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Becker / Zumsande / Schmalz- Sacred Concertos & Sonatas (CD)

SKU: 761203546428
Regular price ¥131.00
Unit price
per
the album cover for Becker / Zumsande / Schmalz - Sacred Concertos & Sonatas
the album cover for Becker / Zumsande / Schmalz - Sacred Concertos & Sonatas

Probably born in Hamburg in 1623, Dietrich Becker not only mastered organ playing, but also developed into an outstanding violinist and composer. His music-historical importance lies primarily in the field of instrumental music, but his contribution to sacred music also shows him to be a distinguished composer: five sacred concertos from his pen have survived in their entirety; they are united as first recordings on this release. The form and style of the sacred concertos show typical similarities: As instrumental parts, Becker preferred a full-voiced string instrumentation; the singing parts are not conducted virtuosically, but predominantly syllabically, and serve primarily a clear reproduction of the text and follow the affect of the text. Singing voices and instruments frequently confront each other in dialogue.

Format: New CD/Classical

Becker / Zumsande / Schmalz- Sacred Concertos & Sonatas (CD)

SKU: 761203546428
Regular price ¥131.00
Unit price
per

Release Date: 01.06.2023

 
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> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to FOUR copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.

Probably born in Hamburg in 1623, Dietrich Becker not only mastered organ playing, but also developed into an outstanding violinist and composer. His music-historical importance lies primarily in the field of instrumental music, but his contribution to sacred music also shows him to be a distinguished composer: five sacred concertos from his pen have survived in their entirety; they are united as first recordings on this release. The form and style of the sacred concertos show typical similarities: As instrumental parts, Becker preferred a full-voiced string instrumentation; the singing parts are not conducted virtuosically, but predominantly syllabically, and serve primarily a clear reproduction of the text and follow the affect of the text. Singing voices and instruments frequently confront each other in dialogue.