Ricco Saccani- Aida (CD)
Verdi wrote his Egyptian opera Aida in response to a commission from the Khedive of Egypt for the opening of the new Cairo Opera House, after rejecting requests for an anthem to celebrate the opening of the Suez Canal a year earlier. The first performance was conducted by the famous double-bass player Bottesini. Spectacle, of which some stage directors have made much, is provided particularly in the return of the victorious Radames in triumph. The story was the invention of the French egyptologist Auguste Mariette, elaborated in French prose by Camille Du Locle, before the final Italian text was drafted. Aida remains a popular part of Italian opera repertoire. Familiar concert excerpts from Aida inevitably include the tenor Celeste Aida (Heavenly Aida) and Aida's Ritorna vincitor (Return victorious). The grand march has celebrated many an unoperatic festivity and has allowed spectacular extravagance in more ostentatious productions of the opera. O patria mia (O my homeland) for Aida in the third act adds a particular poignancy, while the final death scene of Radames and Aida is also sometimes to be heard in dramatic isolation.
Tracklist:
- Prld
- Act I: Se Quel Guerrier Io Fossi!...Celeste Aida
- Act I: Ritorna Vincitor!...I Sacri Nomi Di Padre, D'amante
- Act I: Dance Of The Priestesses
- Act II: Dance Of The Moorish Slaves
- Act II: Sul De Nilo Al Sacro Lido...Numi, Pieta Del Mio Martir
- Act II: Gloria All' Egitto
- Act II: Grand March
- Act II: Ballet Music
- Act II: Vieni, O Guerrero Vindice
- Act III: Qui Radames Verra!...O Patria Mia
- Act III: Ciel Mio Padre!...Su Dunque!
- Act IV: L'Abborita Rivale A Me Sfuggia...Gia I Sacerdoti
- Act IV: Die Mie Discolpe
- Act IV: Morire! Ah, Tu Dei Vivere
- Act IV: Chi Ti Salva, Sciagurato
- Act IV: E La Morte Un Ben Supremo
- Act IV: La Fatal Pietra...Morir! Si Pura E Bella
- Act IV: O Terra, Addio; Addio Di Vale Di Pianto
Verdi wrote his Egyptian opera Aida in response to a commission from the Khedive of Egypt for the opening of the new Cairo Opera House, after rejecting requests for an anthem to celebrate the opening of the Suez Canal a year earlier. The first performance was conducted by the famous double-bass player Bottesini. Spectacle, of which some stage directors have made much, is provided particularly in the return of the victorious Radames in triumph. The story was the invention of the French egyptologist Auguste Mariette, elaborated in French prose by Camille Du Locle, before the final Italian text was drafted. Aida remains a popular part of Italian opera repertoire. Familiar concert excerpts from Aida inevitably include the tenor Celeste Aida (Heavenly Aida) and Aida's Ritorna vincitor (Return victorious). The grand march has celebrated many an unoperatic festivity and has allowed spectacular extravagance in more ostentatious productions of the opera. O patria mia (O my homeland) for Aida in the third act adds a particular poignancy, while the final death scene of Radames and Aida is also sometimes to be heard in dramatic isolation.
Tracklist:
- Prld
- Act I: Se Quel Guerrier Io Fossi!...Celeste Aida
- Act I: Ritorna Vincitor!...I Sacri Nomi Di Padre, D'amante
- Act I: Dance Of The Priestesses
- Act II: Dance Of The Moorish Slaves
- Act II: Sul De Nilo Al Sacro Lido...Numi, Pieta Del Mio Martir
- Act II: Gloria All' Egitto
- Act II: Grand March
- Act II: Ballet Music
- Act II: Vieni, O Guerrero Vindice
- Act III: Qui Radames Verra!...O Patria Mia
- Act III: Ciel Mio Padre!...Su Dunque!
- Act IV: L'Abborita Rivale A Me Sfuggia...Gia I Sacerdoti
- Act IV: Die Mie Discolpe
- Act IV: Morire! Ah, Tu Dei Vivere
- Act IV: Chi Ti Salva, Sciagurato
- Act IV: E La Morte Un Ben Supremo
- Act IV: La Fatal Pietra...Morir! Si Pura E Bella
- Act IV: O Terra, Addio; Addio Di Vale Di Pianto