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Scott / Liepaja Symphony Orchestra- Orchestral Music 2

SKU: 5060113446466
Regular price ¥147.00
Unit price
per
the album cover for Scott / Liepaja Symphony Orchestra - Orchestral Music 2
the album cover for Scott / Liepaja Symphony Orchestra - Orchestral Music 2

Derek Scott, born in Birmingham in 1950, has an international reputation as an historian of the British music hall and other forms of light entertainment. But he is an outstanding composer in his own right, his music treading a fine line between a very English whimsy and a profoundly felt and natural response to his (often Celtic) subject matter. These works reveal a master craftsman and natural tunesmith, who manages to unite good humor, unerring technique and deep feeling in music of immediate appeal. His two symphonies - originally written for brass band - embody a return to the formal, Classical clarity of Haydn, though expressed with the satisfyingly beefy textures of the modern orchestra. He lists among his influences Shostakovich and Sibelius and, less predictably, The Beatles and The Kinks.

Format: New CD/Classical

Scott / Liepaja Symphony Orchestra- Orchestral Music 2

SKU: 5060113446466
Regular price ¥147.00
Unit price
per

Release Date: 07.01.2022

 
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> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to FOUR copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.

Derek Scott, born in Birmingham in 1950, has an international reputation as an historian of the British music hall and other forms of light entertainment. But he is an outstanding composer in his own right, his music treading a fine line between a very English whimsy and a profoundly felt and natural response to his (often Celtic) subject matter. These works reveal a master craftsman and natural tunesmith, who manages to unite good humor, unerring technique and deep feeling in music of immediate appeal. His two symphonies - originally written for brass band - embody a return to the formal, Classical clarity of Haydn, though expressed with the satisfyingly beefy textures of the modern orchestra. He lists among his influences Shostakovich and Sibelius and, less predictably, The Beatles and The Kinks.