Janacek / Bartos- Piano Works
Before he was completely overwhelmed by love for composing, Leos Janácek pursued a career as a virtuoso pianist. He was closely familiar with the instrument, which served for him to share his innermost emotions and feelings. Janácek wrote his first opus, Thema con variazioni, at the age of 26, when he was studying at the Leipzig Conservatory. The miniature piece A Recollection is one of his last scores. The composer conceived his three essential piano works, 1.X. 1905, On an Overgrown Path and In the Mist, between 1900 and 1912, which was a difficult phase in his life. They are perhaps the most personal, most intimate pieces he wrote. Janácek was inspired by the sound of the cimbalom, an instrument he often heard when collecting folk songs in Moravia. The genes of the pianist Jan Bartos evidently bear the traces of the ample musical tradition of his ancestors, including his grandfather, a cimbalom player. The legacy of folk music and the Silesian origin is what Janácek and Bartos have in common. In his account of Janácek's music, the pianist reveals a profound musicological insight, as well as a fascinating intuition - the inspiring integration of the heart and the brain, owing to which Bartos's previous Supraphon albums (Mozart - Concertos, SU 4234-2; Beethoven - Sonatas, SU 4252-2) have met with such great acclaim.
Before he was completely overwhelmed by love for composing, Leos Janácek pursued a career as a virtuoso pianist. He was closely familiar with the instrument, which served for him to share his innermost emotions and feelings. Janácek wrote his first opus, Thema con variazioni, at the age of 26, when he was studying at the Leipzig Conservatory. The miniature piece A Recollection is one of his last scores. The composer conceived his three essential piano works, 1.X. 1905, On an Overgrown Path and In the Mist, between 1900 and 1912, which was a difficult phase in his life. They are perhaps the most personal, most intimate pieces he wrote. Janácek was inspired by the sound of the cimbalom, an instrument he often heard when collecting folk songs in Moravia. The genes of the pianist Jan Bartos evidently bear the traces of the ample musical tradition of his ancestors, including his grandfather, a cimbalom player. The legacy of folk music and the Silesian origin is what Janácek and Bartos have in common. In his account of Janácek's music, the pianist reveals a profound musicological insight, as well as a fascinating intuition - the inspiring integration of the heart and the brain, owing to which Bartos's previous Supraphon albums (Mozart - Concertos, SU 4234-2; Beethoven - Sonatas, SU 4252-2) have met with such great acclaim.