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P. Dickinson- Mass of Apocalypse / Larkin's Jazz / Five Forgerie
Peter Dickinson weaves together musical styles popular and classical, past and present, using a technique of `style modulation'. In his Mass of the Apocalypse the Book of Revelations' visions of a new heaven and earth interact with the liturgical text. The music of Sidney Bechet and Bix Beiderbecke played at Philip Larkin's memorial service suggested the means for him to set the words of the great British poet, himself a jazz critic. His Five Forgeries spoof the styles of famous composers, while the other works showcase different aspects of his many-sided talent.
Tracklist:
- The Unicorns: Ii. Lullaby (Arr. For Flute And Piano)
- Mass Of The Apocalypse: Kyrie
- Mass Of The Apocalypse: Sanctus And Benedictus
- Mass Of The Apocalypse: Agnus Dei
- Mass Of The Apocalypse: Gloria
- Mass Of The Apocalypse: Ite Missa Est
- Larkin's Jazz: Prelude To Reasons For Attendance
- Larkin's Jazz: Reasons For Attendance
- Larkin's Jazz: Commentary On Reasons For Attendance
- Larkin's Jazz: Prelude To For Sidney Bechet
- Larkin's Jazz: For Sidney Bechet
- Larkin's Jazz: Commentary On For Sidney Bechet
- Larkin's Jazz: Prelude To Love Songs In Age
- Larkin's Jazz: Love Songs In Age
- Larkin's Jazz: Commentary On Love Songs In Age
- Larkin's Jazz: Prelude To Reference Back
- Larkin's Jazz: Reference Back - Conclusion
- 5 Forgeries: No. 1. Poulenc: Vif Et Gai
- 5 Forgeries: No. 2. Hindemith: Sehr Langsam - Massig Schnell
- 5 Forgeries: No. 3. Stravinsky: Eighth Note = 120-144
- 5 Forgeries: No. 4. Delius: Slow
- 5 Forgeries: No. 5. Bartok: Pesante
- 5 Early Pieces: No. 1. Contemplation I
- 5 Early Pieces: No. 2. Invention I
- 5 Early Pieces: No. 3. Contemplation II
- 5 Early Pieces: No. 4. Invention II
- 5 Early Pieces: No. 5. Contemplation III
- Air
- Metamorphosis
Peter Dickinson weaves together musical styles popular and classical, past and present, using a technique of `style modulation'. In his Mass of the Apocalypse the Book of Revelations' visions of a new heaven and earth interact with the liturgical text. The music of Sidney Bechet and Bix Beiderbecke played at Philip Larkin's memorial service suggested the means for him to set the words of the great British poet, himself a jazz critic. His Five Forgeries spoof the styles of famous composers, while the other works showcase different aspects of his many-sided talent.
Tracklist:
- The Unicorns: Ii. Lullaby (Arr. For Flute And Piano)
- Mass Of The Apocalypse: Kyrie
- Mass Of The Apocalypse: Sanctus And Benedictus
- Mass Of The Apocalypse: Agnus Dei
- Mass Of The Apocalypse: Gloria
- Mass Of The Apocalypse: Ite Missa Est
- Larkin's Jazz: Prelude To Reasons For Attendance
- Larkin's Jazz: Reasons For Attendance
- Larkin's Jazz: Commentary On Reasons For Attendance
- Larkin's Jazz: Prelude To For Sidney Bechet
- Larkin's Jazz: For Sidney Bechet
- Larkin's Jazz: Commentary On For Sidney Bechet
- Larkin's Jazz: Prelude To Love Songs In Age
- Larkin's Jazz: Love Songs In Age
- Larkin's Jazz: Commentary On Love Songs In Age
- Larkin's Jazz: Prelude To Reference Back
- Larkin's Jazz: Reference Back - Conclusion
- 5 Forgeries: No. 1. Poulenc: Vif Et Gai
- 5 Forgeries: No. 2. Hindemith: Sehr Langsam - Massig Schnell
- 5 Forgeries: No. 3. Stravinsky: Eighth Note = 120-144
- 5 Forgeries: No. 4. Delius: Slow
- 5 Forgeries: No. 5. Bartok: Pesante
- 5 Early Pieces: No. 1. Contemplation I
- 5 Early Pieces: No. 2. Invention I
- 5 Early Pieces: No. 3. Contemplation II
- 5 Early Pieces: No. 4. Invention II
- 5 Early Pieces: No. 5. Contemplation III
- Air
- Metamorphosis