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Bacewicz / Erdody Chamber Orch / Szefcsik- 1948 (CD)

SKU: 5902547018027
Regular price ¥152.00
Unit price
per
the album cover for Bacewicz / Erdody Chamber Orch / Szefcsik - 1948
the album cover for Bacewicz / Erdody Chamber Orch / Szefcsik - 1948

The main idea behind this recording was to focus on the presentation of pieces composed by Hungarian and Polish artists in one particular year: 1948. We wanted to show here compositions of two major artists from each of those countries. Both Hungarian pieces featured on the album naturally continue the 'Hungarian sound,' characteristic of the interwar period, shaped by the output of Zoltán Kodály. Cast in four movements, the Serenade for String Orchestra by Endre Szervánszky (1911-1977) is an example of one of the outstanding compositions symptomatic of the generation of the master's successors. Let us quote the words of an excellent music critic, Marianne Pándi: 'This work combines all the qualities of the Hungarian music of that period: it is melodic, understandable, Hungarian in style, and rhythmic. It is a source of first-class entertainment.'

Format: New CD/Classical

Bacewicz / Erdody Chamber Orch / Szefcsik- 1948 (CD)

SKU: 5902547018027
Regular price ¥152.00
Unit price
per

Release Date: 05.20.2022

 
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> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to FOUR copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.

The main idea behind this recording was to focus on the presentation of pieces composed by Hungarian and Polish artists in one particular year: 1948. We wanted to show here compositions of two major artists from each of those countries. Both Hungarian pieces featured on the album naturally continue the 'Hungarian sound,' characteristic of the interwar period, shaped by the output of Zoltán Kodály. Cast in four movements, the Serenade for String Orchestra by Endre Szervánszky (1911-1977) is an example of one of the outstanding compositions symptomatic of the generation of the master's successors. Let us quote the words of an excellent music critic, Marianne Pándi: 'This work combines all the qualities of the Hungarian music of that period: it is melodic, understandable, Hungarian in style, and rhythmic. It is a source of first-class entertainment.'