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Colin / Bilbao Orkestra Sinfonikoa- Maitena (2pk) (CD)

SKU: 8436597700160
Regular price ¥124.00
Unit price
per
the album cover for Colin / Bilbao Orkestra Sinfonikoa - Maitena (2pk)
the album cover for Colin / Bilbao Orkestra Sinfonikoa - Maitena (2pk)

Maitena (1909) was a further step towards achieving the ideal of Basque opera linked to that of it's own lyric theatre. For the critic and musicographer Francisco Gascue: "Colin has written a score that is as far from Wagnerian complications as it is from orchestral poverty; it is accessible without being poor or rudimentary. Colin has shown the same exquisite taste in the handling of the orchestra as in the choice of melodies". He also singles out the duet between Domingo and Maitena at the beginning of Act I, the tenor and baritone duet that follows, the quartet in Scene VI, the melody sung by Chaadiñ at the beginning of Act II, Batista's couplets and for it's effect and simplicity the Angelus scene. He ends by noting the appropriate treatment of the chorus.

Format: New CD/Classical

Colin / Bilbao Orkestra Sinfonikoa- Maitena (2pk) (CD)

SKU: 8436597700160
Regular price ¥124.00
Unit price
per

Release Date: 09.24.2021

 
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> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to FOUR copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.

Maitena (1909) was a further step towards achieving the ideal of Basque opera linked to that of it's own lyric theatre. For the critic and musicographer Francisco Gascue: "Colin has written a score that is as far from Wagnerian complications as it is from orchestral poverty; it is accessible without being poor or rudimentary. Colin has shown the same exquisite taste in the handling of the orchestra as in the choice of melodies". He also singles out the duet between Domingo and Maitena at the beginning of Act I, the tenor and baritone duet that follows, the quartet in Scene VI, the melody sung by Chaadiñ at the beginning of Act II, Batista's couplets and for it's effect and simplicity the Angelus scene. He ends by noting the appropriate treatment of the chorus.