Bartok / San Francisco Symphony- Piano Concertos
Pianist Pierre-Laurent Aimard joins forces with the San Francisco Symphony and Music Director Esa-Pekka Salonen for a recording of Bartók's complete piano concertos. A pianist himself; Bartók imbued his three concertos with multiple aspects of his compositional persona; ranging from complex and innovative (the First) to exuberant (the Second) and serene (the Third). The result is a fascinating slice of his musical life. This all-Bartók release marks the first Pentatone collaboration between Esa-Pekka Salonen and the San Francisco Symphony; an ensemble he has reshaped through creative performance concepts and expansive new media projects. A renowned champion of twentieth-century music; Pierre-Laurent Aimard has released multiple acclaimed albums in his exclusive contract with Pentatone; including Messiaen's Catalogue d'Oiseaux (2018) and Visions de l'Amen (2022); along with Beethoven's Hammerklavier Sonata & Eroica Variations (2021). He also joined Tamara Stefanovich in Etudes and Frames (2023); with music by Vassos Nicolaou. Salonen returns to the label for the first time since his recording of Stravinsky's Perséphone (2018); the San Francisco Symphony previously appeared on the 2005 Pentatone release Young America.
Tracklist:
- Piano Concerto No. 1 in A major, Sz. 83~I. Allegro moderato - Allegro
- Piano Concerto No. 1 in A major, Sz. 83~II. Andante - attacca
- Piano Concerto No. 1 in A major, Sz. 83~III. Allegro molto
- Piano Concerto No. 2 in G major, Sz. 95~I. Allegro
- Piano Concerto No. 2 in G major, Sz. 95~II. Adagio - Presto - Più adagio
- Piano Concerto No. 2 in G major, Sz. 95~III. Allegro molto
- Piano Concerto No. 3 in E major, Sz. 119~I. Allegro
- Piano Concerto No. 3 in E major, Sz. 119~II. Adagio religioso
- Piano Concerto No. 3 in E major, Sz. 119~III. Allegro vivace
Pianist Pierre-Laurent Aimard joins forces with the San Francisco Symphony and Music Director Esa-Pekka Salonen for a recording of Bartók's complete piano concertos. A pianist himself; Bartók imbued his three concertos with multiple aspects of his compositional persona; ranging from complex and innovative (the First) to exuberant (the Second) and serene (the Third). The result is a fascinating slice of his musical life. This all-Bartók release marks the first Pentatone collaboration between Esa-Pekka Salonen and the San Francisco Symphony; an ensemble he has reshaped through creative performance concepts and expansive new media projects. A renowned champion of twentieth-century music; Pierre-Laurent Aimard has released multiple acclaimed albums in his exclusive contract with Pentatone; including Messiaen's Catalogue d'Oiseaux (2018) and Visions de l'Amen (2022); along with Beethoven's Hammerklavier Sonata & Eroica Variations (2021). He also joined Tamara Stefanovich in Etudes and Frames (2023); with music by Vassos Nicolaou. Salonen returns to the label for the first time since his recording of Stravinsky's Perséphone (2018); the San Francisco Symphony previously appeared on the 2005 Pentatone release Young America.
Tracklist:
- Piano Concerto No. 1 in A major, Sz. 83~I. Allegro moderato - Allegro
- Piano Concerto No. 1 in A major, Sz. 83~II. Andante - attacca
- Piano Concerto No. 1 in A major, Sz. 83~III. Allegro molto
- Piano Concerto No. 2 in G major, Sz. 95~I. Allegro
- Piano Concerto No. 2 in G major, Sz. 95~II. Adagio - Presto - Più adagio
- Piano Concerto No. 2 in G major, Sz. 95~III. Allegro molto
- Piano Concerto No. 3 in E major, Sz. 119~I. Allegro
- Piano Concerto No. 3 in E major, Sz. 119~II. Adagio religioso
- Piano Concerto No. 3 in E major, Sz. 119~III. Allegro vivace