{"product_id":"discover-music-of-the-baroque-discover-music-of-the-baroque","title":"Discover Music Of The Baroque- Discover: Music of the Baroque (CD)","description":"\u003cp\u003eNaxos AudioBook Grandiose and glamorous, Baroque music stands alone, written to glorify the finest courts of Europe. It's greatest composers, such as Vivaldi, Handel and Bach, head a fascinating cast of musical magicians, including Albinoni, Pachelbel and Scarlatti. Their lives are as intriguing as their music: we find virtuoso performers who earned their bread and butter in the cathedrals of Europe while keeping company with kings and queens, and setting opera houses ablaze across the continent with their fabulous new music. Discover Music of the Baroque Era is rich in musical detail.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChapter 1: Enter the Players\u003c\/li\u003e\n\u003cli\u003eIndividuality\u003c\/li\u003e\n\u003cli\u003eItaly: The Cradle of the Baroque\u003c\/li\u003e\n\u003cli\u003eConcerto Grosso in B Minor, Op. 6, No. 12, HWV 330: III. Larghetto, E Piano - Variatio\u003c\/li\u003e\n\u003cli\u003eInstrumental Development and Choral Virtuosity\u003c\/li\u003e\n\u003cli\u003eViolin Sonata No. 1 in G Minor, BWV 1001: I. Adagio\u003c\/li\u003e\n\u003cli\u003eThis Change Is Especially Dramatic\u003c\/li\u003e\n\u003cli\u003eKeyboard Sonata in D Minor, K. 120\/L.215\/P.146: Allegrissimo\u003c\/li\u003e\n\u003cli\u003eMany Regard the Choral Music of J.S. Bach 1\u003c\/li\u003e\n\u003cli\u003eJauchzet Gott in Allen Landen, BWV 51: Aria: Jauchzet Gott in Allen Landen! 1\u003c\/li\u003e\n\u003cli\u003eIt's Time Now to Go Back to the Early Seventeenth Century 1\u003c\/li\u003e\n\u003cli\u003eIl Salmo Miserere Mei Deus 1\u003c\/li\u003e\n\u003cli\u003eChapter 2: The Beginnings ? Italy 1\u003c\/li\u003e\n\u003cli\u003eSacrae Symphoniae: Sonata Pian E Forte a 8 (Arr. E. Crees for Brass) 1\u003c\/li\u003e\n\u003cli\u003eThe Contribution to Music of the Next Great Italian Composer 1\u003c\/li\u003e\n\u003cli\u003eVespers of the Blessed Virgin: Domine Ad Adiuvandum 1\u003c\/li\u003e\n\u003cli\u003eWhen Monteverdis Patron Died in 1612 1\u003c\/li\u003e\n\u003cli\u003eMein Junges Leben Hat Ein End, SWWV 324 1\u003c\/li\u003e\n\u003cli\u003eAs Well As Being An Outstanding Composer 2\u003c\/li\u003e\n\u003cli\u003eLa, la, la, Je Ne Lose Dire 2\u003c\/li\u003e\n\u003cli\u003eWell Now, from the Engaging Work of a Minor Composer 2\u003c\/li\u003e\n\u003cli\u003ePsalmen Davids Sampt Etlichen Moteten Und Concerten, Op. 2: Jauchzet Dem Herren, Alle Welt, SWV 36, \"Psalm 100 2\u003c\/li\u003e\n\u003cli\u003eIn 1625 Schutz Was Stricken By the Death of His Wife 2\u003c\/li\u003e\n\u003cli\u003eEngland 2\u003c\/li\u003e\n\u003cli\u003eRoyal Consort in D Major for 2 Theorbos: V. Ecco 2\u003c\/li\u003e\n\u003cli\u003eWhen Civil War Broke Out in England 2\u003c\/li\u003e\n\u003cli\u003eChapter 3: The Fashion Spreads ? Different Styles for Different Lands 2\u003c\/li\u003e\n\u003cli\u003eDevelopment of Dance Suites 2\u003c\/li\u003e\n\u003cli\u003eMajor, Minor and Modulation 3\u003c\/li\u003e\n\u003cli\u003eItaly: The Land of Song 3\u003c\/li\u003e\n\u003cli\u003eO Di Betlemme, Altera Poverta: Aria: Lautor Dogni Mio Bene 3\u003c\/li\u003e\n\u003cli\u003eThe Violin 3\u003c\/li\u003e\n\u003cli\u003eSonata in D Major a 8 Viole Con Una Tromba: I. Allegro 3\u003c\/li\u003e\n\u003cli\u003eStradella, Incidentally, While Not in the First Division 3\u003c\/li\u003e\n\u003cli\u003eGermany 3\u003c\/li\u003e\n\u003cli\u003eMembra Jesu Nostri, Buxwv 75: III. Ad Manus: Quid Sunt Plagae Istae 3\u003c\/li\u003e\n\u003cli\u003eSome Years Younger Than Buxtehude Was Johann Pachelbel 3\u003c\/li\u003e\n\u003cli\u003eToccata in C Major 3\u003c\/li\u003e\n\u003cli\u003eFrance 4\u003c\/li\u003e\n\u003cli\u003eBenedictus: Benedictus 4\u003c\/li\u003e\n\u003cli\u003eLess Formal in His Approach to Composition 4\u003c\/li\u003e\n\u003cli\u003eUn Flambeau, Janette, Isabelle!, H. 460C 4\u003c\/li\u003e\n\u003cli\u003eFrench Keyboard Music 4\u003c\/li\u003e\n\u003cli\u003eEngland 4\u003c\/li\u003e\n\u003cli\u003eHear My Prayer, O Lord, Z. 15 4\u003c\/li\u003e\n\u003cli\u003eIn 1683 Came the First of Purcells Odes for St Cecilias Day 4\u003c\/li\u003e\n\u003cli\u003eDido and Aeneas, Z. 626, Act III: When I Am Laid in Earth 4\u003c\/li\u003e\n\u003cli\u003eA Few Years Later, at the End of the Freezing Winter of 1695 4\u003c\/li\u003e\n\u003cli\u003eChapter 4: Full Flower ? High Baroque 5\u003c\/li\u003e\n\u003cli\u003eItaly 5\u003c\/li\u003e\n\u003cli\u003eConcerto Grosso in G Minor, Op. 6, No. 8, \"Christmas Concerto\": VI. Pastorale 5\u003c\/li\u003e\n\u003cli\u003eBorn Near Bologna, Corelli Began to Learn the Violin 5\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in D Major, Op. 10, No. 3, RV 428, \"Il Gardellino\": I. Allegro 5\u003c\/li\u003e\n\u003cli\u003eIt Must Have Been the Public Thirst for Novelty 5\u003c\/li\u003e\n\u003cli\u003eBeatus Vir in C Major, RV 597: Beatus Vir Qui Timet Dominum 5\u003c\/li\u003e\n\u003cli\u003eIt Seems As If Vivaldi Became Restless 5\u003c\/li\u003e\n\u003cli\u003eBaroque Concertos Beyond Vivaldi 5\u003c\/li\u003e\n\u003cli\u003eKeyboard Sonata in E Major, K.380\/L.23\/P.483: Andante Comodo 5\u003c\/li\u003e\n\u003cli\u003eBy Contrast, the Sonata in D Major, K. 96 Is Much More Rapid 6\u003c\/li\u003e\n\u003cli\u003eKeyboard Sonata in D Major, K. 96\/L.465\/P.210: Allegrissimo 6\u003c\/li\u003e\n\u003cli\u003eGermany 6\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in G Major, BWV 550 6\u003c\/li\u003e\n\u003cli\u003eAlthough He Appeared to Have Been Comfortable Enough 6\u003c\/li\u003e\n\u003cli\u003eBrandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro Assai 6\u003c\/li\u003e\n\u003cli\u003eAt Least Two of Bachs Four Orchestral Suites 6\u003c\/li\u003e\n\u003cli\u003eThe Well-Tempered Clavier, Book 1: Prelude and Fugue No. 16 in G Minor, BWV 861 6\u003c\/li\u003e\n\u003cli\u003eOne Vocal Work to Emerge from Bachs Secular Years 6\u003c\/li\u003e\n\u003cli\u003eWeichet Nur, Betrubte Schatten, BWV 202, \"Wedding Cantata\": Aria: Sich Uben Im Lieben 6\u003c\/li\u003e\n\u003cli\u003eIt Was on His Return from a Visit to Karlsbad 7\u003c\/li\u003e\n\u003cli\u003eST. Matthew Passion, BWV 244, Part III: Chorus: Wir Setzen Uns Mit Tranen Nieder 7\u003c\/li\u003e\n\u003cli\u003eThere Were Consolations in Bachs Difficult Time in Leipzig 7\u003c\/li\u003e\n\u003cli\u003eKeyboard Concerto in F Minor, BWV 1056: II. Largo 7\u003c\/li\u003e\n\u003cli\u003eTowards the End of the Seventeenth Century 7\u003c\/li\u003e\n\u003cli\u003eGerman Opera 7\u003c\/li\u003e\n\u003cli\u003eOverture (Suite) in D Major, TWV 55:D15: VIII. Rejouissance 7\u003c\/li\u003e\n\u003cli\u003eTelemann Has Sometimes Been Accused of Superficiality 7\u003c\/li\u003e\n\u003cli\u003eFrance 7\u003c\/li\u003e\n\u003cli\u003ePieces de Clavecin, Book 1: 1st Ordre in G Minor-Major: Les Sentiments 7\u003c\/li\u003e\n\u003cli\u003eFurther on in the Same Suite 8\u003c\/li\u003e\n\u003cli\u003ePieces de Clavecin, Book 1: 1st Ordre in G Minor-Major: La Manon 8\u003c\/li\u003e\n\u003cli\u003eIn 1716, at the Height of His Fame and Success 8\u003c\/li\u003e\n\u003cli\u003eAbaris Ou Les Boreades: Gavotte Pour Les Fleures Et Les Zephirs 8\u003c\/li\u003e\n\u003cli\u003eUnfortunately, the Opera Was Never Produced 8\u003c\/li\u003e\n\u003cli\u003eVII. Musette en Rondeau 8\u003c\/li\u003e\n\u003cli\u003eVIII. Tambourin 8\u003c\/li\u003e\n\u003cli\u003eEngland 8\u003c\/li\u003e\n\u003cli\u003eRinaldo, HWV 7, Act II: Aria: Lascia Chio Pianga 8\u003c\/li\u003e\n\u003cli\u003eBack in Hanover the Following Summer 8\u003c\/li\u003e\n\u003cli\u003eAcis and Galatea, HWV 49, Act II: Aria: O Ruddier Than the Cherry 9\u003c\/li\u003e\n\u003cli\u003eItalian Opera at This Time Was All the Rage in London 9\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille 9\u003c\/li\u003e\n\u003cli\u003eAs the Public Wearied of Temperamental Divas and Castrati 9\u003c\/li\u003e\n\u003cli\u003eMessiah, HWV 56, Part I: For Unto a Child Is Born 9\u003c\/li\u003e\n\u003cli\u003eStrange to Say, Messiah Was Not So Well Received 9\u003c\/li\u003e\n\u003cli\u003eConcerto Grosso in D Minor, Op. 6, No. 10, HWV 328: VI. Allegro Moderato 9\u003c\/li\u003e\n\u003cli\u003eHandel Surely Sensed That the Musical World 9\u003c\/li\u003e\n\u003cli\u003eCoda\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e \u003cp\u003eUPC \u0026gt; 9789626349595\u003c\/p\u003e\u003cp\u003eFormat \u0026gt; New CD\u003c\/p\u003e\u003cp\u003eLabel \u0026gt; Naxos Audio Books\u003c\/p\u003e\u003cp\u003eShop online at \u003ca href=\"https:\/\/shop.darksiderecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDarkside Records\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003eFollow us on \u003ca href=\"https:\/\/www.instagram.com\/darksiderecordspk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eInstagram\u003c\/a\u003e.\u003c\/p\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":47541394505949,"sku":"9789626349595","price":220.0,"currency_code":"CNY","in_stock":true}],"url":"https:\/\/darksiderecords.myshopify.com\/products\/discover-music-of-the-baroque-discover-music-of-the-baroque","provider":"Darkside Records","version":"1.0","type":"link"}