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Beethoven / Klangkollektiv Wien- Quartette

SKU: 9003643992481
Regular price ¥189.00
Unit price
per
the album cover for Beethoven / Klangkollektiv Wien - Quartette
the album cover for Beethoven / Klangkollektiv Wien - Quartette

The repertoire of KLANGKOLLEKTIV WIEN with it's conductor Rémy Ballot is focused on a core of famous and lesser-known works of the First Viennese School. This live recording presents the two late String Quartets No. 14 in C-sharp minor Op. 131 and No. 16 in F major Op. 135 by Ludwig van Beethoven in a version for string orchestra. The working title of this concert "Music from a Place of Inner Silence" refers to the fact that Beethoven had presumably completely lost his hearing by the time of composition of these works - he appears to have been turning more and more to an inner, spiritual world. Thus, these two great quartets encompass in their musical substance all possible moods and states of the soul and our being and were not only considered avant-garde at the time, but in many ways pre-shadow the daring of the Second Viennese School and the innovations of the Béla Bartók string quartets. This effect is significantly augmented by the expansion of the ensemble from the original four to 16 musicians.

Format: New CD/Classical

Beethoven / Klangkollektiv Wien- Quartette

SKU: 9003643992481
Regular price ¥189.00
Unit price
per

Release Date: 01.06.2023

 
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> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to FOUR copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.

The repertoire of KLANGKOLLEKTIV WIEN with it's conductor Rémy Ballot is focused on a core of famous and lesser-known works of the First Viennese School. This live recording presents the two late String Quartets No. 14 in C-sharp minor Op. 131 and No. 16 in F major Op. 135 by Ludwig van Beethoven in a version for string orchestra. The working title of this concert "Music from a Place of Inner Silence" refers to the fact that Beethoven had presumably completely lost his hearing by the time of composition of these works - he appears to have been turning more and more to an inner, spiritual world. Thus, these two great quartets encompass in their musical substance all possible moods and states of the soul and our being and were not only considered avant-garde at the time, but in many ways pre-shadow the daring of the Second Viennese School and the innovations of the Béla Bartók string quartets. This effect is significantly augmented by the expansion of the ensemble from the original four to 16 musicians.