Odhecaton / Da Paolo Col- Missa Galeazescha
During the reign of Duke Galeazzo Maria Sforza (1444-76), Milan experienced an extraordinary musical era. In the 1470s, the Duke set out to form a 'famous and worthy choir', recruiting a 'goodly number of singers from beyond the Alps and from various countries'. He soon assembled a musical ensemble that boasted some of the most celebrated musicians in the Franco-Flemish polyphony of the day, from Italy and beyond. The Duke brought into being a new kind of polyphonic mass, a cycle of motets called missales to replace the traditional ordinarium, with texts attributing special importance to the worship of Our Lady of Grace and Mercy, much beloved by the Sforza family. A masterpiece of the genre is the so-called Missa Galeazescha for five voices, composed by Loyset Compère and performed here by an ensemble inspired by the impressive size of Galeazzo Maria Sforza's cappella. This recording brings together four vocal-instrumental groups.
Tracklist:
- Sonata No. 100
- Virgo Maria
- Ave, Stella Matutina, A 4
- Ave Domina Sancta Maria
- Missa Galeazescha: Loco Introitus. Ave, Virgo Gloriosa
- Missa Galeazescha: Loco Gloria. Ave, Salus Infirmorum
- Tousjours Bien
- Missa Galeazescha: Loco Credo. Ave, Decus Virginale
- La Martinella
- Missa Galeazescha: Loco Offertorii. Ave, Sponsa Verbi Summi
- Tota Pulchra Es
- Missa Galeazescha: Loco Sanctus. O Maria
- Missa Galeazescha: Ad Elevationem. Adoramus Te, Christe
- L'homme Banni
- Missa Galeazescha: Loco Agnus. Salve, Mater Salvatoris
- Christi Mater, Ave
- Ave, Pulcherrima Regina
- Missa Galeazescha: Loco Deo Gratias. Virginis Mariae Laudes
- Ave Maria Gratia Plena
- Etzliche Punctenn Aus Einer Sonade
- Mater Digna Dei
- Sonata No. 6
During the reign of Duke Galeazzo Maria Sforza (1444-76), Milan experienced an extraordinary musical era. In the 1470s, the Duke set out to form a 'famous and worthy choir', recruiting a 'goodly number of singers from beyond the Alps and from various countries'. He soon assembled a musical ensemble that boasted some of the most celebrated musicians in the Franco-Flemish polyphony of the day, from Italy and beyond. The Duke brought into being a new kind of polyphonic mass, a cycle of motets called missales to replace the traditional ordinarium, with texts attributing special importance to the worship of Our Lady of Grace and Mercy, much beloved by the Sforza family. A masterpiece of the genre is the so-called Missa Galeazescha for five voices, composed by Loyset Compère and performed here by an ensemble inspired by the impressive size of Galeazzo Maria Sforza's cappella. This recording brings together four vocal-instrumental groups.
Tracklist:
- Sonata No. 100
- Virgo Maria
- Ave, Stella Matutina, A 4
- Ave Domina Sancta Maria
- Missa Galeazescha: Loco Introitus. Ave, Virgo Gloriosa
- Missa Galeazescha: Loco Gloria. Ave, Salus Infirmorum
- Tousjours Bien
- Missa Galeazescha: Loco Credo. Ave, Decus Virginale
- La Martinella
- Missa Galeazescha: Loco Offertorii. Ave, Sponsa Verbi Summi
- Tota Pulchra Es
- Missa Galeazescha: Loco Sanctus. O Maria
- Missa Galeazescha: Ad Elevationem. Adoramus Te, Christe
- L'homme Banni
- Missa Galeazescha: Loco Agnus. Salve, Mater Salvatoris
- Christi Mater, Ave
- Ave, Pulcherrima Regina
- Missa Galeazescha: Loco Deo Gratias. Virginis Mariae Laudes
- Ave Maria Gratia Plena
- Etzliche Punctenn Aus Einer Sonade
- Mater Digna Dei
- Sonata No. 6