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Art Of The Oud / Various- Art of the Oud
Alan Shavarsh Bardezbanian was the unparalleled master of the oud, the Middle Eastern lute. Here he showcases many styles of oud playing, with fourteen folk songs and original compositions from his homeland of Armenia, as well as Turkey, Lebanon and Greece. "Oud at lightning speed with incredible sensitivity to the melody" - Allmusic. Com "An earthy, elevating sound... " - Elsewhere New Zealand "The improvisational work is world class... " - OmRadio USA ALAN SHAVARSH BARDEZBANIAN was born into an Armenian family in the thriving ethnic community of Watertown, Massachusetts, in 1950. Musically gifted from an early age, Al began playing the oud as a child, modeling his playing on the versatile dance band musicians like George Mgrditchian and Richard Hagopian who performed in the local clubs every weekend. By his teens, Al had already mastered the Armenian dance hall repertoire, which he continued to perform for the rest of his life, and began exploring a wide range of other musical idioms, particularly the contemporary jazz scene of the 1960s.
Tracklist:
- Rampi Rampi
- Siseler
- Dari Lolo
- Shek Mazerov
- Itia
- Nihavent Taksim
- Bint Al Shalibia / Shetti Ya Dunya
- Zeytoun / Cheynir Boyov
- Kale Kale
- Sevan Uncles
- Tamara
- Hüseyni Taksim
- Hüseyni Saz Samai
- Farahfaza Longa
Alan Shavarsh Bardezbanian was the unparalleled master of the oud, the Middle Eastern lute. Here he showcases many styles of oud playing, with fourteen folk songs and original compositions from his homeland of Armenia, as well as Turkey, Lebanon and Greece. "Oud at lightning speed with incredible sensitivity to the melody" - Allmusic. Com "An earthy, elevating sound... " - Elsewhere New Zealand "The improvisational work is world class... " - OmRadio USA ALAN SHAVARSH BARDEZBANIAN was born into an Armenian family in the thriving ethnic community of Watertown, Massachusetts, in 1950. Musically gifted from an early age, Al began playing the oud as a child, modeling his playing on the versatile dance band musicians like George Mgrditchian and Richard Hagopian who performed in the local clubs every weekend. By his teens, Al had already mastered the Armenian dance hall repertoire, which he continued to perform for the rest of his life, and began exploring a wide range of other musical idioms, particularly the contemporary jazz scene of the 1960s.
Tracklist:
- Rampi Rampi
- Siseler
- Dari Lolo
- Shek Mazerov
- Itia
- Nihavent Taksim
- Bint Al Shalibia / Shetti Ya Dunya
- Zeytoun / Cheynir Boyov
- Kale Kale
- Sevan Uncles
- Tamara
- Hüseyni Taksim
- Hüseyni Saz Samai
- Farahfaza Longa