003e A3. Coraloense (4:45)\u003c\/li\u003e\n\u003cli\u003e B1. Hippo (6:51)\u003c\/li\u003e\n\u003cli\u003e B2. Omar (4:24)\u003c\/li\u003e\n\u003cli\u003e B3. Cut (5:56)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003eShop online 24\/7 at.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"We Jazz","offers":[{"title":"Default Title","offer_id":45005505396957,"sku":"5050580789371","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4128458-3042350.jpg?v=1727246069"},{"product_id":"carl-stone-electronic-music-from-1972-2022","title":"Carl Stone- Electronic Music From 1972-2022 (Vinyl)","description":"\u003cp\u003eElectronic Music from 1972-2022 seeks to frame fifty years of Carl Stone's compositional activity, starting with Stone's earliest professionally presented compositions from 1972 (\"Three Confusongs\" and \"Ryound Thygizunz\", featuring the voice and poetry of Stefan Weiser - later known as Z'EV) up to the present. This collection is not meant as a definitive history but rather as a supplement to be used alongside the previous two archival releases. It is simultaneously an archival release marking Carl Stone's evergreen 70th birthday and a document of archival art. In the spirit of disorienting repetition and layering, call it an archive of archiving. \n\nStone's practice emerged from the repetitive archival process of his graduate job at CalArts preserving vinyl recordings by dubbing them to tape. With perhaps 10,000 albums ranging from Renaissance and electronic works to music from across the globe, he had to re-record multiple discs concurrently, creating chance collisions and coincidences.\n \nIn the decades since, he's explored various ways to compose this process, creating temporal envelopes in which found sounds - existing tracks or field recordings - can take form. Whilst the technologies he's used have changed and samples have varied beyond categorization, what's remained consistent is his concern for organizing temporal experience using fragments of pre-existing sounding events. \n\nStone's impish collage-like constructions of times cut from time suggest that archival records are neither wholly in documents preserved from change nor in living memories and use, but in their interaction.\u003c\/p\u003e\u003cp\u003eTrack List\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eLP1: Three Confusongs\u003c\/li\u003e\n\u003cli\u003e Ryouund Thygizunz\u003c\/li\u003e\n\u003cli\u003e Vim\u003c\/li\u003e\n\u003cli\u003e Noor Mahal LP2: Flint's\u003c\/li\u003e\n\u003cli\u003e Morangak\u003c\/li\u003e\n\u003cli\u003e Ngoc Suong LP3: L'os À Moelle\u003c\/li\u003e\n\u003cli\u003e Walt's\u003c\/li\u003e\n\u003cli\u003e Kustaa\u003c\/li\u003e\n\u003cli\u003e Merkato\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003eShop online 24\/7 at.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Unseen Worlds","offers":[{"title":"Default Title","offer_id":45005519814877,"sku":"769256796876","price":53.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4222067-2986558.jpg?v=1727245546"},{"product_id":"carl-stone-wat-dong-moon-lek","title":"Carl Stone- Wat Dong Moon Lek (Vinyl)","description":"\u003cp\u003eCarl Stone continues his late career prolific renaissance with a new album of sculpted, tuneful MAX\/MSP fantasias. Stone \"plays\" his source material the way Terry Riley's In C \"plays\" an ensemble - with a loose, freewheeling charm connected to the ancient human impulse to make sound, melody, and rhythm from anything. Stone's unique technique simultaneously focuses and sprays sound like a symphony of uncapped fire hydrants. Is this techno, avant-garde, sound art? It's simply (or rather fantastically messily) Carl Stone.\u003c\/p\u003e\u003cp\u003eTrack List\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eRikido\u003c\/li\u003e\n\u003cli\u003e Longo\u003c\/li\u003e\n\u003cli\u003e Korzo\u003c\/li\u003e\n\u003cli\u003e Mozell's\u003c\/li\u003e\n\u003cli\u003e Wat Dong Moon Lek\u003c\/li\u003e\n\u003cli\u003e Apsara\u003c\/li\u003e\n\u003cli\u003e Jangara\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003eShop online 24\/7 at.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Unseen Worlds","offers":[{"title":"Default Title","offer_id":45005587513565,"sku":"769256797354","price":23.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4136875-2883627.jpg?v=1727243027"},{"product_id":"carl-stone-baroo","title":"Carl Stone- Baroo (Vinyl)","description":"\u003cp\u003e\"I have always been searching for a way to articulate the intangible area between the recognizable and the unfathomable, a feeling perhaps informed by some long-abandoned experiments with psychedelics. This has been a continued pursuit starting with my tape experiments in the 1970's until the present, with technological evolution driving new ways of expression. With the exception of Xé May, which is performed on an Elektron Octatrack, these pieces were constructed for live performance using a laptop computer running programs I have built in the MAX programming language. Okajouki and Xé May were composed in 2011, all the rest are from 2018. The pieces use a technique of time slicing that I first started doing back in the 90's, notably with my piece MOM's, wherein sound files are metaphorically shattered in time like glass and then reorganized into mosaic patterns. The technique used to require laborious preparation outside of real-time before the files could be brought onstage. Now not only can it be done spontaneously while performing, but also with a degree of flexibility that I find quite liberating. They are a lot of fun to play and hopefully to listen.\" - Carl Stone\u003c\/p\u003e\u003cp\u003eTrack List\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eOkajouki\u003c\/li\u003e\n\u003cli\u003e Baroo\u003c\/li\u003e\n\u003cli\u003e Xe May\u003c\/li\u003e\n\u003cli\u003e Sun Nong Dan\u003c\/li\u003e\n\u003cli\u003e Panchita\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003eShop online 24\/7 at.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Unseen Worlds","offers":[{"title":"Default Title","offer_id":45005687390429,"sku":"744790142570","price":18.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/3701757-2494924.jpg?v=1727239768"},{"product_id":"carl-stone-himalaya","title":"Carl Stone- Himalaya (Vinyl)","description":"\u003cp\u003eFollowing his critically acclaimed collections Electronic Music from the Seventies and Eighties and Electronic Music from the Eighties and Nineties, Carl Stone pairs Baroo (March 2019) with a double-LP album of recent works, including the final section of \"Fujiken\", his epic journey through southeast Asian field recordings and street cassette culture. On all six tracks, composed between 2013 and 2019, Stone's pan-global playground of looping synths and Asian pop culture remains as fertile as ever, digitally shattered into unimagined patterns and gestures, either through the MAX programming language or (in the case of \"Kikanbou\") by generating unpredictable loops within an Elektron Octatrack sampler. The title track is the first recorded release from Stone's ongoing collaboration with the Japanese vocalist Akaihirume. Elsewhere new influences come from rock (the slow drum break of \"Bia Bia\"), disco (the Nile Rodgers-esque guitar riff \"Kikanbou\") and hip hop (the frenetic percussion loop of \"Han Yan\"). Their diversity only adds to Stone's borderless musical vision, a world where rhythm becomes atmosphere, song becomes beat, and pop becomes art.\u003c\/p\u003e\u003cp\u003eTrack List\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eHan Yan\u003c\/li\u003e\n\u003cli\u003e Bia Bia\u003c\/li\u003e\n\u003cli\u003e Jame Jam\u003c\/li\u003e\n\u003cli\u003e Kikanbou\u003c\/li\u003e\n\u003cli\u003e Fujiken (Final Section)\u003c\/li\u003e\n\u003cli\u003e Himalaya (with Akaihirume)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003eShop online 24\/7 at.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Unseen Worlds","offers":[{"title":"Default Title","offer_id":45006002225373,"sku":"744790142556","price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/3701759-2494923.jpg?v=1727230018"},{"product_id":"carl-stone-stolen-car","title":"Carl Stone- Stolen Car (Vinyl)","description":"\u003cp\u003eOver the past several years, the recorded output of Carl Stone has been turned on it's head. In previous decades, Stone perennially toured new work but kept a harboring gulf of time between the live performances and their recorded release. This not only reflected the careful consideration of the pieces and technical innovations that went into the music but also the largely academic-minded audience that was themselves invested in the history and context of the work. The time span of Stone's recorded output in both sheer musical duration and year range was generously expansive. Following multiple historical overviews of Stone's work on Unseen Worlds and a re-connection with a wider audience, the time between Stone's new work in concert and on record has grown shorter and shorter until there is now almost no distance at all. Stone's work has often at it's core explored new potential within popular cultural musics, simultaneously unspooling and satisfying a pop craving. On Stolen Car, the forms of Carl Stone's pieces have also become more compact, making for a progressive new stage in Stone's career where he is not only creating out of pop forms but challenging them. Stolen Car is the gleeful, heart racing sound of hijack, hotwire, and escape. Stone carries the easy smirk and confidence of a car thief just out of the can, a magician in a new town setting up a game of balls and cups. With each track he reaches under the steering wheel and yanks a fistful of wires. Boom, the engine roars to life, the car speeds off into the sunset, the cups are tipped over, the balls, like the car, are gone. \"These tracks were all made in late 2019 and 2020, much of when I was in pandemic isolation about 5000 miles from my home base of Tokyo. All are made using my favorite programming language MAX. However distinct these two groupings might be they share some common and long-held musical concerns. I seek to explore the inner workings of the music we listen to using techniques of magnification, dissection, granulation, anagramization, and others. I like to hijack the surface values of commercial music and re-purpose them offer a newer, different meaning, via irony and subversion.\" - Carl Stone, Los Angeles, September 2020\u003c\/p\u003e\u003cp\u003eTrack List\u003c\/p\u003e\u003col\u003e\n\u003cli\u003ePasjoli\u003c\/li\u003e\n\u003cli\u003e Huanchaco\u003c\/li\u003e\n\u003cli\u003e Auburn\u003c\/li\u003e\n\u003cli\u003e Au Jus\u003c\/li\u003e\n\u003cli\u003e Hinatei\u003c\/li\u003e\n\u003cli\u003e The Jugged Hare\u003c\/li\u003e\n\u003cli\u003e Rinka\u003c\/li\u003e\n\u003cli\u003e Bojuk\u003c\/li\u003e\n\u003cli\u003e Ganci\u003c\/li\u003e\n\u003cli\u003e Figli\u003c\/li\u003e\n\u003cli\u003e Xiomara\u003c\/li\u003e\n\u003cli\u003e Saaris\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003eShop online 24\/7 at.\u003c\/p\u003e\n\n\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Unseen Worlds","offers":[{"title":"Default Title","offer_id":45006971666653,"sku":"744790142884","price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/3943541-2697284.jpg?v=1727199376"},{"product_id":"carl-stone-electronic-music-from-the-eighties-nineties","title":"Carl Stone- ELECTRONIC MUSIC FROM THE EIGHTIES \u0026 NINETIES (Vinyl)","description":"\u003cp\u003eElectronic Music from the Eighties and Nineties presents the soothing, hallucinatory side of Stone's slow-evolving, time-bending composition. While we can't always identify the source, we can hear that his sounds come from somewhere, and that there is a \"correct\" or \"complete\" version of them in theory; and so we can hear when they are being changed. What drives Stone's music is the flow that he draws out of those differences: the way an Indonesian gamelan morphs into a chorus built from one female vocalist over the course of \"Mae Yao\"'s twenty-three minutes, the surprise emergence of a Mozart chorus out of the synths and skip-glitches of \"Sonali,\" or the slow, ambient evolution of \"Banteay Srey\". \"Woo Lae Oak,\" issued in a single side edit for the first time, is an exception. It's samples - a tremolo string and a bottle being blown across the top like a flute - are simple in the extreme. Yet the Stone hallmark is clearly present, he locates the inherent emotional properties of the sounds - the tingling anticipation of the string and the calm nobility of the wind - and takes them into unexpected expressive territory LABEL: Unseen Worlds\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBanteay Srey\u003c\/li\u003e\n\u003cli\u003eSonali\u003c\/li\u003e\n\u003cli\u003eWoo Lae Oak\u003c\/li\u003e\n\u003cli\u003eMae Yao\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e \u003cp\u003eUPC \u0026gt; 766008587874\u003c\/p\u003e\u003cp\u003eFormat \u0026gt; New Vinyl\u003c\/p\u003e\u003cp\u003eLabel \u0026gt; Unseen Worlds\u003c\/p\u003e\u003cp\u003eShop online at.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46974303961309,"sku":"766008587874","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/3608198-3095412.jpg?v=1762832779"},{"product_id":"carl-stone-wat-dong-moon-lek-1","title":"Carl Stone- Wat Dong Moon Lek (CD)","description":"\u003cp\u003eCarl Stone continues his late career prolific renaissance with a new album of sculpted, tuneful MAX\/MSP fantasias. Stone \"plays\" his source material the way Terry Riley's In C \"plays\" an ensemble - with a loose, freewheeling charm connected to the ancient human impulse to make sound, melody, and rhythm from anything. Stone's unique technique simultaneously focuses and sprays sound like a symphony of uncapped fire hydrants. Is this techno, avant-garde, sound art? It's simply (or rather fantastically messily) Carl Stone.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRikido\u003c\/li\u003e\n\u003cli\u003eLongo\u003c\/li\u003e\n\u003cli\u003eKorzo\u003c\/li\u003e\n\u003cli\u003eMozell's\u003c\/li\u003e\n\u003cli\u003eWat Dong Moon Lek\u003c\/li\u003e\n\u003cli\u003eApsara Jangara\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46984747090141,"sku":"769256797378","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4077600-2809327.jpg?v=1762927965"},{"product_id":"carl-stone-himalaya-1","title":"Carl Stone- Himalaya (CD)","description":"\u003cp\u003eFollowing his critically acclaimed collections Electronic Music from the Seventies and Eighties and Electronic Music from the Eighties and Nineties, Carl Stone pairs Baroo (March 2019) with a double-LP album of recent works, including the final section of \"Fujiken\", his epic journey through southeast Asian field recordings and street cassette culture. On all six tracks, composed between 2013 and 2019, Stone's pan-global playground of looping synths and Asian pop culture remains as fertile as ever, digitally shattered into unimagined patterns and gestures, either through the MAX programming language or (in the case of \"Kikanbou\") by generating unpredictable loops within an Elektron Octatrack sampler. The title track is the first recorded release from Stone's ongoing collaboration with the Japanese vocalist Akaihirume. Elsewhere new influences come from rock (the slow drum break of \"Bia Bia\"), disco (the Nile Rodgers-esque guitar riff \"Kikanbou\") and hip hop (the frenetic percussion loop of \"Han Yan\"). Their diversity only adds to Stone's borderless musical vision, a world where rhythm becomes atmosphere, song becomes beat, and pop becomes art.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHan Yan\u003c\/li\u003e\n\u003cli\u003eBia Bia\u003c\/li\u003e\n\u003cli\u003eJame Jam\u003c\/li\u003e\n\u003cli\u003eKikanbou\u003c\/li\u003e\n\u003cli\u003eFujiken (Final Section)\u003c\/li\u003e\n\u003cli\u003eHimalaya (with Akaihirume)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46985949216989,"sku":"744790142532","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/3701760-2413725.jpg?v=1762930159"},{"product_id":"carl-stone-stolen-car-1","title":"Carl Stone- Stolen Car (CD)","description":"\u003cp\u003eOver the past several years, the recorded output of Carl Stone has been turned on it's head. In previous decades, Stone perennially toured new work but kept a harboring gulf of time between the live performances and their recorded release. This not only reflected the careful consideration of the pieces and technical innovations that went into the music but also the largely academic-minded audience that was themselves invested in the history and context of the work. The time span of Stone's recorded output in both sheer musical duration and year range was generously expansive. Following multiple historical overviews of Stone's work on Unseen Worlds and a re-connection with a wider audience, the time between Stone's new work in concert and on record has grown shorter and shorter until there is now almost no distance at all. Stone's work has often at it's core explored new potential within popular cultural musics, simultaneously unspooling and satisfying a pop craving. On Stolen Car, the forms of Carl Stone's pieces have also become more compact, making for a progressive new stage in Stone's career where he is not only creating out of pop forms but challenging them. Stolen Car is the gleeful, heart racing sound of hijack, hotwire, and escape. Stone carries the easy smirk and confidence of a car thief just out of the can, a magician in a new town setting up a game of balls and cups. With each track he reaches under the steering wheel and yanks a fistful of wires. Boom, the engine roars to life, the car speeds off into the sunset, the cups are tipped over, the balls, like the car, are gone. \"These tracks were all made in late 2019 and 2020, much of when I was in pandemic isolation about 5000 miles from my home base of Tokyo. All are made using my favorite programming language MAX. However distinct these two groupings might be they share some common and long-held musical concerns. I seek to explore the inner workings of the music we listen to using techniques of magnification, dissection, granulation, anagramization, and others. I like to hijack the surface values of commercial music and re-purpose them offer a newer, different meaning, via irony and subversion.\" - Carl Stone, Los Angeles, September 2020\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePasjoli\u003c\/li\u003e\n\u003cli\u003eHuanchaco\u003c\/li\u003e\n\u003cli\u003eAuburn\u003c\/li\u003e\n\u003cli\u003eAu Jus\u003c\/li\u003e\n\u003cli\u003eHinatei\u003c\/li\u003e\n\u003cli\u003eThe Jugged Hare\u003c\/li\u003e\n\u003cli\u003eRinka\u003c\/li\u003e\n\u003cli\u003eBojuk\u003c\/li\u003e\n\u003cli\u003eGanci 1\u003c\/li\u003e\n\u003cli\u003eFigli 1\u003c\/li\u003e\n\u003cli\u003eXiomara 1\u003c\/li\u003e\n\u003cli\u003eSaaris\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46986065412317,"sku":"769256795411","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/3943542-2697285.jpg?v=1762930371"},{"product_id":"carl-stone-baroo-1","title":"Carl Stone- Baroo (CD)","description":"\u003cp\u003e\"I have always been searching for a way to articulate the intangible area between the recognizable and the unfathomable, a feeling perhaps informed by some long-abandoned experiments with psychedelics. This has been a continued pursuit starting with my tape experiments in the 1970's until the present, with technological evolution driving new ways of expression. With the exception of Xé May, which is performed on an Elektron Octatrack, these pieces were constructed for live performance using a laptop computer running programs I have built in the MAX programming language. Okajouki and Xé May were composed in 2011, all the rest are from 2018. The pieces use a technique of time slicing that I first started doing back in the 90's, notably with my piece MOM's, wherein sound files are metaphorically shattered in time like glass and then reorganized into mosaic patterns. The technique used to require laborious preparation outside of real-time before the files could be brought onstage. Now not only can it be done spontaneously while performing, but also with a degree of flexibility that I find quite liberating. They are a lot of fun to play and hopefully to listen.\" - Carl Stone\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOkajouki\u003c\/li\u003e\n\u003cli\u003eBaroo\u003c\/li\u003e\n\u003cli\u003eXe May\u003c\/li\u003e\n\u003cli\u003eSun Nong Dan\u003c\/li\u003e\n\u003cli\u003ePanchita\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46986713596125,"sku":"744790142563","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/3701758-2413727.jpg?v=1762931486"},{"product_id":"carl-stone-asuna-imu-plastos","title":"Carl Stone \/ Asuna- Imu Plastos (CD)","description":"\u003cp\u003eUPC \u0026gt; 764227945420\u003c\/p\u003e\u003cp\u003eFormat \u0026gt; New CD\u003c\/p\u003e\u003cp\u003eLabel \u0026gt; Room40\u003c\/p\u003e\u003cp\u003eShop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":47625419915485,"sku":"764227945420","price":22.65,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/4501422-3547432.jpg?v=1773726616"}],"url":"https:\/\/darksiderecords.myshopify.com\/collections\/carl-stone.oembed","provider":"Darkside Records","version":"1.0","type":"link"}