Cristiano Poli Cappelli- Guitar Music (CD)
This new release presents an absorbing portrait of Abel Carlevaro (1916-2001) through his music as performed by Cristiano Poli Cappelli, an Italian guitarist making his second album for Brilliant Classics. The first was of guitar music by another relatively forgotten figure, Alexander Tansman, and it was enthusiastically reviewed by Classical Guitar magazine: 'Highly recommended!' Like Tansman, Carlevaro studied with Andres Segovia, the father of the modern guitar, during the 1930s. However, he broke away from his master's teachings in order to make his own experiments in both guitar manufacture and composition. His music caught the ear of Heitor Villa-Lobos, another South American innovator, and it embraces the widest stylistic range captured by Poli Cappelli on this album, from the delicate watercolours of the Preludios Americanos (1969-74) to the vivid brushstrokes and abstract form of Cronomias (1972). Carlevaro's later music returned often to the milonga, a tango-related dance popularised in the classical sphere by Astor Piazzolla. Milonga para Ling (1999) is brief but saturated with melancholy, while to the Milonga Oriental (1994) belongs one of the composer's happiest melodic inspirations. Later still, a pair of milonga suites describe a peaceful return to the composer's heritage. An essential acquisition for guitar aficionados, but also a collection of beautiful South American melodies that deserve to travel more widely.
Tracklist:
- Preludios Americanos: I. Evocación
- Preludios Americanos: II. Scherzino
- Preludios Americanos: III. Campo
- Preludios Americanos: IV. Ronda
- Preludios Americanos: V. Tamboriles
- Preludios Americanos: VI. Aires De Malambo
- Aires De Vidalita
- Milonga Oriental
- Introducción & Capricho
- Milonga Suite I: I. Azul Y Blanco
- Milonga Suite I: II. Milonga Triste
- Milonga Suite I: III. Lunera
- Milonga Suite I: IV. Rolear
- Milonga Suite I: V. Milonga Tangueada
- Milonga Suite II: I. Milonga I
- Milonga Suite II: II. Milonga II
- Milonga Suite II: Una Milonga Para Lin
- Cronomias: I. Poco Libero
- Cronomias: II. Intermezzo
- Cronomias: III. Finale
- Suite De Antiguas Danzas Españolas: I. Españoleta
- Suite De Antiguas Danzas Españolas: II. Corranda
- Suite De Antiguas Danzas Españolas: III.Pavana
- Suite De Antiguas Danzas Españolas: IV. Rujero
- Suite De Antiguas Danzas Españolas: V. Paradetas
- Suite De Antiguas Danzas Españolas: VI. Pasacalle
- Estudio No. 1
- Estudio No. 2
- Estudio No. 3
- Estudio No. 4
- Estudio No. 5
- Tres Cadencias: I. Punteo
- Tres Cadencias: II. Secuencias
- Tres Cadencias: III. Lejanìa
- 2 Estudios Primaries: Estudio I
- 2 Estudios Primaries: Estudio II
- 2 Estudios: I. Poco Libero
- 2 Estudios: II. Movimiento Alternado
- Microestudio No. 1. Festivo
- Microestudio No. 2
- Microestudio No. 3. Tranquillo
- Microestudio No. 4
- Microestudio No. 5. Poco Rubato
- Microestudio No. 6. Calmo
- Microestudio No. 7
- Microestudio No. 8. Poco Animato
- Microestudio No. 9. Espressivo, Poco Libero
- Microestudio No. 10
- Microestudio No. 11
- Microestudio No. 12. Comodo
- Microestudio No. 13. Espressivo
- Microestudio No. 14
- Microestudio No. 15. Poco Rubato
- Microestudio No. 16
- Microestudio No. 17
- Microestudio No. 18
- Microestudio No. 19. Lento Espressivo
- Microestudio No. 20
This new release presents an absorbing portrait of Abel Carlevaro (1916-2001) through his music as performed by Cristiano Poli Cappelli, an Italian guitarist making his second album for Brilliant Classics. The first was of guitar music by another relatively forgotten figure, Alexander Tansman, and it was enthusiastically reviewed by Classical Guitar magazine: 'Highly recommended!' Like Tansman, Carlevaro studied with Andres Segovia, the father of the modern guitar, during the 1930s. However, he broke away from his master's teachings in order to make his own experiments in both guitar manufacture and composition. His music caught the ear of Heitor Villa-Lobos, another South American innovator, and it embraces the widest stylistic range captured by Poli Cappelli on this album, from the delicate watercolours of the Preludios Americanos (1969-74) to the vivid brushstrokes and abstract form of Cronomias (1972). Carlevaro's later music returned often to the milonga, a tango-related dance popularised in the classical sphere by Astor Piazzolla. Milonga para Ling (1999) is brief but saturated with melancholy, while to the Milonga Oriental (1994) belongs one of the composer's happiest melodic inspirations. Later still, a pair of milonga suites describe a peaceful return to the composer's heritage. An essential acquisition for guitar aficionados, but also a collection of beautiful South American melodies that deserve to travel more widely.
Tracklist:
- Preludios Americanos: I. Evocación
- Preludios Americanos: II. Scherzino
- Preludios Americanos: III. Campo
- Preludios Americanos: IV. Ronda
- Preludios Americanos: V. Tamboriles
- Preludios Americanos: VI. Aires De Malambo
- Aires De Vidalita
- Milonga Oriental
- Introducción & Capricho
- Milonga Suite I: I. Azul Y Blanco
- Milonga Suite I: II. Milonga Triste
- Milonga Suite I: III. Lunera
- Milonga Suite I: IV. Rolear
- Milonga Suite I: V. Milonga Tangueada
- Milonga Suite II: I. Milonga I
- Milonga Suite II: II. Milonga II
- Milonga Suite II: Una Milonga Para Lin
- Cronomias: I. Poco Libero
- Cronomias: II. Intermezzo
- Cronomias: III. Finale
- Suite De Antiguas Danzas Españolas: I. Españoleta
- Suite De Antiguas Danzas Españolas: II. Corranda
- Suite De Antiguas Danzas Españolas: III.Pavana
- Suite De Antiguas Danzas Españolas: IV. Rujero
- Suite De Antiguas Danzas Españolas: V. Paradetas
- Suite De Antiguas Danzas Españolas: VI. Pasacalle
- Estudio No. 1
- Estudio No. 2
- Estudio No. 3
- Estudio No. 4
- Estudio No. 5
- Tres Cadencias: I. Punteo
- Tres Cadencias: II. Secuencias
- Tres Cadencias: III. Lejanìa
- 2 Estudios Primaries: Estudio I
- 2 Estudios Primaries: Estudio II
- 2 Estudios: I. Poco Libero
- 2 Estudios: II. Movimiento Alternado
- Microestudio No. 1. Festivo
- Microestudio No. 2
- Microestudio No. 3. Tranquillo
- Microestudio No. 4
- Microestudio No. 5. Poco Rubato
- Microestudio No. 6. Calmo
- Microestudio No. 7
- Microestudio No. 8. Poco Animato
- Microestudio No. 9. Espressivo, Poco Libero
- Microestudio No. 10
- Microestudio No. 11
- Microestudio No. 12. Comodo
- Microestudio No. 13. Espressivo
- Microestudio No. 14
- Microestudio No. 15. Poco Rubato
- Microestudio No. 16
- Microestudio No. 17
- Microestudio No. 18
- Microestudio No. 19. Lento Espressivo
- Microestudio No. 20