Matteo Venturini- Chorale Variations
Gronau: Chorale Variations for Organ, Composer Daniel Magnus Gronau, Artist Matteo Venturini organ, Format 1 CD, "The finest musical soul ever to have graced the city of Danzig": these are the words of Friedrich Gottlieb Gleimann, written in regard to his predecessor Daniel Magnus Gronau. Little is known about Gronau's life, other than he was titular organist at St John's Church in Danzig - where he earned an exceptionally high salary: 100 florins per quarter. His music was highly acclaimed in it's day; after his death, the Chapter of St John's bought the manuscript of a cycle of chorale variations for organ from his sister, paying a third as much again to have it handsomely bound in two volumes. Gronau left a small treatise on transposition and four books of keyboard music, the Chorale Variations of which form the subject of this engaging release. Similarly structured and containing between two and five variations (the first of which normally utilizes the chorale as a fugue subject), the works reveal the far more 'modern' approach adopted by Gronau in relation to the rest of his northern contemporaries - Es wird schier der letzte Tag, for example, requires the right hand to play on two keyboards against a continuo-like accompaniment in the left hand and pedals. The Variations certainly represent one of the most extensive compendiums of organ registrations to survive from the late Baroque period of organ music in Germany, and on hand to perform is Matteo Venturini, winner of no less than eight competitions and a regular at prestigious international music festivals across Europe and America. Venturini, with his thesis on Gronau's organ music, is clearly an expert in this field of repertoire; here, on his 13th recording, he reveals the sheer quality of this composer's music, making a strong case for why the Danzig genius is worthy of rediscovery and re-evaluation. First recordings, Recorded on 19, 20 & 22 May 2013, Church of San Rocco, Larciano (Pistoia), Italy. This CD contains the first recording of the complete Chorale Variations by Daniel Magnus Gronau, a master from 17th century Danzig. He wrote a treatise on transposition, and the Chorale Variations form one of the most extensive compendiums of organ registrations of late Baroque organ music in Germany. Organist Matteo Venturini is a winner of no less than 8 prestigious organ competitions. He wrote a thesis on the organ music of Gronau. He plays on a magnificent Ghilardi Organ in the Church of San Rocco, Larciano.
Tracklist:
- Ein Feste Burg Ist Unser Gott: I. Chorale In Contrapunto Doppio
- Ein Feste Burg Ist Unser Gott: II. Variation 1 À 2 Claviature Coppulate, E Senza Pedale
- Ein Feste Burg Ist Unser Gott: III. Variation 2 À 2 Claviature Con Pedale
- Ein Feste Burg Ist Unser Gott: IV. Variation 3 À Pedale Solo
- Ein Feste Burg Ist Unser Gott: V. Variation 4
- Was Gott Tut, Das Ist Wohlgetan: I. Chorale In Fuga
- Was Gott Tut, Das Ist Wohlgetan: II. Variation 1 À 2 Claviature Con Pedale
- Was Gott Tut, Das Ist Wohlgetan: III. Variation 2
- Was Gott Tut, Das Ist Wohlgetan: IV. Variation 3, Senza Pedale
- Was Gott Tut, Das Ist Wohlgetan: V. Variation 4, À Pedale Solo
- Mitten Wir Im Leben Sind: I. Chorale In Fuga
- Mitten Wir Im Leben Sind: II. Variation 1 À 2 Claviature Con Pedale
- Mitten Wir Im Leben Sind: III. Variation 2
- Mitten Wir Im Leben Sind: IV. Variation 3, Con Tremulo
- Es Wird Schier Der Letzte Tag: I. Chorale In Contrapunto Doppio
- Es Wird Schier Der Letzte Tag: II. Variation 1
- Es Wird Schier Der Letzte Tag: III. Variation 2, À 2 Claviature Con Pedale
- Es Wird Schier Der Letzte Tag: IV. Variation 3, À 3 Claviature Con Pedale
- Gott Hat Das Evangelium: I. Variation 1 (Largo E Staccato)
- Gott Hat Das Evangelium: II. Variation 2, In Doppio Contrapunto
- Gott Hat Das Evangelium: III. Variation 3, Senza Pedale
- Gott Hat Das Evangelium: IV. Variation 4, À 3 Claviature Con Pedale
- Gott Hat Das Evangelium: V. Variation 5
Gronau: Chorale Variations for Organ, Composer Daniel Magnus Gronau, Artist Matteo Venturini organ, Format 1 CD, "The finest musical soul ever to have graced the city of Danzig": these are the words of Friedrich Gottlieb Gleimann, written in regard to his predecessor Daniel Magnus Gronau. Little is known about Gronau's life, other than he was titular organist at St John's Church in Danzig - where he earned an exceptionally high salary: 100 florins per quarter. His music was highly acclaimed in it's day; after his death, the Chapter of St John's bought the manuscript of a cycle of chorale variations for organ from his sister, paying a third as much again to have it handsomely bound in two volumes. Gronau left a small treatise on transposition and four books of keyboard music, the Chorale Variations of which form the subject of this engaging release. Similarly structured and containing between two and five variations (the first of which normally utilizes the chorale as a fugue subject), the works reveal the far more 'modern' approach adopted by Gronau in relation to the rest of his northern contemporaries - Es wird schier der letzte Tag, for example, requires the right hand to play on two keyboards against a continuo-like accompaniment in the left hand and pedals. The Variations certainly represent one of the most extensive compendiums of organ registrations to survive from the late Baroque period of organ music in Germany, and on hand to perform is Matteo Venturini, winner of no less than eight competitions and a regular at prestigious international music festivals across Europe and America. Venturini, with his thesis on Gronau's organ music, is clearly an expert in this field of repertoire; here, on his 13th recording, he reveals the sheer quality of this composer's music, making a strong case for why the Danzig genius is worthy of rediscovery and re-evaluation. First recordings, Recorded on 19, 20 & 22 May 2013, Church of San Rocco, Larciano (Pistoia), Italy. This CD contains the first recording of the complete Chorale Variations by Daniel Magnus Gronau, a master from 17th century Danzig. He wrote a treatise on transposition, and the Chorale Variations form one of the most extensive compendiums of organ registrations of late Baroque organ music in Germany. Organist Matteo Venturini is a winner of no less than 8 prestigious organ competitions. He wrote a thesis on the organ music of Gronau. He plays on a magnificent Ghilardi Organ in the Church of San Rocco, Larciano.
Tracklist:
- Ein Feste Burg Ist Unser Gott: I. Chorale In Contrapunto Doppio
- Ein Feste Burg Ist Unser Gott: II. Variation 1 À 2 Claviature Coppulate, E Senza Pedale
- Ein Feste Burg Ist Unser Gott: III. Variation 2 À 2 Claviature Con Pedale
- Ein Feste Burg Ist Unser Gott: IV. Variation 3 À Pedale Solo
- Ein Feste Burg Ist Unser Gott: V. Variation 4
- Was Gott Tut, Das Ist Wohlgetan: I. Chorale In Fuga
- Was Gott Tut, Das Ist Wohlgetan: II. Variation 1 À 2 Claviature Con Pedale
- Was Gott Tut, Das Ist Wohlgetan: III. Variation 2
- Was Gott Tut, Das Ist Wohlgetan: IV. Variation 3, Senza Pedale
- Was Gott Tut, Das Ist Wohlgetan: V. Variation 4, À Pedale Solo
- Mitten Wir Im Leben Sind: I. Chorale In Fuga
- Mitten Wir Im Leben Sind: II. Variation 1 À 2 Claviature Con Pedale
- Mitten Wir Im Leben Sind: III. Variation 2
- Mitten Wir Im Leben Sind: IV. Variation 3, Con Tremulo
- Es Wird Schier Der Letzte Tag: I. Chorale In Contrapunto Doppio
- Es Wird Schier Der Letzte Tag: II. Variation 1
- Es Wird Schier Der Letzte Tag: III. Variation 2, À 2 Claviature Con Pedale
- Es Wird Schier Der Letzte Tag: IV. Variation 3, À 3 Claviature Con Pedale
- Gott Hat Das Evangelium: I. Variation 1 (Largo E Staccato)
- Gott Hat Das Evangelium: II. Variation 2, In Doppio Contrapunto
- Gott Hat Das Evangelium: III. Variation 3, Senza Pedale
- Gott Hat Das Evangelium: IV. Variation 4, À 3 Claviature Con Pedale
- Gott Hat Das Evangelium: V. Variation 5