Penard / Ciocarlie / Quatuor Debussy- Olivier Penard: Chroniques (CD)
Chroniques, written in 212 and the most recent score in this recording, is a collection of seven pieces for piano that evoke various states of passionate love, somewhat in the manner of Schumann's Kreisleriana. The entirety rests on a harmonic scale consisting of triads associated with four chords, which together cover the chromatic universe. Stupeur is a piece without indication of meter that begins with a succession of ascending motives in a very impressionistic atmosphere. It closes in an enigmatic manner with an alternation of silences and sighs. Un regard sees itself as amomen to freedom, both in regard to tonality - the movement is clearly polytonal - and rhythm, left predominantly to the performer's free choice. Paralysie is a state well-known from passionate love. It's impression is rendered through a systematic interruption of motive sthat cannot develop. Un sourire is a lighter piece, with a pronounced modality. It's expression is soft and graceful, free of constraint. Once again it is a piece without an indication of metre, expressed with much freshness and tenderness. Romance, the finale, respects the traditional manner of writing in this genre: tonal affirmation, overflowing lyricism and passionate exaltation, expressed in a true set of pianistic fireworks that the great Romantics would not disavow.
> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to FOUR copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.
Chroniques, written in 212 and the most recent score in this recording, is a collection of seven pieces for piano that evoke various states of passionate love, somewhat in the manner of Schumann's Kreisleriana. The entirety rests on a harmonic scale consisting of triads associated with four chords, which together cover the chromatic universe. Stupeur is a piece without indication of meter that begins with a succession of ascending motives in a very impressionistic atmosphere. It closes in an enigmatic manner with an alternation of silences and sighs. Un regard sees itself as amomen to freedom, both in regard to tonality - the movement is clearly polytonal - and rhythm, left predominantly to the performer's free choice. Paralysie is a state well-known from passionate love. It's impression is rendered through a systematic interruption of motive sthat cannot develop. Un sourire is a lighter piece, with a pronounced modality. It's expression is soft and graceful, free of constraint. Once again it is a piece without an indication of metre, expressed with much freshness and tenderness. Romance, the finale, respects the traditional manner of writing in this genre: tonal affirmation, overflowing lyricism and passionate exaltation, expressed in a true set of pianistic fireworks that the great Romantics would not disavow.
> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to FOUR copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.