Antonio / Viola / Marin- Italian Renaissance Music (CD)
This release is dedicated to one of the most esteemed musical practices of the Renaissance: the art of accompanying the voice with the viola da gamba. Cantare alla viola (singing with a viol) is the name for this practice, which was quite common at the time. The art of this practice lies in the ability of the "viola" player to arrange and play madrigals to accompany one single voice, as a lutenist or vihuela player commonly does. Cantar alla Viola has careful selected some of the finest pieces of the Italian Renaissance in order to illustrate the intimate and skillful musical practice of Cantare alla viola. The pieces vary from the subtle and transparent trecento 2-voice ballades of Magister Piero and Andrea da Firenze played on the viella, to the exquisite and virtuous madrigals for one soprano by Luzzascho Luzasschi, accompanied by the viola da gamba. The Renaissance villanelle and 3-voice madrigals by Luca Marenzio and Costanzo Festa, are adapted for the polyphonic playing of two different bowed vihuelas. Solo pieces have been added to the release to show the instrumental practice on a bowed vihuela through arrangements of lute and keyboard pieces by composers such as Marco Antonio Cavazzoni or Francesco da Milano.
Tracklist:
- Aura Soave
- Amor Tien Il Suo Regno
- Se Mai Vedete Amanti
- Mort M'a Privé À 4
- Amor, L'mi Lamento
- Villanelle, Book 1: Lasso Non È Cor Mio Ch'io Ti Rimiri
- Io Vorrei Dio D'amore
- Villanelle, Book 1: Con La Fronte Fiorita E I Crin'ardenti
- Villanelle, Book 1: Al Primo Vostro Sguardo
- Dicemi La Mia Stella
- Ricercare No. 2
- Ogni Diletto
- Altro Non È'l Mio Amor
- O Primavera
- Alma Che Fai, Che Pensi
- Le Rose, Fronde E Fiori
- Ahime Che Col Fuggire
- Ricercare No. 7
- Chavalcando Con Un Giovine Accorto
- Madonna Io Mi Consumo
- Ch'io Non T'ami Cor Mio
This release is dedicated to one of the most esteemed musical practices of the Renaissance: the art of accompanying the voice with the viola da gamba. Cantare alla viola (singing with a viol) is the name for this practice, which was quite common at the time. The art of this practice lies in the ability of the "viola" player to arrange and play madrigals to accompany one single voice, as a lutenist or vihuela player commonly does. Cantar alla Viola has careful selected some of the finest pieces of the Italian Renaissance in order to illustrate the intimate and skillful musical practice of Cantare alla viola. The pieces vary from the subtle and transparent trecento 2-voice ballades of Magister Piero and Andrea da Firenze played on the viella, to the exquisite and virtuous madrigals for one soprano by Luzzascho Luzasschi, accompanied by the viola da gamba. The Renaissance villanelle and 3-voice madrigals by Luca Marenzio and Costanzo Festa, are adapted for the polyphonic playing of two different bowed vihuelas. Solo pieces have been added to the release to show the instrumental practice on a bowed vihuela through arrangements of lute and keyboard pieces by composers such as Marco Antonio Cavazzoni or Francesco da Milano.
Tracklist:
- Aura Soave
- Amor Tien Il Suo Regno
- Se Mai Vedete Amanti
- Mort M'a Privé À 4
- Amor, L'mi Lamento
- Villanelle, Book 1: Lasso Non È Cor Mio Ch'io Ti Rimiri
- Io Vorrei Dio D'amore
- Villanelle, Book 1: Con La Fronte Fiorita E I Crin'ardenti
- Villanelle, Book 1: Al Primo Vostro Sguardo
- Dicemi La Mia Stella
- Ricercare No. 2
- Ogni Diletto
- Altro Non È'l Mio Amor
- O Primavera
- Alma Che Fai, Che Pensi
- Le Rose, Fronde E Fiori
- Ahime Che Col Fuggire
- Ricercare No. 7
- Chavalcando Con Un Giovine Accorto
- Madonna Io Mi Consumo
- Ch'io Non T'ami Cor Mio