Rigotti- So Far
The pieces composed by Matteo Rigotti and presented on this album are intended for different instruments and offer the opportunity to explore and learn about the varied compositional world of the author. The instrumental variety is rich and always different. Only in Q and Q2, the instrument is the same: the clarinet. However, in this specific case, the two pieces seem to be two moments of the same thought. The second one appears indeed as an extension of the first one, almost a "reaction" to it, creating a narration that transversely joins two tracks, distinct in the album, in a "before" and a "later". In all the other pieces the situation appears limited to the piece itself which becomes a different place each time, a time and a space in which numerous gestures happen. This means that, within each of these "microworlds", sound research and experimentation paths start by taking advantage of both the possibilities that the instrument offers and, in ensemble pieces, the possible result from the interactions between the instruments.
Tracklist:
- Q for clarinet
- Q2 for clarinet
- Come Ghiaccio Che Si Scioglie for piano solo
- Glares for guitar
- Eco, Dell'Incessante Andare for accordion and alto
- Mutevoli Metalli for electric guitar, metal objects and electronics
- Ragnatela ... In Un Pezzo Di Vetro for saxophone quartet
The pieces composed by Matteo Rigotti and presented on this album are intended for different instruments and offer the opportunity to explore and learn about the varied compositional world of the author. The instrumental variety is rich and always different. Only in Q and Q2, the instrument is the same: the clarinet. However, in this specific case, the two pieces seem to be two moments of the same thought. The second one appears indeed as an extension of the first one, almost a "reaction" to it, creating a narration that transversely joins two tracks, distinct in the album, in a "before" and a "later". In all the other pieces the situation appears limited to the piece itself which becomes a different place each time, a time and a space in which numerous gestures happen. This means that, within each of these "microworlds", sound research and experimentation paths start by taking advantage of both the possibilities that the instrument offers and, in ensemble pieces, the possible result from the interactions between the instruments.
Tracklist:
- Q for clarinet
- Q2 for clarinet
- Come Ghiaccio Che Si Scioglie for piano solo
- Glares for guitar
- Eco, Dell'Incessante Andare for accordion and alto
- Mutevoli Metalli for electric guitar, metal objects and electronics
- Ragnatela ... In Un Pezzo Di Vetro for saxophone quartet