Henry Fairs- Complete Organ Music
Maurice Durufle was a highly self-critical composer whose musical language can be viewed as a synthesis of the impressionist tradition of Debussy and Ravel and the modal, Gregorian-inspired style of Faure. Although his best-known work is the Requiem, his distinctive and powerful organ music continues the French tradition of organ-playing and composition.
Tracklist:
- Fugue Sur Le Theme Du Carillon Des Heures De La Cathedrale De Soissons, Op. 12
- Prelude, Adagio Et Choral Varie Sur Le Veni Creator, Op.4: Prelude
- Prelude, Adagio Et Choral Varie Sur Le Veni Creator, Op.4: Adagio
- Prelude, Adagio Et Choral Varie Sur Le Veni Creator, Op.4: Choral Varie
- Prelude Sur L'Introit De L'Epiphanie, Op.13
- Scherzo, Op. 2
- Prelude Et Fugue Sur Le Nom D'Alain, Op.7: Prelude
- Prelude Et Fugue Sur Le Nom D'Alain, Op.7: Fugue
- Meditation, Op.Posth.
- Chant Donne - Hommage A Jean Gallon
- Suite, Op.5: I. Prelude
- Suite, Op.5: II. Sicilienne
- Suite, Op.5: III. Toccata
Maurice Durufle was a highly self-critical composer whose musical language can be viewed as a synthesis of the impressionist tradition of Debussy and Ravel and the modal, Gregorian-inspired style of Faure. Although his best-known work is the Requiem, his distinctive and powerful organ music continues the French tradition of organ-playing and composition.
Tracklist:
- Fugue Sur Le Theme Du Carillon Des Heures De La Cathedrale De Soissons, Op. 12
- Prelude, Adagio Et Choral Varie Sur Le Veni Creator, Op.4: Prelude
- Prelude, Adagio Et Choral Varie Sur Le Veni Creator, Op.4: Adagio
- Prelude, Adagio Et Choral Varie Sur Le Veni Creator, Op.4: Choral Varie
- Prelude Sur L'Introit De L'Epiphanie, Op.13
- Scherzo, Op. 2
- Prelude Et Fugue Sur Le Nom D'Alain, Op.7: Prelude
- Prelude Et Fugue Sur Le Nom D'Alain, Op.7: Fugue
- Meditation, Op.Posth.
- Chant Donne - Hommage A Jean Gallon
- Suite, Op.5: I. Prelude
- Suite, Op.5: II. Sicilienne
- Suite, Op.5: III. Toccata