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Chausson / Szeryng- Live

SKU: 4713106280226
Regular price ¥140.00
Unit price
per
the album cover for Chausson / Szeryng - Live
the album cover for Chausson / Szeryng - Live

Gary Lemco writes: "My own beguilement with Szeryng came with his performance in 1987 Atlanta with Louis Lane, of the North American premiere of the 1927Concerto by Reynaldo Hahn, the French master of the Belle Epoch. "Ah, yes", asserts Szeryng, "Reynaldo Hahn, the most Parisian of all Parisians, even though he was born in Caracas of German parents. There is even a street in Caracas named for him. I remember meeting him; and even though he was trained as a pianist, he had a natural sense of the violin. Some favor his Violin Sonata. The Concerto is published, but for some reason nobody plays it. The first movement for me is the best and most compact and makes a natural display piece. The second movement is based on a song from Tunis - absolutely genuine- and the finale sings in a typical operetta style. It starts like an extension of the second movement and has tremendous wit and charm. And, to be sure, it is a challenge."

Format: New CD/Classical

Chausson / Szeryng- Live

SKU: 4713106280226
Regular price ¥140.00
Unit price
per

Release Date: 05.06.2022

 
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> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to FOUR copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.

Gary Lemco writes: "My own beguilement with Szeryng came with his performance in 1987 Atlanta with Louis Lane, of the North American premiere of the 1927Concerto by Reynaldo Hahn, the French master of the Belle Epoch. "Ah, yes", asserts Szeryng, "Reynaldo Hahn, the most Parisian of all Parisians, even though he was born in Caracas of German parents. There is even a street in Caracas named for him. I remember meeting him; and even though he was trained as a pianist, he had a natural sense of the violin. Some favor his Violin Sonata. The Concerto is published, but for some reason nobody plays it. The first movement for me is the best and most compact and makes a natural display piece. The second movement is based on a song from Tunis - absolutely genuine- and the finale sings in a typical operetta style. It starts like an extension of the second movement and has tremendous wit and charm. And, to be sure, it is a challenge."