Bizet / Bohm / Staatskapelle Dresden- Carmen (3pk)
The present release is a live recording of 1942 from the opera house of the State Theatre of Saxony, the Semperoper, destroyed by bombing three years later and finally reopened in 1985. The opera chorus and orchestra are to be heard performing alongside an outstanding ensemble of soloists under the musical direction of Karl Böhm, then principal conductor in Dresden as successor to Fritz Busch. Sung in German to a text by Julius Hopp, the new production - advertised as being in it's 500th performance in mid-June 1942 - was created by Heinz Arnold, then Oberspielleiter (chief production supervisor) and post-war opera director to the Dresden State Opera. Stage sets and costumes (given as Trachten, "outfits", work clothes or regional dress) were the responsibility of Adolf Mahnke and Richard Panzer. What little has survived as evidence of this historic staging suggests that it was strongly influenced by the Paris premiere. The Hispanic-Moorish elements of the stage façades clearly suggest the architecture of faraway lands. This thrill of the exotic is also to be found in the "outfits" and of course in the music. Georges Bizet thus combined and compared the charm of folklore with the (normally forbidden) deviant behavior of his characters. With their dusky harmonies, these psychologically convincing sequences of tuneful numbers hold the audience under their spell. The performance is an irresistible delight, especially in this realization under a maestro like Karl Böhm.
Tracklist:
- Carmen~No. 1: Introduction/Overture
- Carmen~Act One. No.
- Soloists and Chorus: Diese Menge, im Gedränge
- Carmen~Act One. No.
- Chorus: Schnell herbeigestürmt wie's Wetter
- Carmen~Act One. No. 3a. Recitative: Ist nicht dort die Fabrik
- Carmen~Act One. No.
- Chorus:Eilen wir herbei / Sehet, wie die Raucheswolken zieh'n
- Carmen~Act One. No.
- Habanera: Ja, die Liebe hat bunte Flügel
- Carmen~Act One. No.
- Scene: Carmen, sieh', wir alle folgen dir
- Carmen~Act One. No. 6a. Recitative: Ha! Das heiß' ich doch Unverschämtheit
- Carmen~Act One. No.
- Duet: Wie? Du kommst von der Mutter?
- Carmen~Act One. No. 7a. Recitative: Bleibe da
- Carmen~Act One. No.
- Chorus: Was ist dort geschehen?
- Carmen~Act One. No.
- Song and Recitative: Mein Offizier, ein Streit entspann sich droben
- Carmen~Act One. No. 1
- Seguidilla and Duet: Draußen am Wall von Sevilla
- Carmen~Act One. No. 1
- Finale: Hier der Befehl! Nun geht!
- Carmen~Interlude
- Carmen~Act Two. No. 1
- Gypsy song: Was ist Zigeuners höchste Lust?
- Carmen~Act Two. No. 12a. Recitative: Ihr Herren, Pastia sagt
- Carmen~Act Two. No. 1
- Chorus: Ein Hoch, ein Hoch dem Torero
- Carmen~Act Two. No. 1
- Strophic song: Euren Toast kann ich wohl erwidern
- Carmen~Act Two. No. 14a. Recitative: Du Schöne, o sprich, sag' deinen Namen
- Carmen~Act Two. No. 14b. Escamillo's departure: Interlude
- Carmen~Act Two. No. 14c. Recitative: Kommt herein, sagt, was gibt's Neues?
- Carmen~Act Two. No. 1
- Quintet: Ich hab ein Geschäft vorzuschlagen
- Carmen~Act Two. No. 15a. Recitative: Sag', wen erwartest du?
- Carmen~Act Two. No. 1
- Song: He, holla! Halt! Wer da?
- Carmen~Act Two. No. 16a. Recitative: Bist du endlich da?
- Carmen~Act Two. No. 1
- Duet: Tanzen will ich zu eurer Ehr
- Carmen~Act Two. Flower aria: Hier, an dem Herzen treu geborgen
- Carmen~Act Two. No. 1
- Finale: Holla! Carmen!
- Carmen~Interlude
- Carmen~Act Three. No. 1
- Sextet and Chorus: Nur mutig die Schlucht hinab
- Carmen~Act Three. No. 19a. Recitative: Ihr ruhet hier ein Stündchen aus
- Carmen~Act Three. No. 2
- Trio: Mische! Hebe! Weissagen wir!
- Carmen~Act Three. No. 20a. Recitative: Was gibt's?
- Carmen~Act Three. No. 2
- Ensemble: Ach, die Zöllner sind nur Sünder!
- Carmen~Act Three. No. 22: Recitative and Aria: Hier in dieser Felsenschlucht - Ich sprach, das ich furchtlos mich fühle
- Carmen~Act Three. No. 22a. Recitative: Doch täusch' ich mich nicht?
- Carmen~Act Three. No. 2
- Duet: Ich bin Escamillo
- Carmen~Act Three. No. 2
- Finale: Halt ein! Halt ein! José
- Carmen~Interlude
- Carmen~Act Four: No. 2
- March and Chorus: Ha, sie naht!
- Carmen~Act Four: No. 2
- Duet and final chorus: Du bist's - Ich bin's
- Carmen~Ja. die Liebe hat bunte Flügel
- Carmen~Draußen am Wall von Sevilla
- Carmen~Ich seh' die Mutter dort
- Carmen~Euren Toast kann ich wohl erwidern
- Carmen~Hier an dem Herzen treu geborgen
- Carmen~Prelude to Act 3
- Carmen~Ich sprach, dass ich furchtlos mich fühle
- Carmen~Finale Act 3
- Carmen~Ich sprach, dass ich furchtlos mich fühle
- Carmen~Sag' wie geht' meiner Mutter
- Carmen~Die Blume, die seit jenem Tage
- Carmen~Hier in der Felsenschlucht
UPC > 881488160765
Format > New CD
Label > Profil - G Haenssler
Shop online at Darkside Records.
Follow us on Instagram.
The present release is a live recording of 1942 from the opera house of the State Theatre of Saxony, the Semperoper, destroyed by bombing three years later and finally reopened in 1985. The opera chorus and orchestra are to be heard performing alongside an outstanding ensemble of soloists under the musical direction of Karl Böhm, then principal conductor in Dresden as successor to Fritz Busch. Sung in German to a text by Julius Hopp, the new production - advertised as being in it's 500th performance in mid-June 1942 - was created by Heinz Arnold, then Oberspielleiter (chief production supervisor) and post-war opera director to the Dresden State Opera. Stage sets and costumes (given as Trachten, "outfits", work clothes or regional dress) were the responsibility of Adolf Mahnke and Richard Panzer. What little has survived as evidence of this historic staging suggests that it was strongly influenced by the Paris premiere. The Hispanic-Moorish elements of the stage façades clearly suggest the architecture of faraway lands. This thrill of the exotic is also to be found in the "outfits" and of course in the music. Georges Bizet thus combined and compared the charm of folklore with the (normally forbidden) deviant behavior of his characters. With their dusky harmonies, these psychologically convincing sequences of tuneful numbers hold the audience under their spell. The performance is an irresistible delight, especially in this realization under a maestro like Karl Böhm.
Tracklist:
- Carmen~No. 1: Introduction/Overture
- Carmen~Act One. No.
- Soloists and Chorus: Diese Menge, im Gedränge
- Carmen~Act One. No.
- Chorus: Schnell herbeigestürmt wie's Wetter
- Carmen~Act One. No. 3a. Recitative: Ist nicht dort die Fabrik
- Carmen~Act One. No.
- Chorus:Eilen wir herbei / Sehet, wie die Raucheswolken zieh'n
- Carmen~Act One. No.
- Habanera: Ja, die Liebe hat bunte Flügel
- Carmen~Act One. No.
- Scene: Carmen, sieh', wir alle folgen dir
- Carmen~Act One. No. 6a. Recitative: Ha! Das heiß' ich doch Unverschämtheit
- Carmen~Act One. No.
- Duet: Wie? Du kommst von der Mutter?
- Carmen~Act One. No. 7a. Recitative: Bleibe da
- Carmen~Act One. No.
- Chorus: Was ist dort geschehen?
- Carmen~Act One. No.
- Song and Recitative: Mein Offizier, ein Streit entspann sich droben
- Carmen~Act One. No. 1
- Seguidilla and Duet: Draußen am Wall von Sevilla
- Carmen~Act One. No. 1
- Finale: Hier der Befehl! Nun geht!
- Carmen~Interlude
- Carmen~Act Two. No. 1
- Gypsy song: Was ist Zigeuners höchste Lust?
- Carmen~Act Two. No. 12a. Recitative: Ihr Herren, Pastia sagt
- Carmen~Act Two. No. 1
- Chorus: Ein Hoch, ein Hoch dem Torero
- Carmen~Act Two. No. 1
- Strophic song: Euren Toast kann ich wohl erwidern
- Carmen~Act Two. No. 14a. Recitative: Du Schöne, o sprich, sag' deinen Namen
- Carmen~Act Two. No. 14b. Escamillo's departure: Interlude
- Carmen~Act Two. No. 14c. Recitative: Kommt herein, sagt, was gibt's Neues?
- Carmen~Act Two. No. 1
- Quintet: Ich hab ein Geschäft vorzuschlagen
- Carmen~Act Two. No. 15a. Recitative: Sag', wen erwartest du?
- Carmen~Act Two. No. 1
- Song: He, holla! Halt! Wer da?
- Carmen~Act Two. No. 16a. Recitative: Bist du endlich da?
- Carmen~Act Two. No. 1
- Duet: Tanzen will ich zu eurer Ehr
- Carmen~Act Two. Flower aria: Hier, an dem Herzen treu geborgen
- Carmen~Act Two. No. 1
- Finale: Holla! Carmen!
- Carmen~Interlude
- Carmen~Act Three. No. 1
- Sextet and Chorus: Nur mutig die Schlucht hinab
- Carmen~Act Three. No. 19a. Recitative: Ihr ruhet hier ein Stündchen aus
- Carmen~Act Three. No. 2
- Trio: Mische! Hebe! Weissagen wir!
- Carmen~Act Three. No. 20a. Recitative: Was gibt's?
- Carmen~Act Three. No. 2
- Ensemble: Ach, die Zöllner sind nur Sünder!
- Carmen~Act Three. No. 22: Recitative and Aria: Hier in dieser Felsenschlucht - Ich sprach, das ich furchtlos mich fühle
- Carmen~Act Three. No. 22a. Recitative: Doch täusch' ich mich nicht?
- Carmen~Act Three. No. 2
- Duet: Ich bin Escamillo
- Carmen~Act Three. No. 2
- Finale: Halt ein! Halt ein! José
- Carmen~Interlude
- Carmen~Act Four: No. 2
- March and Chorus: Ha, sie naht!
- Carmen~Act Four: No. 2
- Duet and final chorus: Du bist's - Ich bin's
- Carmen~Ja. die Liebe hat bunte Flügel
- Carmen~Draußen am Wall von Sevilla
- Carmen~Ich seh' die Mutter dort
- Carmen~Euren Toast kann ich wohl erwidern
- Carmen~Hier an dem Herzen treu geborgen
- Carmen~Prelude to Act 3
- Carmen~Ich sprach, dass ich furchtlos mich fühle
- Carmen~Finale Act 3
- Carmen~Ich sprach, dass ich furchtlos mich fühle
- Carmen~Sag' wie geht' meiner Mutter
- Carmen~Die Blume, die seit jenem Tage
- Carmen~Hier in der Felsenschlucht
UPC > 881488160765
Format > New CD
Label > Profil - G Haenssler
Shop online at Darkside Records.
Follow us on Instagram.