★ 32 Cannon Street, Poughkeepsie NY

Your cart

Your cart is empty

Check out these collections

New Vinyl
Coming Soon
Back In The Bins

Martin / Smetana / Neave Trio- Rooted (CD)

SKU: 095115227220
¥152.00
the album cover for Martin / Smetana / Neave Trio - Rooted
the album cover for Martin / Smetana / Neave Trio - Rooted

The Neave Trio's programme Rooted features a range of works based on folk music. Smetana's distinctive nationalistic style was largely based on the inclusion of bohemian rhythmic and melodic elements, and he was acclaimed in his native Bohemia as the father of Czech music. His Trio in G minor was composed in 1855 as a response to the death of his four-year old daughter and shows the influence of Liszt. Josef Suk was a favourite pupil of Dvorak's, and his early Piano Trio, whilst shorter in length and less intense than Smetana's, is embedded in that Czech tradition. Also deeply influenced by Dvorak, Samuel Coleridge-Taylor was inspired by his African heritage, as well, and his Twenty-Four Negro Melodies for Piano was a prime example of his research. He subsequently arranged five of these pieces into the suite for piano trio that we hear on this album. The programme concludes with Frank Martin's Trio from 1925, which is based on traditional Irish melodies.

Tracklist:

  1. Piano Trio, Op. 15 in G minor~Moderato assai - Più animato - Tempo rubato - Tempo I - (Più animato) - Poco a poco accelerando
  2. Piano Trio, Op. 15 in G minor~Allegro, ma non agitato - Alternativo I. Andante - Tempo I - Alternativo II. Maestoso - Tempo I
  3. Piano Trio, Op. 15 in G minor~Finale. Presto - Meno presto, tranquillo assai - Più mosso - Tempo I - Meno presto, tranquillo as
  4. Five Negro Melodies for Piano Trio (from Twenty-four Negro Melodies, Op. 59 No. 1, for Solo Piano)~
  5. Sometimes I feel like a motherless child (No. 22). Andante ma con moto
  6. Five Negro Melodies for Piano Trio (from Twenty-four Negro Melodies, Op. 59 No. 1, for Solo Piano)~
  7. I was way down a-yonder (No. 15). Andante con moto
  8. Five Negro Melodies for Piano Trio (from Twenty-four Negro Melodies, Op. 59 No. 1, for Solo Piano)~
  9. Didn't my Lord deliver Daniel? (No. 11). Allegro molto
  10. Five Negro Melodies for Piano Trio (from Twenty-four Negro Melodies, Op. 59 No. 1, for Solo Piano)~
  11. They will not lend me a child (No. 4). Lento
  12. Five Negro Melodies for Piano Trio (from Twenty-four Negro Melodies, Op. 59 No. 1, for Solo Piano)~
  13. My Lord delivered Daniel (No. 18). Allegro molto - Più mosso
  14. Petit Trio, Op. 2 in C minor for Piano, Violin, and Cello~I. Allegro - Largamente - A tempo - Largo - A tempo - Largamente - A t
  15. Petit Trio, Op. 2 in C minor for Piano, Violin, and Cello~II. Andante - Adagio
  16. Petit Trio, Op. 2 in C minor for Piano, Violin, and Cello~III. Vivace
  17. Trio for Piano, Violin, and Cello~Allegro moderato - Più mosso - Poco più mosso - Allegro marcato - Più mosso - Più mosso -
  18. Trio for Piano, Violin, and Cello~Adagio - Più mosso - Più mosso - Poco stringendo - Con moto - Poco più mosso - Poco più mo
  19. Trio for Piano, Violin, and Cello~Gigue. Allegro - Più mosso - Tempo I
Format: New CD/Classical

Martin / Smetana / Neave Trio- Rooted (CD)

SKU: 095115227220
¥152.00

Release Date: 07.19.2024

 
Shipping calculated at checkout.

> Due to the current limited nature of music titles, ALL CD & Vinyl purchases are limited to FOUR copies per customer, per item. If you place multiple orders for multiples of the same title, your subsequent orders will be canceled.

The Neave Trio's programme Rooted features a range of works based on folk music. Smetana's distinctive nationalistic style was largely based on the inclusion of bohemian rhythmic and melodic elements, and he was acclaimed in his native Bohemia as the father of Czech music. His Trio in G minor was composed in 1855 as a response to the death of his four-year old daughter and shows the influence of Liszt. Josef Suk was a favourite pupil of Dvorak's, and his early Piano Trio, whilst shorter in length and less intense than Smetana's, is embedded in that Czech tradition. Also deeply influenced by Dvorak, Samuel Coleridge-Taylor was inspired by his African heritage, as well, and his Twenty-Four Negro Melodies for Piano was a prime example of his research. He subsequently arranged five of these pieces into the suite for piano trio that we hear on this album. The programme concludes with Frank Martin's Trio from 1925, which is based on traditional Irish melodies.

Tracklist:

  1. Piano Trio, Op. 15 in G minor~Moderato assai - Più animato - Tempo rubato - Tempo I - (Più animato) - Poco a poco accelerando
  2. Piano Trio, Op. 15 in G minor~Allegro, ma non agitato - Alternativo I. Andante - Tempo I - Alternativo II. Maestoso - Tempo I
  3. Piano Trio, Op. 15 in G minor~Finale. Presto - Meno presto, tranquillo assai - Più mosso - Tempo I - Meno presto, tranquillo as
  4. Five Negro Melodies for Piano Trio (from Twenty-four Negro Melodies, Op. 59 No. 1, for Solo Piano)~
  5. Sometimes I feel like a motherless child (No. 22). Andante ma con moto
  6. Five Negro Melodies for Piano Trio (from Twenty-four Negro Melodies, Op. 59 No. 1, for Solo Piano)~
  7. I was way down a-yonder (No. 15). Andante con moto
  8. Five Negro Melodies for Piano Trio (from Twenty-four Negro Melodies, Op. 59 No. 1, for Solo Piano)~
  9. Didn't my Lord deliver Daniel? (No. 11). Allegro molto
  10. Five Negro Melodies for Piano Trio (from Twenty-four Negro Melodies, Op. 59 No. 1, for Solo Piano)~
  11. They will not lend me a child (No. 4). Lento
  12. Five Negro Melodies for Piano Trio (from Twenty-four Negro Melodies, Op. 59 No. 1, for Solo Piano)~
  13. My Lord delivered Daniel (No. 18). Allegro molto - Più mosso
  14. Petit Trio, Op. 2 in C minor for Piano, Violin, and Cello~I. Allegro - Largamente - A tempo - Largo - A tempo - Largamente - A t
  15. Petit Trio, Op. 2 in C minor for Piano, Violin, and Cello~II. Andante - Adagio
  16. Petit Trio, Op. 2 in C minor for Piano, Violin, and Cello~III. Vivace
  17. Trio for Piano, Violin, and Cello~Allegro moderato - Più mosso - Poco più mosso - Allegro marcato - Più mosso - Più mosso -
  18. Trio for Piano, Violin, and Cello~Adagio - Più mosso - Più mosso - Poco stringendo - Con moto - Poco più mosso - Poco più mo
  19. Trio for Piano, Violin, and Cello~Gigue. Allegro - Più mosso - Tempo I