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Schoenberg / Jakubiak / Gardner- Erwartung / Pelleas & Melisande (CD)

SKU: 095115519820
Regular price ¥165.00
Unit price
per
the album cover for Schoenberg / Jakubiak / Gardner - Erwartung / Pelleas & Melisande
the album cover for Schoenberg / Jakubiak / Gardner - Erwartung / Pelleas & Melisande

Written only six years apart, these two works share a common narrative of frustrated love, and the concept of the forest as a metaphor for the subconscious mind. Musically they are wildly different, however; Pelleas, which Schoenberg wrote in his late twenties, is the epitome of his late romantic style, indebted to Richard Strauss. Erwartung (his first work for the stage) was written after his conversion to atonality. Maurice Maeterlinck's play Pelleas et Melisande fired the imaginations of several of the greatest composers of the time. Debussy began writing his opera almost immediately after it's publication in 1892, and within a decade or so Faure and Sibelius had created elaborate incidental scores for different stage productions of the play. Schoenberg composed his tone poem in 1902 - 03, for a large-scale (Straussian) orchestra. Schoenberg seems to have put himself into a state of free association to write Erwartung, which he completed in just seventeen days in August 1909. 'In Erwartung, the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour', he wrote. Not only the first solo opera, this is perhaps also the first cinematic one.

Tracklist:

  1. Pelleas Und Melisande, Op. 5: Die Ein Wenig Bewegt
  2. Pelleas Und Melisande, Op. 5: Ein Wenig Bewegter - Heftig
  3. Pelleas Und Melisande, Op. 5: Sehr Warm, In Breiter Bewegung
  4. Pelleas Und Melisande, Op. 5: Lebhaft - Etwas Zuruckhaltend - Wieder Lebhaft
  5. Pelleas Und Melisande, Op. 5: Sehr Rasch
  6. Pelleas Und Melisande, Op. 5: Sehr Langsam
  7. Pelleas Und Melisande, Op. 5: Sehr Langsam, Gedehnt.
  8. Pelleas Und Melisande, Op. 5: Langsam
  9. Pelleas Und Melisande, Op. 5: Ein Wenig Bewegter - Etwas Bewegter
  10. Pelleas Und Melisande, Op. 5: Viel Rascher; Beschleunigend
  11. Pelleas Und Melisande, Op. 5: Sehr Langsam - Etwas Langsamer
  12. Pelleas Und Melisande, Op. 5: In Gehender Bewegung
  13. Pelleas Und Melisande, Op. 5: Breit - Langsam - Nach Und Nach Wieder Ins Tempo
  14. Erwartung, Op. 17, Scene 1: Hier Himein?
  15. Erwartung, Op. 17, Scene 2: Ach! Nur Der Mond
  16. Erwartung, Op. 17, Scene 3: Ash! Nur Der Mond
  17. Erwartung, Op. 17, Scene 4: Er Ist Auch Nicht
  18. Erwartung, Op. 17, Scene 4: Das Mondlicht
  19. Erwartung, Op. 17, Scene 4: Es Ist Noch Da
  20. Erwartung, Op. 17, Scene 4: Oh, Es Ist Heller Tag
  21. Erwartung, Op. 17, Scene 4: Nein, Das Ist Doch
  22. Erwartung, Op. 17, Scene 4: Du Siehst Wieder Dort
  23. Erwartung, Op. 17, Scene 4: Oh! Nicht Einmal
  24. Erwartung, Op. 17, Scene 4: Liebster, Liebster
Format: New CD/Classical

Schoenberg / Jakubiak / Gardner- Erwartung / Pelleas & Melisande (CD)

SKU: 095115519820
Regular price ¥165.00
Unit price
per

Release Date: 05.01.2020

 
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Written only six years apart, these two works share a common narrative of frustrated love, and the concept of the forest as a metaphor for the subconscious mind. Musically they are wildly different, however; Pelleas, which Schoenberg wrote in his late twenties, is the epitome of his late romantic style, indebted to Richard Strauss. Erwartung (his first work for the stage) was written after his conversion to atonality. Maurice Maeterlinck's play Pelleas et Melisande fired the imaginations of several of the greatest composers of the time. Debussy began writing his opera almost immediately after it's publication in 1892, and within a decade or so Faure and Sibelius had created elaborate incidental scores for different stage productions of the play. Schoenberg composed his tone poem in 1902 - 03, for a large-scale (Straussian) orchestra. Schoenberg seems to have put himself into a state of free association to write Erwartung, which he completed in just seventeen days in August 1909. 'In Erwartung, the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour', he wrote. Not only the first solo opera, this is perhaps also the first cinematic one.

Tracklist:

  1. Pelleas Und Melisande, Op. 5: Die Ein Wenig Bewegt
  2. Pelleas Und Melisande, Op. 5: Ein Wenig Bewegter - Heftig
  3. Pelleas Und Melisande, Op. 5: Sehr Warm, In Breiter Bewegung
  4. Pelleas Und Melisande, Op. 5: Lebhaft - Etwas Zuruckhaltend - Wieder Lebhaft
  5. Pelleas Und Melisande, Op. 5: Sehr Rasch
  6. Pelleas Und Melisande, Op. 5: Sehr Langsam
  7. Pelleas Und Melisande, Op. 5: Sehr Langsam, Gedehnt.
  8. Pelleas Und Melisande, Op. 5: Langsam
  9. Pelleas Und Melisande, Op. 5: Ein Wenig Bewegter - Etwas Bewegter
  10. Pelleas Und Melisande, Op. 5: Viel Rascher; Beschleunigend
  11. Pelleas Und Melisande, Op. 5: Sehr Langsam - Etwas Langsamer
  12. Pelleas Und Melisande, Op. 5: In Gehender Bewegung
  13. Pelleas Und Melisande, Op. 5: Breit - Langsam - Nach Und Nach Wieder Ins Tempo
  14. Erwartung, Op. 17, Scene 1: Hier Himein?
  15. Erwartung, Op. 17, Scene 2: Ach! Nur Der Mond
  16. Erwartung, Op. 17, Scene 3: Ash! Nur Der Mond
  17. Erwartung, Op. 17, Scene 4: Er Ist Auch Nicht
  18. Erwartung, Op. 17, Scene 4: Das Mondlicht
  19. Erwartung, Op. 17, Scene 4: Es Ist Noch Da
  20. Erwartung, Op. 17, Scene 4: Oh, Es Ist Heller Tag
  21. Erwartung, Op. 17, Scene 4: Nein, Das Ist Doch
  22. Erwartung, Op. 17, Scene 4: Du Siehst Wieder Dort
  23. Erwartung, Op. 17, Scene 4: Oh! Nicht Einmal
  24. Erwartung, Op. 17, Scene 4: Liebster, Liebster