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Pohle / Sailly / Clematis- Complete Sonatas & Ballet Music (CD)

SKU: 5400439004603
Regular price ¥206.00
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per
the album cover for Pohle / Sailly / Clematis - Complete Sonatas & Ballet Music
the album cover for Pohle / Sailly / Clematis - Complete Sonatas & Ballet Music

David Pohle was one of Heinrich Schütz's most talented pupils although, unlike his master, Pohle did not compose only sacred vocal works; he also created a substantial body of instrumental music, including some thirty sonatas for four to eight instruments and a number of ballet suites. Pohle was very much an heir to the polyphonic tradition and was certainly influenced by the playing of Italian violinists, and particularly so by Carlo Farina, who lived in Dresden at that time. Pohle not only made use of Italian influences but also adapted models from French dance music: this explains the great diversity of structures in these sonatas, which in some respects also herald the outbursts of the stylus fantasticus. This is a revelatory first recording of Pohle's complete sonatas.

Format: New CD/Classical

Pohle / Sailly / Clematis- Complete Sonatas & Ballet Music (CD)

SKU: 5400439004603
Regular price ¥206.00
Unit price
per

Release Date: 04.26.2024

 
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> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to FOUR copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.

David Pohle was one of Heinrich Schütz's most talented pupils although, unlike his master, Pohle did not compose only sacred vocal works; he also created a substantial body of instrumental music, including some thirty sonatas for four to eight instruments and a number of ballet suites. Pohle was very much an heir to the polyphonic tradition and was certainly influenced by the playing of Italian violinists, and particularly so by Carlo Farina, who lived in Dresden at that time. Pohle not only made use of Italian influences but also adapted models from French dance music: this explains the great diversity of structures in these sonatas, which in some respects also herald the outbursts of the stylus fantasticus. This is a revelatory first recording of Pohle's complete sonatas.