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Corelli / Maroto / Wasserman / Rogar- Corelli After Schickhardt - Triosonatas (CD)

SKU: 8436597700740
Regular price ¥124.00
Unit price
per
the album cover for Corelli / Maroto / Wasserman / Rogar - Corelli After Schickhardt - Triosonatas
the album cover for Corelli / Maroto / Wasserman / Rogar - Corelli After Schickhardt - Triosonatas

Serendipia Ensemble, Rita Rogar and Moises Maroto, together with their ensemble of musicians, Dario Tamayo on the harpsichord, Calia alvarez on the viola da gamba, Jose Arsenio Rueda on the baroque bassoon and Jon Wasserman exchanging his plucked string instruments (theorbo and baroque guitar), have recorded the complete sonatas. Premiering worldwide with the record label IBS Classical. With this large continuo group, Serendipia Ensemble seeks a unique musical approach to the concept of the triosonata. Finding the common ground between the concerto form conceived by Corelli and the sonata form arranged by Schickhardt. We are now able to hear, with layering of different instruments, the triosonatas approach the concerti in sections such as the tutti-soli that we appreciate in the corellianos originals.

Format: New CD/Classical

Corelli / Maroto / Wasserman / Rogar- Corelli After Schickhardt - Triosonatas (CD)

SKU: 8436597700740
Regular price ¥124.00
Unit price
per

Release Date: 05.03.2024

 
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> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to FOUR copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.

Serendipia Ensemble, Rita Rogar and Moises Maroto, together with their ensemble of musicians, Dario Tamayo on the harpsichord, Calia alvarez on the viola da gamba, Jose Arsenio Rueda on the baroque bassoon and Jon Wasserman exchanging his plucked string instruments (theorbo and baroque guitar), have recorded the complete sonatas. Premiering worldwide with the record label IBS Classical. With this large continuo group, Serendipia Ensemble seeks a unique musical approach to the concept of the triosonata. Finding the common ground between the concerto form conceived by Corelli and the sonata form arranged by Schickhardt. We are now able to hear, with layering of different instruments, the triosonatas approach the concerti in sections such as the tutti-soli that we appreciate in the corellianos originals.