Bruckner / Rias Kammerchor Berlin / Borowicz- Requiem
On March 14, 1849, 24-year-old Anton Bruckner finished his first major vocal composition. The only requiem of the composer who would later become the architect of big symphonic "castles in the sky" was still created during his work in St. Florian. Some references to older models and some stylistic incongruities in musical stature still refer to the phase of self-discovery of the young composer. But those who listen closely will certainly discover the passages in which the mystical aura and sublimity of the large orchestral scores shine through already, be it in the gently glowing tone of the Benedictus, the intimate creed of the Agnus Dei or the powerful or the masterfully conceived double fugue of Quam olim Abrahae. It is essentially "Bruckner on the way to Bruckner". Goal in sight, full of auspices. After the Missa Solemnis, released in February 2018, this recording marks the second step in the journey of discovery into the cosmos of Anton Bruckner's seldom heard early works.
Tracklist:
- Requiem In D Minor, Wab 39: I. Introitus. Requiem
- Requiem In D Minor, Wab 39: II. Sequentia. Dies Irae
- Requiem In D Minor, Wab 39: Iiia. Offertorium. Domine
- Requiem In D Minor, Wab 39: Iiib. Offertorium. Hostias
- Requiem In D Minor, Wab 39: Iiic. Offertorium. Quam Olim
- Requiem In D Minor, Wab 39: IV. Sanctus
- Requiem In D Minor, Wab 39: V. Benedictus
- Requiem In D Minor, Wab 39: Iva. Agnus Dei
- Requiem In D Minor, Wab 39: Ivb. Requiem
- Requiem In D Minor, Wab 39: Ivc. Cum Sanctis
- Libera Me, Wab 22
- Aequale, Wab 149
- Am Grabe, Wab 2
- Vor Arneths Grab, Wab 53 (Arr. B.G. Cohrs For 3 Trombones)
- Vor Arneths Grab, Wab 53
- Aequale, Wab 114
- Totenlied No. 1, Wab 47 No. 1
- Trösterin Musik, Wab 81b
- Totenlied No. 2, Wab 47 No. 2
- Libera Me, Wab 21
UPC > 4260234831894
Format > New CD
Label > Accentus
Shop online at Darkside Records.
Follow us on Instagram.
On March 14, 1849, 24-year-old Anton Bruckner finished his first major vocal composition. The only requiem of the composer who would later become the architect of big symphonic "castles in the sky" was still created during his work in St. Florian. Some references to older models and some stylistic incongruities in musical stature still refer to the phase of self-discovery of the young composer. But those who listen closely will certainly discover the passages in which the mystical aura and sublimity of the large orchestral scores shine through already, be it in the gently glowing tone of the Benedictus, the intimate creed of the Agnus Dei or the powerful or the masterfully conceived double fugue of Quam olim Abrahae. It is essentially "Bruckner on the way to Bruckner". Goal in sight, full of auspices. After the Missa Solemnis, released in February 2018, this recording marks the second step in the journey of discovery into the cosmos of Anton Bruckner's seldom heard early works.
Tracklist:
- Requiem In D Minor, Wab 39: I. Introitus. Requiem
- Requiem In D Minor, Wab 39: II. Sequentia. Dies Irae
- Requiem In D Minor, Wab 39: Iiia. Offertorium. Domine
- Requiem In D Minor, Wab 39: Iiib. Offertorium. Hostias
- Requiem In D Minor, Wab 39: Iiic. Offertorium. Quam Olim
- Requiem In D Minor, Wab 39: IV. Sanctus
- Requiem In D Minor, Wab 39: V. Benedictus
- Requiem In D Minor, Wab 39: Iva. Agnus Dei
- Requiem In D Minor, Wab 39: Ivb. Requiem
- Requiem In D Minor, Wab 39: Ivc. Cum Sanctis
- Libera Me, Wab 22
- Aequale, Wab 149
- Am Grabe, Wab 2
- Vor Arneths Grab, Wab 53 (Arr. B.G. Cohrs For 3 Trombones)
- Vor Arneths Grab, Wab 53
- Aequale, Wab 114
- Totenlied No. 1, Wab 47 No. 1
- Trösterin Musik, Wab 81b
- Totenlied No. 2, Wab 47 No. 2
- Libera Me, Wab 21
UPC > 4260234831894
Format > New CD
Label > Accentus
Shop online at Darkside Records.
Follow us on Instagram.