{"product_id":"various-the-history-of-classical-music-in-24-hours-24cd","title":"Various- The History of Classical Music in 24 Hours (24CD)","description":"\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003cbr\u003e\n1. Graduale: Omnes de Saba venient\u003cbr\u003e\n2. Offertorium: Reges Tharsis\u003cbr\u003e\n3. Communio: Vidimus stellam eius\u003cbr\u003e\n4. Introitus: Terribilis est locus iste\u003cbr\u003e\n5. Alleluia: Adorabo ad templum sanctum tuum\u003cbr\u003e\n6. Offertorium: Domine Deus, in simplicitate\u003cbr\u003e\n7. Communio: Domus mea\u003cbr\u003e\n8. Viderunt omnes\u003cbr\u003e\n9. Sederunt principes\u003cbr\u003e\n10. Lasse! comment oublieray\u003cbr\u003e\n11. Qui es promesses\u003cbr\u003e\n12. Hoquetus David\u003cbr\u003e\n13. Christe, qui lux es\u003cbr\u003e\n14. Lamento di Tristano - La Rotta\u003cbr\u003e\n15. Motets: Veni Sancte Spiritus\u003cbr\u003e\n16. Istampita Cominciamento di gioia\u003cbr\u003e\n17. Motets: Flos florum\u003cbr\u003e\n18. Motets: Alma redemptoris mater\u003cbr\u003e\n19. Basse danse la Brosse - Tripla - Tourdion\u003cbr\u003e\n20. Basse danse la Gatta\u003cbr\u003e\n21. Basse danse la Magdalena\u003cbr\u003e\n22. Déploration sur la mort de Ockeghem\u003cbr\u003e\n23. Passamezzo d’Italye - Reprise - Gaillarde\u003cbr\u003e\n24. 3 Motets: Super flumina Babylonis\u003cbr\u003e\n25. A Fantasia\u003cbr\u003e\n26. Mass for Three Voices: Kyrie\u003cbr\u003e\n27. Mass for Three Voices: Gloria\u003cbr\u003e\n28. Mass for Three Voices: Credo\u003cbr\u003e\n29. Mass for Three Voices: Sanctus - Benedictus\u003cbr\u003e\n30. Mass for Three Voices: Agnus Dei\u003cbr\u003e\n31. Easter Oratorio, BWV 249: I. Sinfonia\u003cbr\u003e\n32. Easter Oratorio, BWV 249: II. Adagio\u003cbr\u003e\n33. Easter Oratorio, BWV 249: III. Chorus: Kommt, eilet und laufet\u003cbr\u003e\n34. Easter Oratorio, BWV 249: IV. Recitativo: O kalter Männer Sinn (Alto, Soprano, Tenor, Bass)\u003cbr\u003e\n35. Easter Oratorio, BWV 249: V. Aria: Seele, deine Spezereien (Soprano)\u003cbr\u003e\n36. Easter Oratorio, BWV 249: VI. Recitativo: Hier ist die Gruft (Tenor, Bass, Alto)\u003cbr\u003e\n37. Easter Oratorio, BWV 249: VII. Aria: Sanfte soll mein Todeskummer (Tenor)\u003cbr\u003e\n38. Easter Oratorio, BWV 249: VIII. Recitativo: Indessen seufzen wir (Soprano, Alto)\u003cbr\u003e\n39. Easter Oratorio, BWV 249: IX. Aria: Saget, saget mir geschwinde (Alto)\u003cbr\u003e\n40. Easter Oratorio, BWV 249: X. Recitativo: Wir sind erfreut (Bass)\u003cbr\u003e\n41. Easter Oratorio, BWV 249: XI. Chorus: Preis und Dank\u003cbr\u003e\n42. Messiah, HWV 56: Symphony\u003cbr\u003e\n43. Messiah, HWV 56: “Ev’ry Valley Shall Be Exalted”\u003cbr\u003e\n44. Messiah, HWV 56: “And the Glory of the Lord”\u003cbr\u003e\n45. Messiah, HWV 56: “And He Shall Purify the Sons of Levi”\u003cbr\u003e\n46. Messiah, HWV 56: “For Unto Us a Child Is Born”\u003cbr\u003e\n47. Messiah, HWV 56: “He Shall Feed His Flock”\u003cbr\u003e\n48. Messiah, HWV 56: “Lift Up Your Heads”\u003cbr\u003e\n49. Messiah, HWV 56: “Hallelujah”\u003cbr\u003e\n50. Messiah, HWV 56: “Worthy Is the Lamb… Amen”\u003cbr\u003e\n51. Canon and Gigue in D major, P 37: 1. Canon\u003cbr\u003e\n52. Canon and Gigue in D major, P 37: 2. Gigue\u003cbr\u003e\n53. Solomon, HWV 67: Arrival of the Queen of Sheba\u003cbr\u003e\n54. Brandenburg Concerto no. 1 in F, BWV 1046: 1. (without tempo indication)\u003cbr\u003e\n55. Brandenburg Concerto no. 1 in F, BWV 1046: 2. Adagio\u003cbr\u003e\n56. Brandenburg Concerto no. 1 in F, BWV 1046: 3. Allegro\u003cbr\u003e\n57. Brandenburg Concerto no. 1 in F, BWV 1046: 4. Menuet - Trio - Polonaise\u003cbr\u003e\n58. Music for the Royal Fireworks Suite, HWV 351: 1. Ouverture\u003cbr\u003e\n59. Music for the Royal Fireworks Suite, HWV 351: 2. Bourrée\u003cbr\u003e\n60. Music for the Royal Fireworks Suite, HWV 351: 3. La Paix\u003cbr\u003e\n61. Music for the Royal Fireworks Suite, HWV 351: 4. La Réjouissance\u003cbr\u003e\n62. Music for the Royal Fireworks Suite, HWV 351: 5. Menuet I\u003cbr\u003e\n63. Music for the Royal Fireworks Suite, HWV 351: 6. Menuet II\u003cbr\u003e\n64. Concerto for Violin and Strings in E major, op. 8 no. 1, RV 269 “La primavera”: 1. Allegro\u003cbr\u003e\n65. Concerto for Violin and Strings in E major, op. 8 no. 1, RV 269 “La primavera”: 2. Largo\u003cbr\u003e\n66. Concerto for Violin and Strings in E major, op. 8 no. 1, RV 269 “La primavera”: 3. Allegro (Danza pastorale)\u003cbr\u003e\n67. Ciacona in G minor, Z. 730\u003cbr\u003e\n68. Symphony no. 94 in G major, Hob. I:94 “Surprise”: 1. Adagio - Vivace assai\u003cbr\u003e\n69. Symphony no. 94 in G major, Hob. I:94 “Surprise”: 2. Andante\u003cbr\u003e\n70. Symphony no. 94 in G major, Hob. I:94 “Surprise”: 3. Menuet (Allegro molto)\u003cbr\u003e\n71. Symphony no. 94 in G major, Hob. I:94 “Surprise”: 4. Finale (Allegro di molto)\u003cbr\u003e\n72. Symphony no. 35 in D major, K. 385 “Haffner”: 1. Allegro con spirito\u003cbr\u003e\n73. Symphony no. 35 in D major, K. 385 “Haffner”: 2. Andante\u003cbr\u003e\n74. Symphony no. 35 in D major, K. 385 “Haffner”: 3. Menuetto\u003cbr\u003e\n75. Symphony no. 35 in D major, K. 385 “Haffner”: 4. Finale (Presto)\u003cbr\u003e\n76. Symphony no. 5 in C minor, op. 67: 1. Allegro con brio\u003cbr\u003e\n77. Symphony no. 5 in C minor, op. 67: 2. Andante con moto\u003cbr\u003e\n78. Symphony no. 5 in C minor, op. 67: 3. Allegro\u003cbr\u003e\n79. Symphony no. 5 in C minor, op. 67: 4. Allegro\u003cbr\u003e\n80. Trumpet Concerto in E-flat, H. VIIe\/1: 1. Allegro\u003cbr\u003e\n81. Trumpet Concerto in E-flat, H. VIIe\/1: 2. Andante\u003cbr\u003e\n82. Trumpet Concerto in E-flat, H. VIIe\/1: 3. Allegro\u003cbr\u003e\n83. Clarinet Concerto in A, K. 622: 1. Allegro - Cadenza by Charles Neidich\u003cbr\u003e\n84. Clarinet Concerto in A, K. 622: 2. Adagio - Cadenza by Charles Neidich\u003cbr\u003e\n85. Clarinet Concerto in A, K. 622: 3. Rondo (Allegro)\u003cbr\u003e\n86. Piano Concerto no. 4 in G major, op. 58: 1. Allegro moderato\u003cbr\u003e\n87. Piano Concerto no. 4 in G major, op. 58: 2. Andante con moto\u003cbr\u003e\n88. Piano Concerto no. 4 in G major, op. 58: 3. Rondo. Vivace\u003cbr\u003e\n89. Symphonie fantastique, op. 14, H. 48: 1. Rêveries. Passions (Largo - Allegro agitato ed appassionato assai)\u003cbr\u003e\n90. Symphonie fantastique, op. 14, H. 48: 2. Un bal (Valse: Allegro non troppo)\u003cbr\u003e\n91. Symphonie fantastique, op. 14, H. 48: 3. Scène aux champs (Adagio)\u003cbr\u003e\n92. Symphonie fantastique, op. 14, H. 48: 4. Marche au supplice (Allegretto non troppo)\u003cbr\u003e\n93. Symphonie fantastique, op. 14, H. 48: 5. Songe d’une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso)\u003cbr\u003e\n94. “Anacreon” Overture\u003cbr\u003e\n95. La muette de Portici: Overture\u003cbr\u003e\n96. Symphony no. 8 in B minor, D. 759 “Unfinished”: 1. Allegro Moderato\u003cbr\u003e\n97. Symphony no. 8 in B minor, D. 759 “Unfinished”: 2. Andante Con Moto\u003cbr\u003e\n98. Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto - Allegro - Meno allegro\u003cbr\u003e\n99. Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto\u003cbr\u003e\n100. Symphony no. 1 in C minor, op. 68: 3. Un poco allegretto e grazioso\u003cbr\u003e\n101. Symphony no. 1 in C minor, op. 68: 4. Adagio - Piu andante - Allegro non troppo, ma con brio - Piu allegro\u003cbr\u003e\n102. Dichterliebe, op. 48: 1. Im wunderschönen Monat Mai\u003cbr\u003e\n103. Dichterliebe, op. 48: 2. Aus meinen Tränen sprießen\u003cbr\u003e\n104. Dichterliebe, op. 48: 3. Die Rose, die Lilie, die Taube, die Sonne\u003cbr\u003e\n105. Dichterliebe, op. 48: 4. Wenn ich in Deine Augen seh’\u003cbr\u003e\n106. Dichterliebe, op. 48: 5. Ich will meine Seele tauchen\u003cbr\u003e\n107. Dichterliebe, op. 48: 6. Im Rhein, im heiligen Strome\u003cbr\u003e\n108. Dichterliebe, op. 48: 7. Ich grolle nicht\u003cbr\u003e\n109. Dichterliebe, op. 48: 8. Und wüßten’s die Blumen, die kleinen\u003cbr\u003e\n110. Dichterliebe, op. 48: 9. Das ist ein Flöten und Geigen\u003cbr\u003e\n111. Dichterliebe, op. 48: 10. Hör’ ich das Liedchen klingen\u003cbr\u003e\n112. Dichterliebe, op. 48: 11. Ein Jüngling liebt ein Mädchen\u003cbr\u003e\n113. Dichterliebe, op. 48: 12. Am leuchtenden Sommermorgen\u003cbr\u003e\n114. Dichterliebe, op. 48: 13. Ich hab’ im Traum geweinet\u003cbr\u003e\n115. Dichterliebe, op. 48: 14. Allnächtlich im Traume seh’ ich Dich\u003cbr\u003e\n116. Dichterliebe, op. 48: 15. Aus alten Märchen winkt es\u003cbr\u003e\n117. Dichterliebe, op. 48: 16. Die alten, bösen Lieder\u003cbr\u003e\n118. Zärtliche Liebe, WoO 123 “Ich liebe Dich”\u003cbr\u003e\n119. Adelaïde, op. 46\u003cbr\u003e\n120. Resignation, WoO 149\u003cbr\u003e\n121. Der Kuss, op. 128\u003cbr\u003e\n122. An Sylvia, D. 891, op. 106\/4\u003cbr\u003e\n123. Lied eines Schiffers an die Dioskuren, D. 360\u003cbr\u003e\n124. Liebhaber in allen Gestalten, D. 558\u003cbr\u003e\n125. Der Einsame, D. 800\u003cbr\u003e\n126. Im Abendrot, D. 799\u003cbr\u003e\n127. Schwanengesang, D. 957: Ständchen “Leise flehen meine Lieder”\u003cbr\u003e\n128. An die Laute, D. 905, op. 81\/2\u003cbr\u003e\n129. Der Musensohn, D. 764, op. 92\/1\u003cbr\u003e\n130. An die Musik, D. 547, op. 88\/4\u003cbr\u003e\n131. Scherzo no. 3 in C-sharp minor, op. 39\u003cbr\u003e\n132. Rhapsody in B minor, op. 79 no. 1\u003cbr\u003e\n133. Rhapsody in G minor, op. 79 no. 2\u003cbr\u003e\n134. Toccata, op. 11\u003cbr\u003e\n135. Jeux d’eau, M. 30\u003cbr\u003e\n136. Barcarolle in F-sharp, op. 60\u003cbr\u003e\n137. Hungarian Rhapsody no. 6 in D-flat, S. 244\u003cbr\u003e\n138. Piano Sonata in B minor, S. 178: Lento assai - Allegro energico\u003cbr\u003e\n139. Piano Sonata in B minor, S. 178: Grandioso\u003cbr\u003e\n140. Piano Sonata in B minor, S. 178: Cantando espressivo\u003cbr\u003e\n141. Piano Sonata in B minor, S. 178: Pesante - Recitativo\u003cbr\u003e\n142. Piano Sonata in B minor, S. 178: Andante aostenuto\u003cbr\u003e\n143. Piano Sonata in B minor, S. 178: Quasi adagio\u003cbr\u003e\n144. Piano Sonata in B minor, S. 178: Allegro energico\u003cbr\u003e\n145. Piano Sonata in B minor, S. 178: Più mosso\u003cbr\u003e\n146. Piano Sonata in B minor, S. 178: Cantando espressivo senza slentare\u003cbr\u003e\n147. Piano Sonata in B minor, S. 178: Stretta quasi presto - Presto - Prestissimo\u003cbr\u003e\n148. Piano Sonata in B minor, S. 178: Andante sostenuto - Allegro moderato - Lento assai\u003cbr\u003e\n149. Violin Concerto in D, op. 35, TH. 59: 1. Allegro moderato\u003cbr\u003e\n150. Violin Concerto in D, op. 35, TH. 59: 2. Canzonetta (Andante)\u003cbr\u003e\n151. Violin Concerto in D, op. 35, TH. 59: 3. Finale (Allegro vivacissimo)\u003cbr\u003e\n152. Violin Concerto in E minor, op. 64, MWV O14: 1. Allegro molto appassionato\u003cbr\u003e\n153. Violin Concerto in E minor, op. 64, MWV O14: 2. Andante\u003cbr\u003e\n154. Violin Concerto in E minor, op. 64, MWV O14: 3. Allegro non troppo - Allegro molto vivace\u003cbr\u003e\n155. Cello Concerto in B minor, op. 104: 1. Allegro\u003cbr\u003e\n156. Cello Concerto in B minor, op. 104: 2. Adagio ma non troppo\u003cbr\u003e\n157. Cello Concerto in B minor, op. 104: 3. Finale (Allegro moderato)\u003cbr\u003e\n158. Cello Concerto in E minor, op.85: 1. Adagio - Moderato\u003cbr\u003e\n159. Cello Concerto in E minor, op.85: 2. Lento - Allegro molto\u003cbr\u003e\n160. Cello Concerto in E minor, op.85: 3. Adagio\u003cbr\u003e\n161. Cello Concerto in E minor, op.85: 4. Allegro\u003cbr\u003e\n162. Piano Concerto in A minor, op. 54: 1. Allegro affettuoso\u003cbr\u003e\n163. Piano Concerto in A minor, op. 54: 2. Intermezzo (Andantino grazioso)\u003cbr\u003e\n164. Piano Concerto in A minor, op. 54: 3. Allegro vivace\u003cbr\u003e\n165. Piano Concerto no. 2 in C minor, op. 18: 1. Moderato\u003cbr\u003e\n166. Piano Concerto no. 2 in C minor, op. 18: 2. Adagio sostenuto\u003cbr\u003e\n167. Piano Concerto no. 2 in C minor, op. 18: 3. Allegro scherzando\u003cbr\u003e\n168. Rhapsody for Alto, Chorus, and Orchestra, op. 53: “Aber abseits wer ist’s?” Adagio - Poco andante - Adagio\u003cbr\u003e\n169. Wesendonck Lieder, WWV 91: 1. Der Engel “In der Kindheit frühen Tagen”\u003cbr\u003e\n170. Wesendonck Lieder, WWV 91: 2. Stehe Still “Sausendes, brausendes Rad der Zeit”\u003cbr\u003e\n171. Wesendonck Lieder, WWV 91: 3. Im Treibhaus “Hochgewölbte Blätterkronen”\u003cbr\u003e\n172. Wesendonck Lieder, WWV 91: 4. Schmerzen “Sonne, weinest jeden Abend Dir die schönen Augen rot”\u003cbr\u003e\n173. Wesendonck Lieder, WWV 91: 5. Träume “Sag’, welch wunderbare Träume”\u003cbr\u003e\n174. Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht\u003cbr\u003e\n175. Lieder eines fahrenden Gesellen: Ging heut’ Morgen übers Feld\u003cbr\u003e\n176. Lieder eines fahrenden Gesellen: Ich hab’ ein glühend Messer\u003cbr\u003e\n177. Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz\u003cbr\u003e\n178. Vier letzte Lieder, TrV 296: 1. Frühling\u003cbr\u003e\n179. Vier letzte Lieder, TrV 296: 2. September\u003cbr\u003e\n180. Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen\u003cbr\u003e\n181. Vier letzte Lieder, TrV 296: 4. Im Abendrot\u003cbr\u003e\n182. Finlandia, op. 26 no. 7\u003cbr\u003e\n183. Má vlast (My Country), JB1:112: 2. Vltava (The Moldau)\u003cbr\u003e\n184. The Planets, op. 32: 1. Mars, the Bringer of War\u003cbr\u003e\n185. The Planets, op. 32: 2. Venus, the Bringer of Peace\u003cbr\u003e\n186. The Planets, op. 32: 3. Mercury, the Winged Messenger\u003cbr\u003e\n187. The Planets, op. 32: 4. Jupiter, the Bringer of Jollity\u003cbr\u003e\n188. The Planets, op. 32: 5. Saturn, the Bringer of Old Age\u003cbr\u003e\n189. The Planets, op. 32: 6. Uranus, the Magician\u003cbr\u003e\n190. The Planets, op. 32: 7. Neptune, the Mystic\u003cbr\u003e\n191. String Quartet no. 1 in B minor, op. 50: 1. Allegro\u003cbr\u003e\n192. String Quartet no. 1 in B minor, op. 50: 2. Andante Molto Vivace\u003cbr\u003e\n193. String Quartet no. 1 in B minor, op. 50: 3. Andante\u003cbr\u003e\n194. String Quartet no. 3, BB 93, Sz. 85: 1. Prima parte (Moderato)\u003cbr\u003e\n195. String Quartet no. 3, BB 93, Sz. 85: 2. Seconda parte. Allegro - Attacca: Ricapitulazione della prima parte. Moderato\u003cbr\u003e\n196. String Quartet no. 3, BB 93, Sz. 85: 3. Coda. Allegro molto\u003cbr\u003e\n197. String Quartet no. 8 in C minor, op. 110: 1. Largo\u003cbr\u003e\n198. String Quartet no. 8 in C minor, op. 110: 2. Allegro molto\u003cbr\u003e\n199. String Quartet no. 8 in C minor, op. 110: 3. Allegretto\u003cbr\u003e\n200. String Quartet no. 8 in C minor, op. 110: 4. Largo\u003cbr\u003e\n201. String Quartet no. 8 in C minor, op. 110: 5. Largo\u003cbr\u003e\n202. Adagio for Strings, op. 11\/2\u003cbr\u003e\n203. Four Sea Interludes from “Peter Grimes”, op. 33a: 1. Dawn\u003cbr\u003e\n204. Four Sea Interludes from “Peter Grimes”, op. 33a: 2. Sunday Morning\u003cbr\u003e\n205. Four Sea Interludes from “Peter Grimes”, op. 33a: 3. Moonlight\u003cbr\u003e\n206. Four Sea Interludes from “Peter Grimes”, op. 33a: 4. Storm\u003cbr\u003e\n207. Central Park in the Dark\u003cbr\u003e\n208. Le Sacre du printemps, Part 1: L’Adoration de la terre: 1. Introduction\u003cbr\u003e\n209. Le Sacre du printemps, Part 1: L’Adoration de la terre: 2. Les augures printaniers - Danses des adolescentes\u003cbr\u003e\n210. Le Sacre du printemps, Part 1: L’Adoration de la terre: 3. Jeu du rapt\u003cbr\u003e\n211. Le Sacre du printemps, Part 1: L’Adoration de la terre: 4. Rondes printanières\u003cbr\u003e\n212. Le Sacre du printemps, Part 1: L’Adoration de la terre: 5. Jeux des cités\u003cbr\u003e\n213. Le Sacre du printemps, Part 1: L’Adoration de la terre: 6. Cortège du sage - Le sage\u003cbr\u003e\n214. Le Sacre du printemps, Part 1: L’Adoration de la terre: 7b. Dance of the Earth\u003cbr\u003e\n215. Le Sacre du printemps, Part 1: L’Adoration de la terre: 7. Danse de la terre\u003cbr\u003e\n216. Le Sacre du printemps, Part 2: Le Sacrifice: 1. Introduction\u003cbr\u003e\n217. Le Sacre du printemps, Part 2: Le Sacrifice: 2. Cercles mysteriéux des adolescentes\u003cbr\u003e\n218. Le Sacre du printemps, Part 2: Le Sacrifice: 3. Glorification d’élue\u003cbr\u003e\n219. Le Sacre du printemps, Part 2: Le Sacrifice: 4. Évocation des ancêtres\u003cbr\u003e\n220. Le Sacre du printemps, Part 2: Le Sacrifice: 5. Action rituelle des ancêtres\u003cbr\u003e\n221. Le Sacre du printemps, Part 2: Le Sacrifice: 6. Danse aacrale: L’élue\u003cbr\u003e\n222. Concierto de Aranjuez for Guitar and Orchestra: 1. Allegro con spirito\u003cbr\u003e\n223. Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio\u003cbr\u003e\n224. Concierto de Aranjuez for Guitar and Orchestra: 3. Allegro gentile\u003cbr\u003e\n225. Sonata in C, op.15b\u003cbr\u003e\n226. Granada, op. 47 no. 1\u003cbr\u003e\n227. Vals, op. 8 no. 3\u003cbr\u003e\n228. La catedral: 1. Preludio. Lento\u003cbr\u003e\n229. La catedral: 2. Andante solemne\u003cbr\u003e\n230. La catedral: 3. Allegretto\u003cbr\u003e\n231. 5 Preludes, W419: No. 1 in E minor\u003cbr\u003e\n232. 5 Preludes, W419: No. 2 in E\u003cbr\u003e\n233. 5 Preludes, W419: No. 3 in A minor\u003cbr\u003e\n234. 5 Preludes, W419: No. 4 in E minor\u003cbr\u003e\n235. 5 Preludes, W419: No. 5 in D\u003cbr\u003e\n236. Toriija\u003cbr\u003e\n237. 2 temas populares Cubanos: Canción de cuna (Berceuse)\u003cbr\u003e\n238. Pavane pour une infante défunte, M. 19\u003cbr\u003e\n239. Daphnis et Chloé Suite no. 2, M. 57b: 1. Lever du jour\u003cbr\u003e\n240. Daphnis et Chloé Suite no. 2, M. 57b: 2. Pantomime\u003cbr\u003e\n241. Daphnis et Chloé Suite no. 2, M. 57b: 3. Danse générale\u003cbr\u003e\n242. Prélude à l’après-midi d’un faune, L. 86\u003cbr\u003e\n243. La Mer, L. 109: 1. De l’aube à midi sur la mer\u003cbr\u003e\n244. La Mer, L. 109: 2. Jeux de vagues\u003cbr\u003e\n245. La Mer, L. 109: 3. Dialogue du vent et de la mer\u003cbr\u003e\n246. Boléro, M. 81\u003cbr\u003e\n247. 3 Pieces for Orchestra, op. 6, revised version of 1929: 1. Präludium. Langsam\u003cbr\u003e\n248. 3 Pieces for Orchestra, op. 6, revised version of 1929: 2. Reigen. Anfangs etwas zögernd - Leicht beschwingt\u003cbr\u003e\n249. 3 Pieces for Orchestra, op. 6, revised version of 1929: 3. Marsch. Mäßiges Marschtempo\u003cbr\u003e\n250. Six Pieces for Orchestra, op. 6, original version of 1909: 1. Etwas bewegt\u003cbr\u003e\n251. Six Pieces for Orchestra, op. 6, original version of 1909: 2. Bewegt\u003cbr\u003e\n252. Six Pieces for Orchestra, op. 6, original version of 1909: 3. Zart bewegt\u003cbr\u003e\n253. Six Pieces for Orchestra, op. 6, original version of 1909: 4. Langsam (Marcia funebre)\u003cbr\u003e\n254. Six Pieces for Orchestra, op. 6, original version of 1909: 5. Sehr langsam\u003cbr\u003e\n255. Six Pieces for Orchestra, op. 6, original version of 1909: 6. Zart bewegt\u003cbr\u003e\n256. 5 Pieces for Orchestra, op. 16, original version of 1909: 1. Vorgefühle\u003cbr\u003e\n257. 5 Pieces for Orchestra, op. 16, original version of 1909: 2. Vergangenes\u003cbr\u003e\n258. 5 Pieces for Orchestra, op. 16, original version of 1909: 3. Farben\u003cbr\u003e\n259. 5 Pieces for Orchestra, op. 16, original version of 1909: 4. Peripetie\u003cbr\u003e\n260. 5 Pieces for Orchestra, op. 16, original version of 1909: 5. Das obligate Recetativ\u003cbr\u003e\n261. Violin Concerto “To the Memory of an Angel”: 1. Andante - Allegro\u003cbr\u003e\n262. Violin Concerto “To the Memory of an Angel”: 2. Allegro - Adagio\u003cbr\u003e\n263. Six Pianos\u003cbr\u003e\n264. Shaker Loops: 1. Shaking and Trembling\u003cbr\u003e\n265. Shaker Loops: 2. Hymning Slews\u003cbr\u003e\n266. Shaker Loops: 3. Loops and Verses\u003cbr\u003e\n267. Shaker Loops: 4. A Final Shaking\u003cbr\u003e\n268. Concerto for Violin and Orchestra: = 104 - = 120\u003cbr\u003e\n269. Concerto for Violin and Orchestra: = ca. 108\u003cbr\u003e\n270. Concerto for Violin and Orchestra: = ca. 150 - Coda: Poco meno = 104\u003cbr\u003e\n271. Carmen, WD 31: Overture (Prelude)\u003cbr\u003e\n272. L’italiana in Algeri: Overture\u003cbr\u003e\n273. Cavalleria rusticana: Intermezzo Sinfonico\u003cbr\u003e\n274. La forza del destino: Overture (Sinfonia)\u003cbr\u003e\n275. La Damnation de Faust, op. 24: Marche Hongroise\u003cbr\u003e\n276. Die Fledermaus: Overture\u003cbr\u003e\n277. Eugene Onegin, op. 24, TH. 5, act 3: (Scene 1) Polonaise\u003cbr\u003e\n278. Götterdämmerung, WWV 86D, act 3: Trauermarsch\u003cbr\u003e\n279. Salome, op. 54, scene 4: Salome’s Dance of the Seven Veils\u003cbr\u003e\n280. Fidelio, op. 72: Overture\u003cbr\u003e\n281. Le nozze di figaro, K. 492: Overture\u003cbr\u003e\n282. Don Giovanni, K. 527, Prague version 1787: Act 1, “Madamina, il catalogo è questo”\u003cbr\u003e\n283. La Bohème: Act 1, “Che gelida manina”\u003cbr\u003e\n284. Il barbiere di Siviglia, ed. Alberto Zedda: Act 1 no. 2, Cavatina: “Largo al factotum”\u003cbr\u003e\n285. Carmen, WD 31: Act 1, Chanson et duo: “Près des remparts de Séville”\u003cbr\u003e\n286. La traviata: Act 1, Sempre libera\u003cbr\u003e\n287. Turandot: Act 3, Nessun dorma!\u003cbr\u003e\n288. Tristan und Isolde, WWV 90: Act 3, “Mild und leise wie er lächelt” (Isoldes Liebestod)\u003cbr\u003e\n289. Tosca: Act 2, “Vissi d’arte, vissi d’amore”\u003cbr\u003e\n290. Die Zauberflöte, K. 620: Erster Aufzug, Der Vogelfänger bin ich ja (Papageno)\u003cbr\u003e\n291. Il barbiere di Siviglia, ed. Alberto Zedda: Act 1, Una voce poco fa\u003cbr\u003e\n292. Pagliacci: Act 1,“Recitar!” - “Vesti la giubba”\u003cbr\u003e\n293. Die Zauberflöte, K. 620: Zweiter Aufzug, Der Hölle Rache kocht in meinem Herzen (Königin der Nacht)\u003cbr\u003e\n294. Eugene Onegin, op. 24, TH. 5: Act 3, “Lyubvi vsye vozrasti pokorni”\u003cbr\u003e\n295. L’elisir d’amore: Act 2, “Una furtiva lagrima”\u003cbr\u003e\n296. Le nozze di figaro, K. 492: Act 1, “Non più andrai”\u003cbr\u003e\n297. Dido and Aeneas, Z. 626: Act 3, “Thy hand, Belinda… When I am laid in earth”\u003cbr\u003e\n298. Der Freischütz, J. 277: Act 3, “Was gleicht wohl auf Erden dem Jägervergnügen?”\u003cbr\u003e\n299. La traviata: Act 1, “Libiamo ne’lieti calici” (Brindisi)\u003cbr\u003e\n300. Così fan tutte, K. 588: Act 1, “Soave sia il vento”\u003cbr\u003e\n301. Lucia di Lammermoor: Act 1, “Chi mi frena in tal momento”\u003cbr\u003e\n302. Fidelio, op. 72: Act 1, “O welche Lust, in freier Luft den Atem leicht zu heben!”\u003cbr\u003e\n303. Le nozze di figaro, K. 492: Act 3, “Crudel! perchè finora”\u003cbr\u003e\n304. King Arthur, or The British Worthy, Z. 628: Act 3, See, See, We Assemble\u003cbr\u003e\n305. Don Giovanni, K. 527: Act 2, “Don Giovanni, a cenar teco m’invitasti”\u003cbr\u003e\n306. Lohengrin, WWV 75: Act 3, “Treulich geführt ziehet dahin”\u003cbr\u003e\n307. La Bohème: Act 4, O Mimì, tu più non torni\u003cbr\u003e\n308. Il Trovatore: Act 2, “Vedi! Le fosche notturne spoglie” (Anvil Chorus)\u003cbr\u003e\n309. Les Contes d’Hoffmann: Act 4, “Belle nuit, ô nuit d’amour”\u003cbr\u003e\n310. Nabucco: Act 3, Chorus: “Va, pensiero, sull’ali dorate”\u003cbr\u003e\n311. Der Rosenkavalier, op. 59, TrV 227: Act 3, “Ist ein Traum, kann nicht wirklich sein”\u003cbr\u003e\n312. Wozzeck: Act 3 Scene 4 (Conclusion) - Scene 5: Street Before Marie’s Door. “Ringel, Ringel, Rosenkranz”","brand":"Used Purchases","offers":[{"title":"Default Title","offer_id":48140057215197,"sku":"028947946489","price":173.0,"currency_code":"CNY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/1056\/6043\/files\/mbid-233c08b5-8f13-46a9-9f19-22358923450e-28200777289.jpg?v=1783551158","url":"https:\/\/darksiderecords.myshopify.com\/zh-cn\/products\/various-the-history-of-classical-music-in-24-hours-24cd","provider":"Darkside Records","version":"1.0","type":"link"}