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Lorna Windsor- Vox Sola

SKU: 5028421957913
¥147.00
Lorna Windsor- Vox Sola
Lorna Windsor- Vox Sola

Lorna Windsor's selection of eight 20th and 21st-century composers highlights how the voice incarnates different expressive forms more than any instrument. Left naked in it's primeval state, the voice leads each composer to rediscover his personal voice, unfettered by convention. Six of the eight composers represented here were born within the same five years, from 1926 (Kurtág and Feldman) to 1931 (Bussotti, Kagel), in 1929 Pousseur, in 1930 de Pablo. Andriessen was born slightly after in 1939 whilst only Macmillan (b.1959) belongs to the following generation. Bold simplicity is the keynote of Feldman's brief setting of Rilke, Only: purely diatonic across it's two minute span, whereas Henri Pousseur's equally concise tribute to Baudelaire uses a 12-tone technique to create the illusion of diatonicism. In the hands of Luis de Pablo, Góngora's evocation of a flight of storks creating patterns in the sky, is suggested by melismatic use of the voice, with arpeggios and filigree in quasi-instrumental notation, with arabesque-like writing which hints at distant Arabic hues of flamenco. In Einige Sätze aus den Sudelbüchern Georg Christoph Lichtenbergs, György Kurtág set the caustic aphorisms of a18th-century German physicist and writer with lightning flashes of insight and expression. By contrast, A Song of the Sea by Louis Andriessen requires the singer to sit (in performance) with a doll on her lap as she tells a sad little story with a simplicity redolent of folksong. Bussotti and Kagel both made far more thoroughgoing exploration of vocal technique in the Lettura di Braibanti and The Tower of Babel respectively. Lorna Windsor closes her recital with the most extended work on the album: in angustiis II, a lament by James Macmillan which presents a grief-stricken image of humanity crying out to God. She is a specialist in early and contemporary repertoire who can call upon several languages as mother tongues.

Tracklist:

  1. Morton Feldman Only
  2. Pour Baudelaire
  3. "Surcar Vemos" Da "Tarde De Poetas"
  4. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: I. T
  5. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: II.
  6. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: III.
  7. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: IV.
  8. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: V. E
  9. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: VI.
  10. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: VII.
  11. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: VIII
  12. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: IX.
  13. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: X. G
  14. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: XI.
  15. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: XII.
  16. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: XIII
  17. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: XIV.
  18. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: XV.
  19. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: XVI.
  20. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: XVII
  21. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: XVII
  22. Lettura Di Braibanti
  23. A Song Of The Sea
  24. Der Turm Zu Babel: I. Kaj La Eternulo Mallevigis
  25. Der Turm Zu Babel: II. Wajomer Adonai...
  26. Der Turm Zu Babel: III. "Venez Donc"
  27. Der Turm Zu Babel: IV. Και Ει'πεν Κυ'ριο&sigm
  28. Der Turm Zu Babel: V. O Senhor Disse
  29. Der Turm Zu Babel: VI. Now Yahweh Said
  30. Der Turm Zu Babel: VII. Und Dann Sagte Der Herr
  31. Der Turm Zu Babel: VIII. Ve Âdem Ogullarnn Yapmakta
  32. "In Angustiis II..."
Format: New CD/Classical

Lorna Windsor- Vox Sola

SKU: 5028421957913
¥147.00

Release Date: 11.09.2018

 
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Lorna Windsor's selection of eight 20th and 21st-century composers highlights how the voice incarnates different expressive forms more than any instrument. Left naked in it's primeval state, the voice leads each composer to rediscover his personal voice, unfettered by convention. Six of the eight composers represented here were born within the same five years, from 1926 (Kurtág and Feldman) to 1931 (Bussotti, Kagel), in 1929 Pousseur, in 1930 de Pablo. Andriessen was born slightly after in 1939 whilst only Macmillan (b.1959) belongs to the following generation. Bold simplicity is the keynote of Feldman's brief setting of Rilke, Only: purely diatonic across it's two minute span, whereas Henri Pousseur's equally concise tribute to Baudelaire uses a 12-tone technique to create the illusion of diatonicism. In the hands of Luis de Pablo, Góngora's evocation of a flight of storks creating patterns in the sky, is suggested by melismatic use of the voice, with arpeggios and filigree in quasi-instrumental notation, with arabesque-like writing which hints at distant Arabic hues of flamenco. In Einige Sätze aus den Sudelbüchern Georg Christoph Lichtenbergs, György Kurtág set the caustic aphorisms of a18th-century German physicist and writer with lightning flashes of insight and expression. By contrast, A Song of the Sea by Louis Andriessen requires the singer to sit (in performance) with a doll on her lap as she tells a sad little story with a simplicity redolent of folksong. Bussotti and Kagel both made far more thoroughgoing exploration of vocal technique in the Lettura di Braibanti and The Tower of Babel respectively. Lorna Windsor closes her recital with the most extended work on the album: in angustiis II, a lament by James Macmillan which presents a grief-stricken image of humanity crying out to God. She is a specialist in early and contemporary repertoire who can call upon several languages as mother tongues.

Tracklist:

  1. Morton Feldman Only
  2. Pour Baudelaire
  3. "Surcar Vemos" Da "Tarde De Poetas"
  4. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: I. T
  5. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: II.
  6. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: III.
  7. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: IV.
  8. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: V. E
  9. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: VI.
  10. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: VII.
  11. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: VIII
  12. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: IX.
  13. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: X. G
  14. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: XI.
  15. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: XII.
  16. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: XIII
  17. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: XIV.
  18. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: XV.
  19. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: XVI.
  20. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: XVII
  21. György Kurtág From"Einige Sätze Aus Den Sudelbüchern Georg Christoph Lichtenbergs", Op. 47: XVII
  22. Lettura Di Braibanti
  23. A Song Of The Sea
  24. Der Turm Zu Babel: I. Kaj La Eternulo Mallevigis
  25. Der Turm Zu Babel: II. Wajomer Adonai...
  26. Der Turm Zu Babel: III. "Venez Donc"
  27. Der Turm Zu Babel: IV. Και Ει'πεν Κυ'ριο&sigm
  28. Der Turm Zu Babel: V. O Senhor Disse
  29. Der Turm Zu Babel: VI. Now Yahweh Said
  30. Der Turm Zu Babel: VII. Und Dann Sagte Der Herr
  31. Der Turm Zu Babel: VIII. Ve Âdem Ogullarnn Yapmakta
  32. "In Angustiis II..."