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Joanna Brouk- Hearing Music
She was a composer who wrote scores with geometric shapes, a poet who became a pioneer of early electronic music. Joanna Brouk's little-known body of work exists at the nexus between ambient, new age, drone, and classical minimalism - stark in its simplicity, lush in its expanse. Studying under Robert Ashley and Terry Riley at the fabled Mills College Center For Contemporary Music before graduating into the margins of the 70s bay area new music scene, Ms. Brouk blazed her own trail well outside of the musical establishment to create uncompromising electronic and acoustic work of sleek beauty and primal power. Describing herself as less a composer than a channel, she took her cues from the frequencies of the natural world and the talents of collaborators like Maggi Payne and Bill Maraldo. Hearing Music collects for the first time the deepest cuts from her beguiling and rare cassette releases and her archive of previously unreleased recordings. "I realized that, in many instances, it didn't matter what you said, it mattered how you said it: the tone of the voice, the rhythm, the sound... Because sound has an incredible effect on other people, it can make them dance, put them into trances, it can control emotions by a certain pitch, a certain depth." - Joanna Brouk
Tracklist:
- Going Through the Veil - Becoming a Swan
- Maggi's Flute - Lifting Off
- Maggi's Flute - Mary's Watch Pt. 1
- Maggi's Flute - Mary's Watch Pt. 2
- Maggi's Flute - Mary's Watch Pt. 3
- Maggi's Flute - Mary's Watch Pt. 4
- Fire Breath
- The Creative
- The Space Between
- Majesty Suites - Entrance of the Queen of Winter Dawn
- Invocation
- Atavesta
- Playing in the Water
- Aurora
- Diving Deeper, Remembering Love
- Going to Sleep
- The Reminder of Long Ago
- The Nymph Rising, Calling the Sailor
- First Meeting
- Touching the Sky
- The Sounding
- Return to the Deep
She was a composer who wrote scores with geometric shapes, a poet who became a pioneer of early electronic music. Joanna Brouk's little-known body of work exists at the nexus between ambient, new age, drone, and classical minimalism - stark in its simplicity, lush in its expanse. Studying under Robert Ashley and Terry Riley at the fabled Mills College Center For Contemporary Music before graduating into the margins of the 70s bay area new music scene, Ms. Brouk blazed her own trail well outside of the musical establishment to create uncompromising electronic and acoustic work of sleek beauty and primal power. Describing herself as less a composer than a channel, she took her cues from the frequencies of the natural world and the talents of collaborators like Maggi Payne and Bill Maraldo. Hearing Music collects for the first time the deepest cuts from her beguiling and rare cassette releases and her archive of previously unreleased recordings. "I realized that, in many instances, it didn't matter what you said, it mattered how you said it: the tone of the voice, the rhythm, the sound... Because sound has an incredible effect on other people, it can make them dance, put them into trances, it can control emotions by a certain pitch, a certain depth." - Joanna Brouk
Tracklist:
- Going Through the Veil - Becoming a Swan
- Maggi's Flute - Lifting Off
- Maggi's Flute - Mary's Watch Pt. 1
- Maggi's Flute - Mary's Watch Pt. 2
- Maggi's Flute - Mary's Watch Pt. 3
- Maggi's Flute - Mary's Watch Pt. 4
- Fire Breath
- The Creative
- The Space Between
- Majesty Suites - Entrance of the Queen of Winter Dawn
- Invocation
- Atavesta
- Playing in the Water
- Aurora
- Diving Deeper, Remembering Love
- Going to Sleep
- The Reminder of Long Ago
- The Nymph Rising, Calling the Sailor
- First Meeting
- Touching the Sky
- The Sounding
- Return to the Deep