Stentiment / Various- Stentiment
Listening to Alexandra Ivanova's debut release with GENUIN, we are able to experience the very essence of the harpsichord! The Russian pianist and harpsichordist presents herself in a juxtaposition of contemporary and early music that creates exciting reflections: the new seems familiar, while old seems excitingly new. Ivanova combines Couperin, Rameau, Duphly, and Royer with works by the Latvian composer Anita Mieze, born in 1980. In the 17th and 18th centuries, the associations between feeling and reason not only occupied the minds of French philosophers but also of great musicians: This extraordinarily sonorous album revolves around these poles of baroque music and how they are reflected in modernity.
Tracklist:
- Prélude Non Mesuré In F Major, G. 13
- Sentiment No. 1
- Pièces Pour Clavecin, Book 3 (Excerpts): No. 4, La Forquere
- Pièces Pour Clavecin, Book 3 (Excerpts): No. 6, Médée
- Pièces Pour Clavecin, Book 3 (Excerpts): No. 5, Chaconne
- Suite In D Major, Rct 3: VI. L'entretien Des Muses
- Pièces Pour Clavecin, Book 3 (Excerpts): No. 7, Les Grâces
- Pièces Pour Clavecin, Book 3 (Excerpts): No. 8, La De Belombre
- Suite In A Minor, Rct 5: VII. Gavotte Et 6 Doubles
- Sentiment No. 2
- Chaconne In F Major, G. 78
- Pièces Pour Clavecin, Book 2: No. 3, La Félix
- Pièces Pour Clavecin, Book 1: No. 13, Rondeau
- Premier Livre De Pièces De Clavecin (Excerpts): No. 4, Premier Et Deuxième Tambourins, Suite Des Matelots
- Premier Livre De Pièces De Clavecin (Excerpts): No. 6, L'aimable
- Premier Livre De Pièces De Clavecin (Excerpts): No. 11, Le Vertigo
- Ansichtskarte
- Tombeau De Monsieur Blancrocher, G. 81
Listening to Alexandra Ivanova's debut release with GENUIN, we are able to experience the very essence of the harpsichord! The Russian pianist and harpsichordist presents herself in a juxtaposition of contemporary and early music that creates exciting reflections: the new seems familiar, while old seems excitingly new. Ivanova combines Couperin, Rameau, Duphly, and Royer with works by the Latvian composer Anita Mieze, born in 1980. In the 17th and 18th centuries, the associations between feeling and reason not only occupied the minds of French philosophers but also of great musicians: This extraordinarily sonorous album revolves around these poles of baroque music and how they are reflected in modernity.
Tracklist:
- Prélude Non Mesuré In F Major, G. 13
- Sentiment No. 1
- Pièces Pour Clavecin, Book 3 (Excerpts): No. 4, La Forquere
- Pièces Pour Clavecin, Book 3 (Excerpts): No. 6, Médée
- Pièces Pour Clavecin, Book 3 (Excerpts): No. 5, Chaconne
- Suite In D Major, Rct 3: VI. L'entretien Des Muses
- Pièces Pour Clavecin, Book 3 (Excerpts): No. 7, Les Grâces
- Pièces Pour Clavecin, Book 3 (Excerpts): No. 8, La De Belombre
- Suite In A Minor, Rct 5: VII. Gavotte Et 6 Doubles
- Sentiment No. 2
- Chaconne In F Major, G. 78
- Pièces Pour Clavecin, Book 2: No. 3, La Félix
- Pièces Pour Clavecin, Book 1: No. 13, Rondeau
- Premier Livre De Pièces De Clavecin (Excerpts): No. 4, Premier Et Deuxième Tambourins, Suite Des Matelots
- Premier Livre De Pièces De Clavecin (Excerpts): No. 6, L'aimable
- Premier Livre De Pièces De Clavecin (Excerpts): No. 11, Le Vertigo
- Ansichtskarte
- Tombeau De Monsieur Blancrocher, G. 81