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Brahms / Zilberstein- Piano Trios (Hybr) (2pk) (CD)

SKU: 9003643992511
Regular price ¥241.00
Unit price
per
the album cover for Brahms / Zilberstein - Piano Trios (Hybr) (2pk)
the album cover for Brahms / Zilberstein - Piano Trios (Hybr) (2pk)

For this complete recording of Johannes Brahms' piano trios, the internationally successful Salzburg violinist Thomas Albertus Irnberger chose his usual top-class ensemble partners. Irnberger has long had an intense artistic friendship with the versatile cellist David Geringas, who, like the Russian-born pianist Lilya Zilberstein, can point to a number of recordings that are as long as they are impressive. The Piano Trio No. 1 in B major op. 8 can be heard here in the revised version, which closes the time gap of almost 25 years to the other two trios (No. 2 in C major Op. 87 and No. 3 in C minor Op. 101), since the revision took place after the completion of these works and thus at the peak of Brahmsian compositional art. For the Trio for Clarinet, Violoncello and Piano in A minor Op. 114, Brahms envisaged the viola as an alternative instrumentation from the very beginning, which is mastered by Irnberger as brilliantly as the violin.

Format: New CD/Classical

Brahms / Zilberstein- Piano Trios (Hybr) (2pk) (CD)

SKU: 9003643992511
Regular price ¥241.00
Unit price
per

Release Date: 05.13.2022

 
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> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to FOUR copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.

For this complete recording of Johannes Brahms' piano trios, the internationally successful Salzburg violinist Thomas Albertus Irnberger chose his usual top-class ensemble partners. Irnberger has long had an intense artistic friendship with the versatile cellist David Geringas, who, like the Russian-born pianist Lilya Zilberstein, can point to a number of recordings that are as long as they are impressive. The Piano Trio No. 1 in B major op. 8 can be heard here in the revised version, which closes the time gap of almost 25 years to the other two trios (No. 2 in C major Op. 87 and No. 3 in C minor Op. 101), since the revision took place after the completion of these works and thus at the peak of Brahmsian compositional art. For the Trio for Clarinet, Violoncello and Piano in A minor Op. 114, Brahms envisaged the viola as an alternative instrumentation from the very beginning, which is mastered by Irnberger as brilliantly as the violin.