{"product_id":"jeremy-siepmann-symphony-9-introduction-to-dvorak","title":"Jeremy Siepmann- Symphony 9: Introduction to Dvorak (CD)","description":"\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": A quiet beginning: sorrow, syncopation, and sequence\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Instrumental colour as a prime element: clarinets and bassoo\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The opening tune again, with different instrumental colourin\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The first big surprise: strings, shattering drumbeats, shrie\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Cellos and basses take us into a new key while flutes and ob\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Horns, violas, and cellos introduce a new idea, soon to evol\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": A tiny detail from the opening culminates in a wild drumming\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Introduction complete\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": A solo horn introduces the main theme, perkily answered by b\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The theme moves to G major; answering phrase from flutes, ob\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Long crescendo, tremolo strings, back to tonic and biggest s\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Transition to the secondary theme through the use of sequenc\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Three-bar groupings and again the use of sequence, spelling\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The sequence continues to rise, and the four-bar phrase retu\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The first violins start off the next phrase, but the melodic\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The violins fall silent; the violas and cellos answer with a\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": So now we have a two-bar group, made up of statement and ans\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The same thing again (though not quite the same)\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Transition complete. The secondary theme arrives, with Frenc\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The 'bagpipe drone' is taken over by cellos, with their insi\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The tune is taken up by cellos and double-basses, 'shadowed'\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The violins continue a pattern of steady pairs, and the cell\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Unexpectedly, we find ourselves back with the secondary them\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Again we hear the shortened version of the secondary theme\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The suspense is heightened as everything slows down\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": This beautiful flute tune is said to resemble 'Swing Low, Sw\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": A big crescendo leads to a final statement of the closing th\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The development section begins with a conversation between c\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The beginning of the closing theme is taken up in turn by th\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Sequential chirping from the oboes based on the 'answering'\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Much of the development comes from a diminution of the closi\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": A tiny detail becomes a major ingredient, giving an agitated\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Through a sequence of keys so quickly that it is hard to kee\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The main theme from massed cellos and double-basses, topped\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": After that major climax, we arrive at the threshold of the r\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Dvorak flouts tradition by setting the secondary theme and t\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The tumultuous convulsion of the coda brings the first movem\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Humpty Dumpty: putting the bits back together again\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": First movement (complete)\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The very opening chords unmistakably herald the arrival of s\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The role of instrumentation in setting the scene...\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": ...and in enhancing the quality of one of the most famous tu\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The cor anglais is joined by the clarinet, creating a fascin\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": For the closing part of the tune, there is another new sonor\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The closing bar is repeated by clarinets and bassoons, the h\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Back to the start to hear the whole of the story so far, thi\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": A change of scoring: the slow opening chords return, this ti\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The changes in scoring are just beginning.\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The flutes and oboes introduce a new tune, over hushed tremo\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": A memorable combination of continuous, asymmetrical melody w\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Back in that woodland glade, the light and shadows have chan\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The next section is new and forward-looking, yet also a kind\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": An abrupt change of mood, much discussion and embellishment,\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Subjectivity and expertise; Sourek and Tovey disagree; onwar\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Cue to whole movement\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Second movement (complete)\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Dvorak, Beethoven, and the Scherzo. Dvorak purposely confuse\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Using a little fanfare, Dvorak further builds up expectation\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": When the theme is revealed, we find that it is not exactly a\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Two little bursts of rhythm provide the seeds from which muc\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": It is the second half of the theme that dominates.\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Back to the beginning to hear the whole of this opening sect\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Without ever being remotely 'academic' or 'intellectual', th\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Dvorak's very Czech love of combining conflicting rhythms, s\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": A clearly transitional passage, obsessed with the rhythmic t\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Sooner than we may have expected, we seem to have arrived at\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": A new kind of tone quality sheds a subtly different light on\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The flutes and oboes now chime in with an answering variant\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": ...and the cellos and bassoons take up the original version\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": A false alarm: it was not the traditional Trio section at al\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Soon, after a very rapid build, the Scherzo proper does reac\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The orchestral texture thins dramatically, and we approach w\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The Trio section is reminiscent more of the 'Old World' than\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": In the second half of the Trio, a new tune emerges, a kind o\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The main theme of the Trio returns against a much fuller orc\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Then it is all a matter of repeats, until we reach the coda,\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Third movement (complete)\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Like the first movement, the fourth begins not with its main\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The main theme: an imposing march, introduced by trumpets an\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The main theme, part two. A codetta-like passage closes off\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The 'transitional' theme, while outwardly contrasting, is ac\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": A point of future obsession\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The second half of this 'transitional' theme is given to the\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The 'obsession' takes root, with a ten-fold repetition, befo\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The hidden traps in sonata-form terminology: 'second main th\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The unexpected entry and subsequent ubiquity of 'Three Blind\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": We meet the mice again, now in the cellos and double-basses,\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": More 'Three Blind Mice' material\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The mice return to the basement, where the bassoons have joi\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Next, they are back with the clarinets who pass them back to\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Now they return to the high winds, delicately trilling.\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Relief, at last: the mice back off, making way for a remaind\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The mice yield to woodpeckers; the main theme is now doubled\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The triplets of the 'transitional' theme are now handed down\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Reminders of past movements begin to fly by, thick and fast,\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": In fact there are three bits of quotation going on here simu\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The violas react every time the 'Goin' Home' theme is quoted\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The rhythm of the opening of the 'Goin' Home' theme dominate\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The march theme reappears as a Mendelssohnian fairy; the mai\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": We reach an interesting point: have we heard the beginning o\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Perhaps this is it? Back for a reminder of the theme proper,\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Tovey places the start of the recapitulation here.\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The main theme recast in pathetic rather than heroic terms -\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": This unexpected crisis in confidence plays a major role in t\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The main theme returns - not complete, but chopped up into s\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": A glorious thematic stew; high drama, a powerful build-up...\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The dramatic highpoint of the mov., an astonishing transform\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": The same chords again, this time blasted out by the entire w\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Now we are into the finishing stretch, but the surprises con\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Summary, context, and cue into the whole movement\u003c\/li\u003e\n\u003cli\u003eAn Introduction to … Dvorak Symphony No. 9, \"From the New World\": Fourth movement (complete)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46984304558301,"sku":"636943806524","price":179.0,"currency_code":"CNY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/444335.jpg?v=1762927096","url":"https:\/\/darksiderecords.myshopify.com\/zh-cn\/products\/jeremy-siepmann-symphony-9-introduction-to-dvorak","provider":"Darkside Records","version":"1.0","type":"link"}