Scheidemann / Moulin- Cantilena Anglica Fortunae
For his first recording with Ricercar, and as a prelude to an anthology of German Baroque harpsichord music, Yoann Moulin tackles works by two of Sweelinck's most illustrious disciples. The preludes, chorales, fugues, dances and arias with variations of this repertory offer great diversity and enable us to grasp the personalities of the two composers, the introverted Scheidt and the more flamboyant and Baroque Scheidemann. Yoann Moulin began his musical education with Robert Weddle. He discovered the harpsichord later, and studied with Bibiane Lapointe and Thierry Maeder before continuing his education at the Academy Villecroze and the National Conservatory of Music and Dance in Paris. He has since performed in numerous solo and chamber music recitals and at different festivals including the Folles Days of Nantes, the Philharmonie de Paris, La Roque d'Antheron, and more. Recently, he cofounded the ensemble "A Band of Harpsichords," a consort of ancient keyboards that focuses on the music of the Renaissance, both written and improvised.
For his first recording with Ricercar, and as a prelude to an anthology of German Baroque harpsichord music, Yoann Moulin tackles works by two of Sweelinck's most illustrious disciples. The preludes, chorales, fugues, dances and arias with variations of this repertory offer great diversity and enable us to grasp the personalities of the two composers, the introverted Scheidt and the more flamboyant and Baroque Scheidemann. Yoann Moulin began his musical education with Robert Weddle. He discovered the harpsichord later, and studied with Bibiane Lapointe and Thierry Maeder before continuing his education at the Academy Villecroze and the National Conservatory of Music and Dance in Paris. He has since performed in numerous solo and chamber music recitals and at different festivals including the Folles Days of Nantes, the Philharmonie de Paris, La Roque d'Antheron, and more. Recently, he cofounded the ensemble "A Band of Harpsichords," a consort of ancient keyboards that focuses on the music of the Renaissance, both written and improvised.