Shostakovich / Vivanet- Russian Album
Sardinian pianist Andrea Vivanet is one of the most interesting musicians of our time. Far more than a fabulous virtuoso, Vivanet captivates with finely chiseled art of characterization, organically coherent performance and utmost refinement of colorism in both large and smallest forms. His Szymanovsky album on the Naxos label was hailed by international critics, and his new album for Aldilà Records is an unconventional panorama of Russian piano music from the traditional to the classical modernism of the 1930s. Sergei Taneyev's only piano work 'Prelude and Fugue' is not only a breathtaking contrapuntal masterpiece, it is also considered a pianistic acid test and is brilliantly performed here. Nikolai Tcherepnin, like Glazunov one of the great Rimsky-Korsakov pupils driven into emigration by the Russian Revolution, is still not completely rediscovered. Three of his miniature cycles are presented here in first recordings. The poetic lyricism of the turn-of-the-century music with it's romantic, shimmering richness of color contrasts with the subtle originality of the folk song arrangements 'Primitifs' from 1926, in which the new era has it's say. The 'Russian Album' closes with Shostakovich's overflowingly diverse miniature cycle of 24 Preludes Op. 34 from 1933. Russian piano music has arrived in the modern age, but everywhere the tradition continues to shine through in a transformed manner.
Tracklist:
- Prelude and Fugue in G-sharp minor Op. 29~Andante
- Prelude and Fugue in G-sharp minor Op. 29~Allegro vivace e con fuoco
- Six Préludes Op. 17~I. Moderato pensieroso
- Six Préludes Op. 17~II. Andante con moto. Capriccioso
- Six Préludes Op. 17~III. Molto sostenuto (Quasi andante)
- Six Préludes Op. 17~IV. Moderato con moto
- Six Préludes Op. 17~V. Andantino
- Six Préludes Op. 17~VI. Allegro non troppo. Agitato
- Cinq Morceaux Op. 18~I. Mélodie. Moderato assai
- Cinq Morceaux Op. 18~II. Improvisation. Andantino tranquillo
- Cinq Morceaux Op. 18~III. Prélude. Molto adagio
- Cinq Morceaux Op. 18~IV. Humorèsque. Allegretto ma tranquillo
- Cinq Morceaux Op. 18~V. Modo religioso. Andante sostenuto
- Primitifs. 12 Adaptions d'anciennes mélodies russes~I. Moderato con moto
- Primitifs. 12 Adaptions d'anciennes mélodies russes~II. Andantino piacevole... pensieroso
- Primitifs. 12 Adaptions d'anciennes mélodies russes~III. Allegretto marcato
- Primitifs. 12 Adaptions d'anciennes mélodies russes~IV. Andantino rubato quasi Allegretto piacevole
- Primitifs. 12 Adaptions d'anciennes mélodies russes~V. Moderato scherzando
- Primitifs. 12 Adaptions d'anciennes mélodies russes~VI. Andantino
- Primitifs. 12 Adaptions d'anciennes mélodies russes~VII. Allegro risoluto, leggiero
- Primitifs. 12 Adaptions d'anciennes mélodies russes~VIII. Molto moderato, quasi andantino
- Primitifs. 12 Adaptions d'anciennes mélodies russes~IX. Allegro risoluto
- Primitifs. 12 Adaptions d'anciennes mélodies russes~X. Andantino
- Primitifs. 12 Adaptions d'anciennes mélodies russes~XI. Andante
- Primitifs. 12 Adaptions d'anciennes mélodies russes~XII. Presto
- 24 Preludes Op. 34~I. Moderato
- 24 Preludes Op. 34~II. Allegretto
- 24 Preludes Op. 34~III. Andante
- 24 Preludes Op. 34~IV. Moderato
- 24 Preludes Op. 34~V. Allegro vivace
- 24 Preludes Op. 34~VI. Allegretto
- 24 Preludes Op. 34~VII. Andante
- 24 Preludes Op. 34~VIII. Allegretto
- 24 Preludes Op. 34~IX. Presto
- 24 Preludes Op. 34~X. Moderato non troppo
- 24 Preludes Op. 34~XI. Allegretto
- 24 Preludes Op. 34~XII. Allegro non troppo
- 24 Preludes Op. 34~XIII. Moderato
- 24 Preludes Op. 34~XIV. Adagio
- 24 Preludes Op. 34~XV. Allegretto
- 24 Preludes Op. 34~XVI. Andantino
- 24 Preludes Op. 34~XVII. Largo
- 24 Preludes Op. 34~XVIII. Allegretto
- 24 Preludes Op. 34~XIX. Andantino
- 24 Preludes Op. 34~XX. Allegretto furioso
- 24 Preludes Op. 34~XXI. Allegretto poco moderato
- 24 Preludes Op. 34~XXII. Adagio
- 24 Preludes Op. 34~XXIII. Moderato
- 24 Preludes Op. 34~XXIV. Allegretto
Sardinian pianist Andrea Vivanet is one of the most interesting musicians of our time. Far more than a fabulous virtuoso, Vivanet captivates with finely chiseled art of characterization, organically coherent performance and utmost refinement of colorism in both large and smallest forms. His Szymanovsky album on the Naxos label was hailed by international critics, and his new album for Aldilà Records is an unconventional panorama of Russian piano music from the traditional to the classical modernism of the 1930s. Sergei Taneyev's only piano work 'Prelude and Fugue' is not only a breathtaking contrapuntal masterpiece, it is also considered a pianistic acid test and is brilliantly performed here. Nikolai Tcherepnin, like Glazunov one of the great Rimsky-Korsakov pupils driven into emigration by the Russian Revolution, is still not completely rediscovered. Three of his miniature cycles are presented here in first recordings. The poetic lyricism of the turn-of-the-century music with it's romantic, shimmering richness of color contrasts with the subtle originality of the folk song arrangements 'Primitifs' from 1926, in which the new era has it's say. The 'Russian Album' closes with Shostakovich's overflowingly diverse miniature cycle of 24 Preludes Op. 34 from 1933. Russian piano music has arrived in the modern age, but everywhere the tradition continues to shine through in a transformed manner.
Tracklist:
- Prelude and Fugue in G-sharp minor Op. 29~Andante
- Prelude and Fugue in G-sharp minor Op. 29~Allegro vivace e con fuoco
- Six Préludes Op. 17~I. Moderato pensieroso
- Six Préludes Op. 17~II. Andante con moto. Capriccioso
- Six Préludes Op. 17~III. Molto sostenuto (Quasi andante)
- Six Préludes Op. 17~IV. Moderato con moto
- Six Préludes Op. 17~V. Andantino
- Six Préludes Op. 17~VI. Allegro non troppo. Agitato
- Cinq Morceaux Op. 18~I. Mélodie. Moderato assai
- Cinq Morceaux Op. 18~II. Improvisation. Andantino tranquillo
- Cinq Morceaux Op. 18~III. Prélude. Molto adagio
- Cinq Morceaux Op. 18~IV. Humorèsque. Allegretto ma tranquillo
- Cinq Morceaux Op. 18~V. Modo religioso. Andante sostenuto
- Primitifs. 12 Adaptions d'anciennes mélodies russes~I. Moderato con moto
- Primitifs. 12 Adaptions d'anciennes mélodies russes~II. Andantino piacevole... pensieroso
- Primitifs. 12 Adaptions d'anciennes mélodies russes~III. Allegretto marcato
- Primitifs. 12 Adaptions d'anciennes mélodies russes~IV. Andantino rubato quasi Allegretto piacevole
- Primitifs. 12 Adaptions d'anciennes mélodies russes~V. Moderato scherzando
- Primitifs. 12 Adaptions d'anciennes mélodies russes~VI. Andantino
- Primitifs. 12 Adaptions d'anciennes mélodies russes~VII. Allegro risoluto, leggiero
- Primitifs. 12 Adaptions d'anciennes mélodies russes~VIII. Molto moderato, quasi andantino
- Primitifs. 12 Adaptions d'anciennes mélodies russes~IX. Allegro risoluto
- Primitifs. 12 Adaptions d'anciennes mélodies russes~X. Andantino
- Primitifs. 12 Adaptions d'anciennes mélodies russes~XI. Andante
- Primitifs. 12 Adaptions d'anciennes mélodies russes~XII. Presto
- 24 Preludes Op. 34~I. Moderato
- 24 Preludes Op. 34~II. Allegretto
- 24 Preludes Op. 34~III. Andante
- 24 Preludes Op. 34~IV. Moderato
- 24 Preludes Op. 34~V. Allegro vivace
- 24 Preludes Op. 34~VI. Allegretto
- 24 Preludes Op. 34~VII. Andante
- 24 Preludes Op. 34~VIII. Allegretto
- 24 Preludes Op. 34~IX. Presto
- 24 Preludes Op. 34~X. Moderato non troppo
- 24 Preludes Op. 34~XI. Allegretto
- 24 Preludes Op. 34~XII. Allegro non troppo
- 24 Preludes Op. 34~XIII. Moderato
- 24 Preludes Op. 34~XIV. Adagio
- 24 Preludes Op. 34~XV. Allegretto
- 24 Preludes Op. 34~XVI. Andantino
- 24 Preludes Op. 34~XVII. Largo
- 24 Preludes Op. 34~XVIII. Allegretto
- 24 Preludes Op. 34~XIX. Andantino
- 24 Preludes Op. 34~XX. Allegretto furioso
- 24 Preludes Op. 34~XXI. Allegretto poco moderato
- 24 Preludes Op. 34~XXII. Adagio
- 24 Preludes Op. 34~XXIII. Moderato
- 24 Preludes Op. 34~XXIV. Allegretto