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Ariosti / Mineccia / Friggi- Attilio Ariosti: London - Arias for Alto

SKU: 8424562235069
Regular price ¥147.00
Unit price
per
the album cover for Ariosti / Mineccia / Friggi - Attilio Ariosti: London - Arias for Alto
the album cover for Ariosti / Mineccia / Friggi - Attilio Ariosti: London - Arias for Alto

With his London album for Glossa, Florentine countertenor Filippo Mineccia has constructed a compelling survey of arias written for the European stage by the colorful and much-travelled Attilio Ariosti. Mineccia has quickly become one of the exciting young talents revelling in the vocal demands called for from opera seria, whether in live performance - he has been much in demand for roles in Handel; or on record - he appeared as Tamerlano on the recent Gasparini Bajazet on Glossa release and has also recorded with the likes of Antonio Florio and Alan Curtis. For a composer who has received little attention on record, Ariosti was remarkably successful in his own time: whether as a composer, a performer or a diplomat (and he was a monk too) he was sought after in the courts of Mantua, Berlin, Vienna and Paris before he made his way to London in 1716. There he wrote for singers such as Senesino and Cuzzoni and went on to become one of the three leading composers at the Royal Academy alongside Handel and Giovanni Bononcini.Filippo Mineccia's recital includes arias written for divos such as Senesino taken from drammi per musica - such as the highly successful Caio Marzio Coriolano, Vespasiano and Tito Manlio which are strongly represented on this recording. Although formed as recently as 2010 Andrea Friggi's Ensemble Odyssee has also quickly established itself with it's dynamic interpretations of Italian music from across the eighteenth century. Friggi also provides us, in the booklet essay, with an insight into the chequered life and compositional variety of Attilio Ariosti.

Tracklist:

  1. Vespasiano: Vespasiano: Sorga Pur L'oppressa Roma
  2. I Gloriosi Presagi Di Scipione Africano: I Gloriosi Presagi Di Scipione Africano: Bella Mia, Lascia Ch'io Vada
  3. Caio Marzio Coriolano: Caio Marzio Coriolano: Perdonate, O Cari Amori
  4. Vespasiano: Vespasiano: Premera Soglio Di Morte
  5. Caio Marzio Coriolano: Overture
  6. Caio Marzio Coriolano: Overture: Presto
  7. Aquilio Consolo: Aquilio Consolo: Rinasce Amor
  8. Caio Marzio Coriolano: Act III: Spirate, O Iniqui Marmi
  9. Caio Marzio Coriolano: Act III: Voi D'un Figlio Tanto Misero
  10. Dario: Dario: Voi Del Ciel Pietosi Numi
  11. Tito Manlio: Tito Manlio: Venga Pur Quel Si Terribile
  12. Le Profezie D'eliseo Nell'assedio Di Samaria: Le Profezie D'eliseo Nell'assedio Di Samaria: Sinfonia
  13. Tito Manlio: Tito Manlio: Col Nemico Di Mia Pace
  14. La Madre Dei Maccabei: La Madre Dei Maccabei: Benche L’ultimo Al Tormento
  15. Tito Manlio: Tito Manlio: Aure Care
  16. La Madre Dei Maccabei: La Madre Dei Maccabei: Quando Il Mondo Fabbrico
  17. Caio Marzio Coriolano: Caio Marzio Coriolano: Io Spero Che In Quei Guardi
Format: New CD/Classical

Ariosti / Mineccia / Friggi- Attilio Ariosti: London - Arias for Alto

SKU: 8424562235069
Regular price ¥147.00
Unit price
per

Release Date: 01.29.2016

 
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> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to FOUR copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.

With his London album for Glossa, Florentine countertenor Filippo Mineccia has constructed a compelling survey of arias written for the European stage by the colorful and much-travelled Attilio Ariosti. Mineccia has quickly become one of the exciting young talents revelling in the vocal demands called for from opera seria, whether in live performance - he has been much in demand for roles in Handel; or on record - he appeared as Tamerlano on the recent Gasparini Bajazet on Glossa release and has also recorded with the likes of Antonio Florio and Alan Curtis. For a composer who has received little attention on record, Ariosti was remarkably successful in his own time: whether as a composer, a performer or a diplomat (and he was a monk too) he was sought after in the courts of Mantua, Berlin, Vienna and Paris before he made his way to London in 1716. There he wrote for singers such as Senesino and Cuzzoni and went on to become one of the three leading composers at the Royal Academy alongside Handel and Giovanni Bononcini.Filippo Mineccia's recital includes arias written for divos such as Senesino taken from drammi per musica - such as the highly successful Caio Marzio Coriolano, Vespasiano and Tito Manlio which are strongly represented on this recording. Although formed as recently as 2010 Andrea Friggi's Ensemble Odyssee has also quickly established itself with it's dynamic interpretations of Italian music from across the eighteenth century. Friggi also provides us, in the booklet essay, with an insight into the chequered life and compositional variety of Attilio Ariosti.

Tracklist:

  1. Vespasiano: Vespasiano: Sorga Pur L'oppressa Roma
  2. I Gloriosi Presagi Di Scipione Africano: I Gloriosi Presagi Di Scipione Africano: Bella Mia, Lascia Ch'io Vada
  3. Caio Marzio Coriolano: Caio Marzio Coriolano: Perdonate, O Cari Amori
  4. Vespasiano: Vespasiano: Premera Soglio Di Morte
  5. Caio Marzio Coriolano: Overture
  6. Caio Marzio Coriolano: Overture: Presto
  7. Aquilio Consolo: Aquilio Consolo: Rinasce Amor
  8. Caio Marzio Coriolano: Act III: Spirate, O Iniqui Marmi
  9. Caio Marzio Coriolano: Act III: Voi D'un Figlio Tanto Misero
  10. Dario: Dario: Voi Del Ciel Pietosi Numi
  11. Tito Manlio: Tito Manlio: Venga Pur Quel Si Terribile
  12. Le Profezie D'eliseo Nell'assedio Di Samaria: Le Profezie D'eliseo Nell'assedio Di Samaria: Sinfonia
  13. Tito Manlio: Tito Manlio: Col Nemico Di Mia Pace
  14. La Madre Dei Maccabei: La Madre Dei Maccabei: Benche L’ultimo Al Tormento
  15. Tito Manlio: Tito Manlio: Aure Care
  16. La Madre Dei Maccabei: La Madre Dei Maccabei: Quando Il Mondo Fabbrico
  17. Caio Marzio Coriolano: Caio Marzio Coriolano: Io Spero Che In Quei Guardi