Come visit us ★ 32 Cannon Street, Poughkeepsie NY

Language

Currency

Your cart

Your cart is empty

Check out these collections

Mauro Tortorelli- Music for Violin & Piano

SKU: 5028421956428
Regular price ¥154.00
Unit price
per
Mauro Tortorelli- Music for Violin & Piano
Mauro Tortorelli- Music for Violin & Piano

Mario Castelnuovo-Tedesco (1895-1968) may still be regarded primarily as a composer for guitar, best known through his working partnership with Andres Segovia, but Brilliant Classics has illuminated other sides to this prolific musician through first recordings and modern rediscoveries of his piano music (BC94811) and his songs, most notably his settings of Shakespeare (BC95548). Now the focus falls on his chamber music, with these new studio recordings of suites, sonatas, tone-poems and fantasies. From the piquant miniatures of the two Signorine Op.10 to the neoclassically economical Suite 508 Op.170, all the works here abound in the bitter-sweet harmonies and soaring melodic rapture which gave a distinctive flavour to Castelnuovo-Tedesco's music throughout his long career. Song without words is another thread to his output, first encountered here in the Tre canti all'aria aperta from 1919. Tuscan folksong and medieval troubadour tradition are spiced with Bartokian harmony in a fresh and appealing combination. The writing for the string instruments is reliably extrovert and idiomatic, influenced by the music's dedicatees and first performers such as Jascha Heifetz, Albert Spalding and Adila Fachiri, grandniece of Joseph Joachim. Notturno Adriatico is a tranquil, dream-like tone-picture with a tenuous hold on the repertoire, like the virtuoso flourish of Exotica: A Rhapsody of the South Seas. However, the extensive fantasy on themes from Donizetti's La fille du regiment is a substantial rarity which deserves much wider currency. In the same tradition of the operatic fantasy is a paraphrase of Rossini's 'Largo al factotum'; like the two deft miniatures from a series of Greetings Cards Op.170, the paraphrase was issued in print, whereas most of the five-movement Donizetti fantasy remains unpublished. So does the Suite 508 for viola and piano, composed in 1960. With typical ingenuity, Castelnuovo-Tedesco works in the name of the different dedicatees to each of the seven movements, resulting in chromaticism on the verge of atonality at times, but reliably handled with verve and melodic prominence.

Tracklist:

  1. Signorine. Due Profili, Op. 10: I. Dolce E Tranquillo
  2. Signorine. Due Profili, Op. 10: II. Con Grazia
  3. 3 Canti All'aria Aperta: I. La Sera Per Il Fresco È Un Bel Cantare
  4. 3 Canti All'aria Aperta: II. Stanotte Son Dormito A Ciel Sereno
  5. 3 Canti All'aria Aperta: III. Il Mattino Ha L'oro In Bocca
  6. Ritmi, Op. 15: I. Lento E Languido
  7. Capitan Fracassa In G Major, Op. 16
  8. Notturno Adriatico, Op. 34
  9. Sonata Quasi Una Fantasia, Op. 56: I. Prologo
  10. Sonata Quasi Una Fantasia, Op. 56: II. Intermezzo
  11. Sonata Quasi Una Fantasia, Op. 56: III. Epilogo
  12. Sea Urmurs
  13. Tango, Op. 24b
  14. Figaro From The Barber Of Seville By Rossini
  15. La Figlia Del Reggimento, A Fantasy For Violin And Piano On Themes By Donizetti, Op. 110: I. Ouverture
  16. La Figlia Del Reggimento, A Fantasy For Violin And Piano On Themes By Donizetti, Op. 110: II. Romance
  17. La Figlia Del Reggimento, A Fantasy For Violin And Piano On Themes By Donizetti, Op. 110: III. Valse
  18. La Figlia Del Reggimento, A Fantasy For Violin And Piano On Themes By Donizetti, Op. 110: IV. Tyrolienne
  19. La Figlia Del Reggimento, A Fantasy For Violin And Piano On Themes By Donizetti, Op. 110: V. Rataplan
  20. Exotica: A Rhapsody Of The South Seas
  21. The Lark, Op. 64
  22. Greeting Cards, Op. 170: XXIII. Intermezzo
  23. Greeting Cards, Op. 170: XXV. Hungarian Serenade
  24. Suite 508, Op. 170: I. Entrata
  25. Suite 508, Op. 170: II. Pavane
  26. Suite 508, Op. 170: III. Tambourin
  27. Suite 508, Op. 170: IV. Aria
  28. Suite 508, Op. 170: V. Toccata
  29. Suite 508, Op. 170: VI. Gavotta Variata
  30. Suite 508, Op. 170: VII. Gigue
Format: New CD/Classical

Mauro Tortorelli- Music for Violin & Piano

SKU: 5028421956428
Regular price ¥154.00
Unit price
per

Release Date: 10.05.2018

 
Shipping calculated at checkout.

> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to FOUR copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.

Mario Castelnuovo-Tedesco (1895-1968) may still be regarded primarily as a composer for guitar, best known through his working partnership with Andres Segovia, but Brilliant Classics has illuminated other sides to this prolific musician through first recordings and modern rediscoveries of his piano music (BC94811) and his songs, most notably his settings of Shakespeare (BC95548). Now the focus falls on his chamber music, with these new studio recordings of suites, sonatas, tone-poems and fantasies. From the piquant miniatures of the two Signorine Op.10 to the neoclassically economical Suite 508 Op.170, all the works here abound in the bitter-sweet harmonies and soaring melodic rapture which gave a distinctive flavour to Castelnuovo-Tedesco's music throughout his long career. Song without words is another thread to his output, first encountered here in the Tre canti all'aria aperta from 1919. Tuscan folksong and medieval troubadour tradition are spiced with Bartokian harmony in a fresh and appealing combination. The writing for the string instruments is reliably extrovert and idiomatic, influenced by the music's dedicatees and first performers such as Jascha Heifetz, Albert Spalding and Adila Fachiri, grandniece of Joseph Joachim. Notturno Adriatico is a tranquil, dream-like tone-picture with a tenuous hold on the repertoire, like the virtuoso flourish of Exotica: A Rhapsody of the South Seas. However, the extensive fantasy on themes from Donizetti's La fille du regiment is a substantial rarity which deserves much wider currency. In the same tradition of the operatic fantasy is a paraphrase of Rossini's 'Largo al factotum'; like the two deft miniatures from a series of Greetings Cards Op.170, the paraphrase was issued in print, whereas most of the five-movement Donizetti fantasy remains unpublished. So does the Suite 508 for viola and piano, composed in 1960. With typical ingenuity, Castelnuovo-Tedesco works in the name of the different dedicatees to each of the seven movements, resulting in chromaticism on the verge of atonality at times, but reliably handled with verve and melodic prominence.

Tracklist:

  1. Signorine. Due Profili, Op. 10: I. Dolce E Tranquillo
  2. Signorine. Due Profili, Op. 10: II. Con Grazia
  3. 3 Canti All'aria Aperta: I. La Sera Per Il Fresco È Un Bel Cantare
  4. 3 Canti All'aria Aperta: II. Stanotte Son Dormito A Ciel Sereno
  5. 3 Canti All'aria Aperta: III. Il Mattino Ha L'oro In Bocca
  6. Ritmi, Op. 15: I. Lento E Languido
  7. Capitan Fracassa In G Major, Op. 16
  8. Notturno Adriatico, Op. 34
  9. Sonata Quasi Una Fantasia, Op. 56: I. Prologo
  10. Sonata Quasi Una Fantasia, Op. 56: II. Intermezzo
  11. Sonata Quasi Una Fantasia, Op. 56: III. Epilogo
  12. Sea Urmurs
  13. Tango, Op. 24b
  14. Figaro From The Barber Of Seville By Rossini
  15. La Figlia Del Reggimento, A Fantasy For Violin And Piano On Themes By Donizetti, Op. 110: I. Ouverture
  16. La Figlia Del Reggimento, A Fantasy For Violin And Piano On Themes By Donizetti, Op. 110: II. Romance
  17. La Figlia Del Reggimento, A Fantasy For Violin And Piano On Themes By Donizetti, Op. 110: III. Valse
  18. La Figlia Del Reggimento, A Fantasy For Violin And Piano On Themes By Donizetti, Op. 110: IV. Tyrolienne
  19. La Figlia Del Reggimento, A Fantasy For Violin And Piano On Themes By Donizetti, Op. 110: V. Rataplan
  20. Exotica: A Rhapsody Of The South Seas
  21. The Lark, Op. 64
  22. Greeting Cards, Op. 170: XXIII. Intermezzo
  23. Greeting Cards, Op. 170: XXV. Hungarian Serenade
  24. Suite 508, Op. 170: I. Entrata
  25. Suite 508, Op. 170: II. Pavane
  26. Suite 508, Op. 170: III. Tambourin
  27. Suite 508, Op. 170: IV. Aria
  28. Suite 508, Op. 170: V. Toccata
  29. Suite 508, Op. 170: VI. Gavotta Variata
  30. Suite 508, Op. 170: VII. Gigue