Frank Zappa- The Dub Room Special (Used DVD)
Synopsis
Live performances by two very different groups led by the late Frank Zappa are the main attraction of Dub Room Special, a relatively rare DVD offering from one of contemporary music's most prolific and hard-to-classify figures. There were always two sides to Zappa (who died in 1993), from serious composer/musician to potty-mouthed frat boy, from innovator, iconoclast, and provocateur to juvenile shtick-meister. Both are on display here, but while there's plenty of fooling around, onstage and off, in the end it's Zappa's music that makes the more profound impression. The earlier of the two performances, recorded in 1974 and entitled "A Token of His Extreme," finds George Duke (keyboards), Chester Thompson (drums), the zany Napoleon Murphy Brock (woodwinds), and Ruth Underwood (mallet percussion) joining the guitarist for renditions of "Montana," "Florentine Pogen," "Inca Roads," and others, all showcasing both Zappa's warped sense of humor and the remarkable complexity and avant-garde flavor of his compositions; this is arguably the best band he ever assembled, and perhaps the best visual record of a Zappa gig. The second show, from Halloween 1981, is less distinguished. The musicians, though far less prominent than those from the earlier group (with the exception of hotshot guitarist Steve Vai), are excellent, but the material is weaker, and the entire proceeding is marred by "Stevie's Spanking," a moronic ode to Vai's visit with a kinky groupie. Elsewhere, Bruce Bickford's stop motion clay animation (also featured throughout Baby Snakes, a 2003 Zappa DVD release) is clever but somewhat overused; and there's little excuse for the bits featuring Italian "journalist" Massimo Bassoli (whose main talent seems to be picking his nose) or the inclusion of the very dated "Valley Girl" documentary, featuring Zappa's daughter Moon Unit.
Synopsis
Live performances by two very different groups led by the late Frank Zappa are the main attraction of Dub Room Special, a relatively rare DVD offering from one of contemporary music's most prolific and hard-to-classify figures. There were always two sides to Zappa (who died in 1993), from serious composer/musician to potty-mouthed frat boy, from innovator, iconoclast, and provocateur to juvenile shtick-meister. Both are on display here, but while there's plenty of fooling around, onstage and off, in the end it's Zappa's music that makes the more profound impression. The earlier of the two performances, recorded in 1974 and entitled "A Token of His Extreme," finds George Duke (keyboards), Chester Thompson (drums), the zany Napoleon Murphy Brock (woodwinds), and Ruth Underwood (mallet percussion) joining the guitarist for renditions of "Montana," "Florentine Pogen," "Inca Roads," and others, all showcasing both Zappa's warped sense of humor and the remarkable complexity and avant-garde flavor of his compositions; this is arguably the best band he ever assembled, and perhaps the best visual record of a Zappa gig. The second show, from Halloween 1981, is less distinguished. The musicians, though far less prominent than those from the earlier group (with the exception of hotshot guitarist Steve Vai), are excellent, but the material is weaker, and the entire proceeding is marred by "Stevie's Spanking," a moronic ode to Vai's visit with a kinky groupie. Elsewhere, Bruce Bickford's stop motion clay animation (also featured throughout Baby Snakes, a 2003 Zappa DVD release) is clever but somewhat overused; and there's little excuse for the bits featuring Italian "journalist" Massimo Bassoli (whose main talent seems to be picking his nose) or the inclusion of the very dated "Valley Girl" documentary, featuring Zappa's daughter Moon Unit.