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L'aimable Une Journee Avec L / Various- L'aimable Une Journee Avec L / Various (CD)

SKU: 3760014198373
Regular price ¥144.00
Unit price
per
the album cover for L'aimable Une Journee Avec L / Various - L'aimable Une Journee Avec L / Various
the album cover for L'aimable Une Journee Avec L / Various - L'aimable Une Journee Avec L / Various

'But what are we going to do with all these pleasures?' A question sung tête-à-tête by the Princess and the Prince in Jacques Demy's film Peau d'âne (Donkey Skin), and a more bothersome question for harpsichordists drawn to the age of Louis XV. What to do with all the pleasures that the composers of the time distributed so extravagantly, how to live today in this 'kingdom of the pleasant'? The usual option is to stick to the most perfectionist of these masters (Couperin), the most ambitious (Rameau) or the most adventurous (Forqueray) in programs focusing on one of them at time. But that means setting aside a whole swathe of the repertory, which Céline Frisch here restores to the limelight, following an original method. From Couperin's Le Réveil-matin to Corrette's Les Étoiles, she retraces a day at the court of Louis XV, making full use of the sound palette offered by an exceptional harpsichord, a replica by Andrea Restelli of an instrument by Goujon.

Format: New CD/Classical

L'aimable Une Journee Avec L / Various- L'aimable Une Journee Avec L / Various (CD)

SKU: 3760014198373
Regular price ¥144.00
Unit price
per

Release Date: 05.27.2022

 
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> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to FOUR copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.

'But what are we going to do with all these pleasures?' A question sung tête-à-tête by the Princess and the Prince in Jacques Demy's film Peau d'âne (Donkey Skin), and a more bothersome question for harpsichordists drawn to the age of Louis XV. What to do with all the pleasures that the composers of the time distributed so extravagantly, how to live today in this 'kingdom of the pleasant'? The usual option is to stick to the most perfectionist of these masters (Couperin), the most ambitious (Rameau) or the most adventurous (Forqueray) in programs focusing on one of them at time. But that means setting aside a whole swathe of the repertory, which Céline Frisch here restores to the limelight, following an original method. From Couperin's Le Réveil-matin to Corrette's Les Étoiles, she retraces a day at the court of Louis XV, making full use of the sound palette offered by an exceptional harpsichord, a replica by Andrea Restelli of an instrument by Goujon.