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Natalia Kawalek / Orlinski / Il Giardino Damore- Enemies in Love / Arias & Duets
Today, it is difficult to imagine a world without the music of Handel. His operas, however, were already looked over even in the composer's lifetime. Virtuosic and bristling with difficulties, his multithreaded works in the Neapolitan style quickly went out of fashion, and over time they have been almost completely forgotten. Only the twentieth century cracked open the doors to this extraordinary music, whetted the appetites of music lovers with performances of the most daring arias. There is nothing surprising in this- Handel's sense of opera was incomparable, as evidenced by not only the ease of writing subsequent stage works, but also an exceptional talent for portraying human emotions with music. What we find so attractive in the music of Handel is the powerful emotional charge, making it timeless. What are actually the most successful arias from his operas, if not the musical essence of various shades of infatuation, hatred, despair or joy? Even though characters of the tacks mentioned in this recording come from distant times and spaces, their feelings still resonate with contemporary listeners, allowing a deeper insight into the full mysterious dynamics of love. These arias are performed by Natalia Kawalek and Jakub Jozef Orlinski, two young opera stars.
Tracklist:
- Tamerlano, Hwv 18, Act 3: A Dispetto D'un Volto Ingrato. Aria
- Orlando, Hwv 31, Act 3: Amor E Qual Vento. Aria
- Serse, Hwv 40, Act 3: Troppo Oltraggi La Mia Fede. Duetto
- Partenope, Hwv 27, Act 2: Furibondo Spira Il Vento. Aria
- Tolomeo, Re D'egitto, Hwv 25, Act 3: Stille Amare. Recitativo
- Ariodante, Hwv 33, Act 1: Volate Amori. Aria
- Rodelinda, Regina De' Longobardi, Hwv 19, Act 2: Io T'abbraccio. Duetto
- Rinaldo, Hwv 7, Act 1: Furie Terribili. Arioso
- Rinaldo, Hwv 7, Act 2: Fermati!. Duetto
- Rodelinda, Regina De' Longobardi, Hwv 19, Act 1: Dove Sei,Amato Bene? Aria
- Rinaldo, Hwv 7, Act 2: Vo Far Guerra. Aria
- Teseo, Hwv 9, Act 1: Addio! Mio Caro Bene. Duetto
Today, it is difficult to imagine a world without the music of Handel. His operas, however, were already looked over even in the composer's lifetime. Virtuosic and bristling with difficulties, his multithreaded works in the Neapolitan style quickly went out of fashion, and over time they have been almost completely forgotten. Only the twentieth century cracked open the doors to this extraordinary music, whetted the appetites of music lovers with performances of the most daring arias. There is nothing surprising in this- Handel's sense of opera was incomparable, as evidenced by not only the ease of writing subsequent stage works, but also an exceptional talent for portraying human emotions with music. What we find so attractive in the music of Handel is the powerful emotional charge, making it timeless. What are actually the most successful arias from his operas, if not the musical essence of various shades of infatuation, hatred, despair or joy? Even though characters of the tacks mentioned in this recording come from distant times and spaces, their feelings still resonate with contemporary listeners, allowing a deeper insight into the full mysterious dynamics of love. These arias are performed by Natalia Kawalek and Jakub Jozef Orlinski, two young opera stars.
Tracklist:
- Tamerlano, Hwv 18, Act 3: A Dispetto D'un Volto Ingrato. Aria
- Orlando, Hwv 31, Act 3: Amor E Qual Vento. Aria
- Serse, Hwv 40, Act 3: Troppo Oltraggi La Mia Fede. Duetto
- Partenope, Hwv 27, Act 2: Furibondo Spira Il Vento. Aria
- Tolomeo, Re D'egitto, Hwv 25, Act 3: Stille Amare. Recitativo
- Ariodante, Hwv 33, Act 1: Volate Amori. Aria
- Rodelinda, Regina De' Longobardi, Hwv 19, Act 2: Io T'abbraccio. Duetto
- Rinaldo, Hwv 7, Act 1: Furie Terribili. Arioso
- Rinaldo, Hwv 7, Act 2: Fermati!. Duetto
- Rodelinda, Regina De' Longobardi, Hwv 19, Act 1: Dove Sei,Amato Bene? Aria
- Rinaldo, Hwv 7, Act 2: Vo Far Guerra. Aria
- Teseo, Hwv 9, Act 1: Addio! Mio Caro Bene. Duetto