Ernst / Lupu / Redman- Complete Works 6
Heinrich Wilhelm Ernst (1812-65) was one of the leading musicians of his day, a friend of Berlioz, Chopin, Liszt and Mendelssohn, and for Joseph Joachim 'the greatest violinist I ever heard'. This sixth album - in a series of seven presenting all his compositions for the first time - begins and ends with some of the most difficult music for solo violin ever composed: Ernst's Six Polyphonic Studies (the last of which is a set of variations on 'The Last Rose of Summer') and his transcription of Schubert's song, Der Erlkonig. Between these pieces come some less familiar fare: five Schubertian piano pieces, and two settings of Goethe.
Tracklist:
- 6 Études À Plusieurs Parties: No. 1 In F Major
- 6 Études À Plusieurs Parties: No. 2 In A Major
- 6 Études À Plusieurs Parties: No. 3 In E Major
- 6 Études À Plusieurs Parties: No. 4 In C Major
- 6 Études À Plusieurs Parties: No. 5 In E-Flat Major
- 6 Études À Plusieurs Parties: No. 6a, Introduction
- 6 Études À Plusieurs Parties: No. 6b, Thema "The Last Summer Rose"
- 6 Études À Plusieurs Parties: No. 6c, Var. 1
- 6 Études À Plusieurs Parties: No. 6d, Var. 2
- 6 Études À Plusieurs Parties: No. 6e, Var. 3
- 6 Études À Plusieurs Parties: No. 6f, Var. 4
- 6 Études À Plusieurs Parties: No. 6g, Finale
- 3 Valses Non Dansantes: No. 1 In E Major
- 3 Valses Non Dansantes: No. 2 In A-Flat Minor
- 3 Valses Non Dansantes: No. 3 In D-Flat Major
- Romanze In A-Flat Major (An Madam Clara Schuman) [After Ernst's "Pensées Fugitives" No. 2]
- Nocturne Posthume In A-Flat Major
- Lebet Wohl
- Der Fischer
- Grand Caprice, Op. 26 (After Schubert's Op. 1, D. 328)
Heinrich Wilhelm Ernst (1812-65) was one of the leading musicians of his day, a friend of Berlioz, Chopin, Liszt and Mendelssohn, and for Joseph Joachim 'the greatest violinist I ever heard'. This sixth album - in a series of seven presenting all his compositions for the first time - begins and ends with some of the most difficult music for solo violin ever composed: Ernst's Six Polyphonic Studies (the last of which is a set of variations on 'The Last Rose of Summer') and his transcription of Schubert's song, Der Erlkonig. Between these pieces come some less familiar fare: five Schubertian piano pieces, and two settings of Goethe.
Tracklist:
- 6 Études À Plusieurs Parties: No. 1 In F Major
- 6 Études À Plusieurs Parties: No. 2 In A Major
- 6 Études À Plusieurs Parties: No. 3 In E Major
- 6 Études À Plusieurs Parties: No. 4 In C Major
- 6 Études À Plusieurs Parties: No. 5 In E-Flat Major
- 6 Études À Plusieurs Parties: No. 6a, Introduction
- 6 Études À Plusieurs Parties: No. 6b, Thema "The Last Summer Rose"
- 6 Études À Plusieurs Parties: No. 6c, Var. 1
- 6 Études À Plusieurs Parties: No. 6d, Var. 2
- 6 Études À Plusieurs Parties: No. 6e, Var. 3
- 6 Études À Plusieurs Parties: No. 6f, Var. 4
- 6 Études À Plusieurs Parties: No. 6g, Finale
- 3 Valses Non Dansantes: No. 1 In E Major
- 3 Valses Non Dansantes: No. 2 In A-Flat Minor
- 3 Valses Non Dansantes: No. 3 In D-Flat Major
- Romanze In A-Flat Major (An Madam Clara Schuman) [After Ernst's "Pensées Fugitives" No. 2]
- Nocturne Posthume In A-Flat Major
- Lebet Wohl
- Der Fischer
- Grand Caprice, Op. 26 (After Schubert's Op. 1, D. 328)